R15N: The Revolutionization of Communications.

Seismopolite Journal of Art and Politics – Reimagining The Political Geography Of Place And Space :: Call for Papers – Deadline: March 5, 2012.

In the coming issue we wish to focus on political geographies, as well as artistic interventions in, and reimaginations of, such geographies. The distinction between “place” and “space” is of particular interest, as it is fundamental not only to much art, but also to our global situation within neoliberal political geography. If time has come for us to reimagine this geography, as well as the interrelationships between, and definitions of “space” and “place”, is it thinkable that art could be an ideal site for such reimagination?

The construction and exploitation of a particularism of the local also seems indigenous to the logic of neoliberalism, in the sense that it relies on the opposition between place and space to be able to expand in the first place. Continue reading

Theory in Action, the journal of the Transformative Studies Institute (quarterly publication print ISSN: 1937-0229 electronic ISSN: 1937-0237), is an interdisciplinary, peer-reviewed journal, whose scope ranges from the local to the global. Its aim is to provide a forum for the exchange of ideas and the discussion of current research (qualitative and quantitative) on the interconnections between theory and action aimed at promoting social justice broadly defined.

The journal editorial board does not privilege any particular theoretical tradition or approach and there are no word or page limits for its articles. TIA publishes papers that connect academic scholarship with activism, what R.K. Merton calls ‘theories of the middle range.’ TIA values radical and unconventional ideas, expressed in different styles, whether academic or journalistic. Continue reading

404 International Festival of Art & Technology :: Open Call — Deadline: February 28, 2012. Continue reading

Machine Libertine is a newly created media poetry group.

The method of our work is the exploration of the role of media in the development of literary art practices including poetry film, text generators and performance art. The main principles of the group are formulated in Machine Poetry Manifesto and agree with two of Eugenio Tisselli’s manifestos about machine poetry — manifesto for the destruction of poets and Text Jockey — in pointing out the idea of liberation of the machines from the routine tasks and increasing the intensity of their use for creative and educational practices.

Machine Libertine had been founded in December 2010 starting with a poetry film called Snow Queen: Continue reading

[Details of dark version (Mushroom’s mycelium) left, light version (Spider web) right.] Light and Dark Networks by Ursula Endlicher, commissioned by the Whitney Museum for whitney.org: Continue reading

Review of Josephine Bosma’s Nettitudes, Let’s Talk Net Art (2011) by Eric Kluitenberg (via spectre):

Nettitudes, the new book by Josephine Bosma, is an important contribution to the often confusing and unbalanced discussion about the Internet and contemporary art. This contribution becomes especially clear from what the book does not do. First of all, Bosma does not try to offer a historical overview of the phenomenon that she calls ‘net art’. She also indicates clearly why it is difficult to mark out this area unequivocally, for there are widely differing views as to how the interaction between the Internet and contemporary art should be interpreted. Indeed, net art must in the first place be seen in a broader context than that of contemporary art, because the development of this ‘genre’ cannot be seen separately from the various forms of network culture with which it sometimes partly converges or by which it is influenced. Continue reading

Anomalia :: February 16 – May 18, 2012 :: Opening: February 16; 5:30 – 8:30 pm :: University Art Gallery, UCSD, 9500 Gilman Drive, La Jolla, California. Continue reading

Programmed Visions: Software and Memory by Wendy Hui Kyong Chun, MIT Press:

New media thrives on cycles of obsolescence and renewal: from celebrations of cyber-everything to Y2K, from the dot-com bust to the next big things – mobile mobs, Web 3.0, cloud computing. In Programmed Visions, Wendy Hui Kyong Chun argues that these cycles result in part from the ways in which new media encapsulates a logic of programmability. New media proliferates “programmed visions,” which seek to shape and predict – even embody – a future based on past data. These programmed visions have also made computers, based on metaphor, metaphors for metaphor itself, for a general logic of substitutability.

Chun approaches the concept of programmability through the surprising materialization of software as a “thing” in its own right, tracing the hardening of programming into software and of memory into storage. Continue reading

Theory Beyond Codes: Haptics, Mobile Handhelds, and other “Novel” Devices: The Tactile Unconscious of Reading across Old and New Media by Rachel Lee :: CTHEORY: Theory, Thechnology, Culure VOL 35, NOS 1-2 :: Editors: Arthur and Marilouise Kroker.

I. Don’t Press. Just Touch

In a 2007 news article in the ~Korea Times~ covering the then innovative technology of the capacitance v. resistive (i.e., pressure sensitive) touch screens, Cho Jin-Seo uses the lead-in “Don’t Press. Just Touch” to capture the habituated finger knowledge one would have to incorporate in order to switch from the more familiar interface of ATM’s and cashier check-out stands to the newer interfaces of mobile devices. [1] Continue reading