Somatics & Technology Conference and Workshop :: June 22-23, 2012 :: University of Chichester, UK :: Call for Papers, Artworks, and Presentations — Deadline: April 28.

The first conference of its kind in the UK to disseminate a spectrum of digital arts linked with the Somatic, this event will integrate advanced critical and theoretical perspectives. Through keynote presentations, papers, roundtable discussions led by keynote speakers, a series of workshops and an art exhibit, the conference offers the opportunity for both practical and theoretical understanding of its theme. Continue reading

Fonlad 2012 Call For Artists — Deadline: March 31. Continue reading

[BADco. “Responsibility for Things Seen”, 2011, photo: Dinko Rupčić] Symposium: Actionable Image: Agency of Image, Performance of Body, Apparatus of Spectating :: March 16-17, 2012 ::  Zagreb, Croatia :: Call for Participation – Deadline: February 10, 2012.

This symposium and its topic are a continuation of BADco.’s artistic interest to relate performance and image. More concretely, it was motivated by our most recent work Responsibility for Things Seen that was presented in 2011 within the Croatian participation at the Biennale di Venezia. The work required us, in the absence of performers in the six-months exhibition, to pursue the idea of ‘theater by other means’ and to custom develop a database video system that unfolds a particular nexus of body, image and technology. Continue reading

Transmittance #2 – Telepresence Performance :: December 13, 2011; 8:00 pm (CET) :: http://transmittance.si ( Online audience can watch and interact with the performance live using a recent version of popular browser like Firefox or Chrome) & Tobacco 001 Cultural Centre, Ljubljana, Slovenia.

Transmittance explores collaboration which is local, global, networked and broadcasted. It involves an artistic group of performers, visual artists, musicians and computer programmers to research performative possibilities of streaming, broadcasting and telepresence forging new types of performance and audience. With focus on critical and socially-aware artistic languages this work is based on asking questions about body, self and society – opening non-dualistic perspectives. Continue reading

fauxlographic by Elle Mehrmand :: November 21-23, 2011 :: Opening Reception and Performance: November 21; 6:00 pm :: University of California San Diego, Visual Arts Facility / Performance Space.

fauxlographic is a performative installation that takes place within an ethno-dysphoric cloning lab, where one can clone themselves in order to analyze their diasporic anxiety. The fauxlographic clones enact sonic rituals in Farsi, English and Perz-ish, based on multiple sources of information including embodied memories, wikileaks cables, and textual references concerning Iran and Persia. The ethno-dysphoric scientist performs a daily computing ritual wearing a neuro-headset, (pars)ing the (fars)e of the clones’ information. Continue reading

[Public Movement, 2010. Performance documentation: The Israeli Center for Digital Art, Holon] Positions by Public Movement: (1) November 4, 2011; 1:00 pm :: Washington Square Park :: (2) November 6; 1:00 pm :: Union Square South, New York City.

This November, the action and research group Public Movement will present Positions, a choreographed demonstration that invites people to take a stand on any number of urgent issues. Presented in Warsaw, Holon, Bat-Yam, Eindhoven, Heidelberg, Stockholm, and now New York, the Movement invites the public to embody their preferences, aspirations, and beliefs — manifesting political and philosophical ideas as physical positions in Washington Square Park and Union Square South. This will be Public Movement’s first presentation in the United States. Continue reading

Emotional Skin: Performance and Sensorial Environments — a VIDA 13.0 workshop with Sonia Cillari :: October 26-28, 2011 :: Matadero Madrid. Paseo de la Chopera 14, Madrid, Spain.

The Italian artist Sonia Cillari, honourable mention in VIDA 13.0, will share with participants her exploration of sensorial and perception mechanisms in immersed environments and the consciousness, perception and identity-related patterns arising from them.

The workshop is structured along three main lines: physical and phenomenological reality, the body as an interface (how do we experience space?) and the physical phenomena of the radiating body. The event is also conceived as an open debate during which attendees may propose new perceptive strategies and discuss the specific subjects proposed. Continue reading

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CELL by James Alliban & Keiichi Matsuda:

Commissioned by Alpha-ville for the 2011 festival this interactive installation plays with and proposes alternative landscapes in the technological ether surrounding our everyday movements. Personal identity is increasingly becoming a broadcasted commodity, as a result of this, our constructed personae enmesh and define us. CELL realises our virtual reflections, making digital projections into literal ones. This installation creates luminous clones, exposing these parallel realities as it replicates the body movement of visitors. As the visitor moves through the installation space, personal data mined from internet profiles is randomly tagged onto the alternate, technologically refracted form of the body, revealing the second self while simultaneously allowing us escape from it. Continue reading

Alone or Not: Perception, Body and Social Media is a choreographic frame for creating and exchanging bodily experiences. Participants send short SMS messages or tweets about their movement, actions and perceptions to each other. Together they create a social network of bodily movement that becomes a shared choreography that is documented in Twitter and the project’s website.

Owing to technical reasons the SMS message exchange works only through Finnish telephone operators and mobile phone numbers with the country code (+358) that are used in Finland. If you want to join the SMS group you should enroll by the 12th of September 2011 at info [at] aloneornot.org. You can also participate directly through Twitter.

“…send kinaesthetic tweets and improvise wherever you may be.” Susan Kozel