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Events April 26, 2011; 7:00 pm to 9:00 pm.
MIT Media Lab [E14], 6th Floor, Room 633, 75 Amherst Street, Cambridge, MA

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Sentient City Survivial Kit: RFID_hers and RFID_his

Mark Shepard will give a lecture entitled Pathetic Fallacies and Category Mistakes: making sense and nonsense of the (near-future) Sentient City: As computing leaves the desktop and spills out onto the sidewalks, streets and public spaces of the city, we increasingly find information processing capacity embedded within and distributed throughout the material fabric of everyday urban space. Artifacts and systems we interact with daily collect, store and process information about us, or are activated by our movements and transactions. Ubiquitous computing evangelists herald a coming age of urban infrastructure capable of sensing and responding to the events and activities transpiring around them. Imbued with the capacity to remember, correlate and anticipate, this near-future “sentient” city is envisioned as being capable of reflexively monitoring its environment and our behavior within it, becoming an active agent in the organization of everyday life in urban public space. This talk will unpack some of the tacit assumptions, latent biases and hidden agendas at play behind new and emerging urban infrastructures.
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5480178086_15dfa7163aMark Shepard is an artist, architect and researcher whose post-disciplinary practice addresses new social spaces and signifying structures of contemporary network cultures. His current research investigates the implications of mobile and pervasive media, communication and information technologies for architecture and urbanism. His work has been exhibited at museums, galleries and festivals internationally. In 2009, he curated Toward the Sentient City, an exhibition of commissioned projects that critically explored the evolving relationship between ubiquitous computing and the city. He is the editor of Sentient City: ubiquitous computing, architecture and the future of urban space, published by the Architectural League of New York and MIT Press.

Sentient City Survival Kit – Quick Start Guide from mark shepard on Vimeo.

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Events November 17, 2009; 7:00 pm to 9:00 pm.
Center for Advanced Visual Studies/MIT, 265 Massachusetts Avenue, 3rd Floor, Room N51-390, Cambridge, MA.

whispherSusan Kozel works across dance and philosophy in the context of digital technologies. Working in England, Europe, Scandinavia, and Canada, she collaborates with digital artists, software engineers, architects, and composers to create performances and installations. She is the director of Mesh Performance Practices and is Principal Researcher with the SMARTlab Digital Media Institute at the University of East London (UK). Kozel has a PhD in Continental philosophy specializing in Merleau-Ponty’s phenomenological writing and is the author of Closer: performance, technologies, philosophy (2007) published by The MIT Press. Her recent performance, The Yellow |Memory was the third in a series of performances exploring Technologies of Inner Spaces (previous performances in this series include ‘immanence’ 2005 and ‘other stories’ 2007).

Kozel is currently working on a new book called Social Choreographies: Corporeal Narratives with Mobile Media. She writes:

In Closer: Performance, Technologies, Phenomenology I reflected upon 10 years of artistic research across performance, philosophy and responsive digital systems like motion capture and wearable computing. In Closer I was passionate about the transformative potential of the alchemy between bodies and technologies, and argued that, with careful design, future generations of responsive systems and mobile devices could expand our social, physical, and emotional exchanges.

This Upgrade presentation will concentrate on a new research initiative that stems directly from the premises of Closer and will be the basis of my next book. Social Choreographies examines the use of mobile devices and social networking from the perspective of performance, in particular dance improvisation in public spaces. I will present results from current work with researchers from the Theatre Academy and the University of Art and Design in Helsinki, Finland. Called “IntuiTweet,” dancers in different countries use Twitter to structure movement improvisation experiments that occur in and around daily lives. We also explore the possibility of “VideoTweets”.

Twitter is criticized frequently for being superficial and disembodied. If we combine the suggestion that bodies might be left out with the suggestion that tweets are necessarily shallow we have a niche for proving otherwise. Consistent with much creative work initiated by performers and artists in the area of emerging digital technologies, the researchers on this project ask whether we can we emphasize physicality and depth, movement and intuition, in a cultural phenomenon that is quick to be classified as non-corporeal.

Very little is required for good dance improvisers to initiate movement exploration. With Butoh the starting point might be the word ‘wheat.’ With Release Technique, improvisations may begin with a road map, a drawing of the human skeletal structure, or the suggestion of moving from one’s connective tissue rather than the bones. Spatiality, temporality and narrative are implicit (or one might say ‘tacit’) to the improvisations.

The act of writing tweets from an intuitive corporeal moment, sending them to a social network and then re-integrating them into our bodies only to begin the cycle anew is an example of contextual performative engagement within social computing. Innate to this cycle of transmission and reception is a play across temporality and spatiality. The rhythms of bodies permeate the messages, and they live across modalities and spatial dimensions.

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Events October 13, 2009; 7:00 pm to 9:00 pm.
Center for Advanced Visual Studies/MIT, 265 Massachusetts Avenue, 3rd Floor, Room N51-390, Cambridge, MA.

iconWebTransnetworks Abstract: The rhetoric of networks has entirely infiltrated contemporary discourse about digital media. Nevertheless, there is a lack of focus on the actual infrastructure of the networks themselves: how different networks function as a result of different infrastructures, and what role contemporary cultural production has in conceptualizing alternative network designs. We need to focus on the proverbial (by now) “lines of flight” that makes the links between heterogeneous networks visible, but additionally breaks the networks open through acts of resistance, of the unexpected link to an alternative network. This is an actualization of an ethico-aesthetic paradigm, the playful-serious, the “-” ever more important as the link we make ourselves between that-which-we-must-find-out and that-which-we-want-instead.

propogationThis talk will present two recent projects that foreground instances of alternative notions of network infrastructures. The first, Fluid Nexus, is a mobile phone project designed to enable activists and relief workers to communicate independent of a centralized network. Considering people and mobile phones together, this project sees human and non-human assemblages as fluid and ever-forming and -breaking:
people become engaged in ad-hoc networks and are enrolled as carriers of data.

The second, MAICgregator, is a Firefox extension that aggregates information about colleges and universities embedded in the military-academic-industrial complex (MAIC). The extension replaces information on university websites with alternative sources from government funding databases, private press releases, and public information about trustees. By forcing these networks of organizations and data to intersect, the project works as a critique of contemporary university priorities while also suggesting one possible technique of dealing with the commodification of the web.

n701851_30691150_1741Nicholas Knouf is a PhD student in information science at Cornell University in Ithaca, NY. His research explores the interstitial spaces between information science, critical theory, digital art, and science and technology studies.

Ongoing work includes MAICgregator; Fluid Nexus; robotic puppetry projects that engage with psycho-socio-political imaginaries; and sound works that encourage the expression of the unspeakable.

Past and current work has been recognized by a number awards, including an Honorary Mention by Prix Ars Electronica in [the next idea] category (2005), the Leonardo Abstracts Service (LABS) for his master’s thesis (2008), a memefest Award of Distinction (2008), a special transmediale “Online Highlight” (2009), and a “Turbulence Spotlight” (2009). Additionally, his work has been discussed in print and online media, including ID Magazine, the Boston Globe, CNN, Slashdot, and Afterimage.

More information can be seen at his website, zeitkunst.org.