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Tag Archives: networks

Events October 13, 2009; 7:00 pm to 9:00 pm.
Center for Advanced Visual Studies/MIT, 265 Massachusetts Avenue, 3rd Floor, Room N51-390, Cambridge, MA.

iconWebTransnetworks Abstract: The rhetoric of networks has entirely infiltrated contemporary discourse about digital media. Nevertheless, there is a lack of focus on the actual infrastructure of the networks themselves: how different networks function as a result of different infrastructures, and what role contemporary cultural production has in conceptualizing alternative network designs. We need to focus on the proverbial (by now) “lines of flight” that makes the links between heterogeneous networks visible, but additionally breaks the networks open through acts of resistance, of the unexpected link to an alternative network. This is an actualization of an ethico-aesthetic paradigm, the playful-serious, the “-” ever more important as the link we make ourselves between that-which-we-must-find-out and that-which-we-want-instead.

propogationThis talk will present two recent projects that foreground instances of alternative notions of network infrastructures. The first, Fluid Nexus, is a mobile phone project designed to enable activists and relief workers to communicate independent of a centralized network. Considering people and mobile phones together, this project sees human and non-human assemblages as fluid and ever-forming and -breaking:
people become engaged in ad-hoc networks and are enrolled as carriers of data.

The second, MAICgregator, is a Firefox extension that aggregates information about colleges and universities embedded in the military-academic-industrial complex (MAIC). The extension replaces information on university websites with alternative sources from government funding databases, private press releases, and public information about trustees. By forcing these networks of organizations and data to intersect, the project works as a critique of contemporary university priorities while also suggesting one possible technique of dealing with the commodification of the web.

n701851_30691150_1741Nicholas Knouf is a PhD student in information science at Cornell University in Ithaca, NY. His research explores the interstitial spaces between information science, critical theory, digital art, and science and technology studies.

Ongoing work includes MAICgregator; Fluid Nexus; robotic puppetry projects that engage with psycho-socio-political imaginaries; and sound works that encourage the expression of the unspeakable.

Past and current work has been recognized by a number awards, including an Honorary Mention by Prix Ars Electronica in [the next idea] category (2005), the Leonardo Abstracts Service (LABS) for his master’s thesis (2008), a memefest Award of Distinction (2008), a special transmediale “Online Highlight” (2009), and a “Turbulence Spotlight” (2009). Additionally, his work has been discussed in print and online media, including ID Magazine, the Boston Globe, CNN, Slashdot, and Afterimage.

More information can be seen at his website, zeitkunst.org.

Events August 17, 2009; 7:00 pm to 9:00 pm.
Microsoft NERD, One Memorial Drive, Cambridge, MA

douglasNEW VENUE: Microsoft NERD, One Memorial Drive, Cambridge, MA.

In our first joint event, Upgrade! Boston and dorkbot-boston are thrilled to co-host Douglas Irving Repetto. Douglas is an artist and teacher. His work, including sculpture, installation, performance, recordings, and software is presented internationally. He is the founder of a number of art/community-oriented groups including dorkbot: people doing strange things with electricity, ArtBots: The Robot Talent Show, organism: making art with living systems, and the music-dsp mailing list and website. Douglas is Director of Research at the Columbia University Computer Music Center and lives in New York City with his wife, writer Amy Benson; two cute/bad cats, Pokey and Sneezy; and many plants.

bondingIn 2007, Douglas and his collaborator LoVid created Bonding Energy for Turbulence.org. Bonding Energy consists of a set of Sunsmile devices that collect and measure solar energy from seven geographically distributed sites around New York State: Columbia University, NYC; Rensselaer Polytechnic Institute, Troy; University of Buffalo; Colgate University, Hamilton; free103point9’s Wave Farm, Acra; Experimental Television Center, Owego; and The Redhouse Arts Center, Syracuse.

sunsmile0The light energy reaching the Sunsmiles’ solar panels fuels a collaborative real-time data visualization on Turbulence. Part of the larger Cross Current Resonance Transducer (CCRT) project in which the artists are developing systems for monitoring, manipulating, and interpreting natural signals such as tidal patterns and wind, Bonding Energy is focused on solar energy. Bonding Energy is a model for distributed microenergy generation, inspired by SETI@home — which harnesses the collective power of personal computers distributed worldwide — and microcredit, a loan system that supports poor or unemployed people in underdeveloped countries. Small contributions from many individuals can produce significant results.

csa2Circular Spectrum Analyzer is part of the ongoing Cross Current Resonance Transducer collaboration with LoVid. It is a solar energy to sound and movement transducer. Two solar panels directly power a shortwave radio and two motors. One of the motors continuously tunes the radio across the 19MHz spectrum while the other slowly turns seven wooden discs. The shape and engraving of the discs was determined by data collected from the seven Sunsmile devices in Bonding Energy. The same data was used to engrave intricate patterns on the aluminum body of the sculpture.

Wired voted Douglas one of 2005’s 10 Sexiest Geeks. In a 2006 interview Wired News asked “Tell us how dorkbot came about. Where did the idea for it stem from and what was the first meeting like?. Douglas replied:

dorkbotqa1_fThe specific way dorkbot came about was I moved to New York City and I was leaving a place — I ‘d been working up at Dartmouth College, which is in a pretty isolated place, for a few years. It was really wonderful and I had some great friends there but it was also an extremely small community; virtually no one doing the kinds of things I was doing or was involved in.

So when I came to New York I really wanted to get involved with people. I really wanted to expand socially and collaboratively…. And so I … had this idea that it would be fun to just sort of send out a blanket call to say, “Hey, if you’re doing neat stuff, I’d like to, you know, hang out with you.” So the idea was an adult show-and-tell, more or less. You can read the whole interview here.

Events May 19, 2009; 5:00 pm to 7:00 pm.
Center for Advanced Visual Studies/MIT, 265 Massachusetts Avenue, 3rd Floor, Room N51-390, Cambridge

freebooksAs many of you know, I recently attended the Institute for Network Cultures Winter Camp. Well, they sent me a box full of three of their fantastic booksC’Lick Me: A Netporn Studies Reader, MyCreativity Reader, and Video Vortex Reader (see below). I will be giving them away at our next Upgrade! Boston gathering.

The Institute of Network Cultures is a media research centre that actively contributes to the field of network cultures through research, events, publications and online dialogue. The INC was founded in 2004 by media theorist Geert Lovink, following his appointment as professor within the Institute of Interactive Media at the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam).

The Art and Politics of NetpornThe Art and Politics of Netporn
C’Lick Me: A Netporn Studies Reader is an anthology that collects the best material from two years of debate from The Art and Politics of Netporn 2005 conference to the 2007 C’Lick Me festival. Katrien Jacobs, Marije Janssen and Matteo Pasquinelli (eds.), C’Lick Me: A Netporn Studies Reader, Amsterdam: Institute of Network Cultures, 2007. ISBN: 978-90-78146-03-2

MyCreativityMyCreativity
The MyCreativity Reader is a collection of critical research into the creative industries. The material develops out of the MyCreativity Convention on International Creative Industries Research held in Amsterdam, November 2006. Geert Lovink and Ned Rossiter (eds.), MyCreativity Reader: A Critique of Creative Industries, Amsterdam: Institute of Network Cultures, 2007. ISBN: 987-90-78146-04-9.

vvcover front Publications uncategorizedVideo Vortex, responses to YouTube
The Video Vortex Reader is the first collection of critical texts to deal with the rapidly emerging world of online video – from its explosive rise in 2005 with YouTube, to its future as a significant form of personal media. Geert Lovink and Sabine Niederer (eds.), Video Vortex Reader: Responses to YouTube, Amsterdam: Institute of Network Cultures, 2008. ISBN: 978-90-78146-05-6.

Archive

The following interviews — with Mushon Zer-Aviv (Upgrade! International), Başak Şenova (Upgrade! Istanbul), and Kyd Campbell (Upgrade! International) — were recorded during Network Cultures Winter Camp in March 2009:


Interview with Mushon Zer-Aviv (Upgrade!) by Gabriella Coleman from network cultures on Vimeo.


Interview with Başak Şenova (Upgrade!) by Soenke Zehle from network cultures on Vimeo.

Interview with Kyd Campbell (Upgrade!) by Annette Wolfsberger from network cultures on Vimeo.

You can watch the interviews with other Winter Camp participants here.

Events March 3, 2009 to March 8, 2009.
Amsterdam

wintercampUpgrade! International has been invited to participate in Network Cultures Winter Camp, an event organized by the Institute of Network Cultures that will take place from March 3-7, 2009 in Amsterdam. Jo-Anne Green will represent Upgrade! Boston. The other participants are Blender Foundation, Bricolabs, Dyne.org, Edufactory, Floss Manuals, freeDimensional network, Genderchangers, MyCreativity, and Planetart.

When a network settles down, and is not so new anymore, it can be quite a challenge to keep it’s activity level. Should a network then transform into a so-called ‘organized network’? Organizing a network does not necessarily mean decreasing the level of spontaneity to make way for rules and hierarchy: it can provide a place for sustainable knowledge sharing and production.

As Ned Rossiter argues in his book Organized Networks (2006), face-to-face meetings are crucial “if the network is to maintain momentum, revitalize energy, consolidate old friendships and discover new ones, recast ideas, undertake further planning activities, and so on.” Network Cultures Winter Camp is therefore meant for those networks and (potential) network members that need support to gather in real life, conspire, discuss and make the necessary steps forward. Winter Camp does not have an (academic) educational or training component, but there is a lot to learn.