IHME 2010: Susan Philipsz’s, When Day Closes — a sound installation at the Helsinki Central Railway Station :: March 12 - April 11, 2010.

IHME is an annual Contemporary Art Festival in three parts: the IHME Project, a new, commissioned work in a public space; the IHME Days discussion forum; and the IHME Editions.

The IHME Project 2010 is a sound installation in Helsinki designed by Scottish sculptor Susan Philipsz. She creates sculptures using sound, and is interested in the values associated with space and in how sound can define architecture. Among the key elements of Philipsz’s approach are the psychological effects of songs and the way that songs can evoke immediate emotions and memories. Continue reading

Carrie Bodle: Sewing Sonifications Performance :: October 10, 2009; 2:00 - 6:00 pm :: Westlake Park, Seattle, WA.

Visual and sound artist Carrie Bodle will create a five-channel sound installation and sewing performance sonifying data from an ecosystem model developed by UW oceanographic scientist Dr. Neil Banas. Sound is translated from data, then visualized and made tactile by the artist embroidering the combined waveform into a continuous sound wave.

This computer model simulates the growth and consumption of plankton in the ocean ecosystem along the Washington coast during summer 2005. The five sound channels broadcast five dimensions in this data: Continue reading

Sonic Playground with Eric Leonardson — an interactive music performance using the new Lake Crescent playground :: August 25. 2009; 6:00 - 8:00 pm :: Lake Crescent #532, 1061 E. 41st Street, Chicago, IL.

Join Eric Leonardson in sonically activating the Lake Crescent Playground. This event is a part of the Park District’s “Concerts in the Parks” series, offering Chicago families a fun, affordable way to spend an evening in their own community. Bring a lawn chair or blanket, but prepare to play and listen to the playground in a totally different way. Curated by Inferno Mobile Recording Studio.

How to Make Music With Police Cars and Get away with It — An Artist’s Talk by Lázaro Valiente :: August 26, 2009; 8:00 p.m. :: Flux Factory, 39-31 29th St., Queens, NY ( Directions).

The Police Car Quartet was the first of nine public happenings by acclaimed Mexican artist, Lázaro Valiente, including the Tamal-Car Orchestra, muchos Mexican barrel organs, visual concerts at red lights, public radio Interventions, and many others. Each is a suggestion on how to control traffic in public spaces. Please join us to hear Lázaro speak, perform, and distribute works of art. Continue reading

VisualContainerTV presents Philipp Geist - Monography — an overview of live performances, multimedia installations, festivals … :: July 30 - September 15, 2009.

A self-taught artist based in Berlin since 1999, Philipp Geist (VIDEOGEIST) works internationally through the media of video, performance, photography, and painting. In 2008, he projected his video installation Time Fades across the Piazzetta open space of the Kulturforum in Berlin. In 2007, he screened his video installation Time Lines on the facade of the museum for contemporary art Palazzo delle Esposizioni in the center of Rome. Continue reading

paidContent.org is running an interesting “article” on Public Radio in which it says that Public Radio is Dangerously Close To Making Public Radio Obsolete:

The Public Radio Exchange has just released the 2.0 version of its iPhone app, which aggregates almost all the public radio stations in the U.S. This tuner is a collaboration by some of the biggies in the public-radio space: NPR, Public Interactive, American Public Media, and Public Radio International (PRI). The 1.0 version of app has already gotten some rave reviews, but the 2.0 version, released this weekend, goes a lot further: besides streams, it has started showing what’s on right now on those stations, a seemingly small but game-changing move.

Read more about this, the addition of podcasts/downloads and various search and directory listing options to 2.0 here
and learn why the authors thinks the 2.0 app is one major step to making public radio listening on radio obsolete.

Street pianos are appearing in cities across the world. Located in skate parks, industrial estates, laundrettes, precincts, bus shelters and train stations, outside pubs and football grounds, the pianos are for any member of the public to enjoy and claim ownership of.

This summer 30 pianos will appear in London and London City. Who plays them and how long they remain is up to each community. The pianos act as sculptural, musical, blank canvases that become a reflection of the communities they are embedded in. Many pianos are personalised and decorated. You can find maps of the locations in London and London City at: http://www.streetpianos.com/london2009/ Continue reading

The Public Sound Objects (PSOs) is a Shared Sonic Environment for experimental music available as an installation or as a web based system. It is targeted to the general Public and it does not require previous music knowledge. A user can join a collaborative performance using a “Bouncing Ball Java Interface” by manipulating Sound Objects in a central soundserver.

To run the client software properly you need to have Java installed and a Standard MIDI Synthesizer. The Public Sound Objects Software is Open Source under a GPL Licence. Source code can be downloaded. A video essay can be found here. Continue reading

Cyberbirds: Audio | Video Peacock are mobile multimedia screens by Benoît Maubrey — The Audio Peacock is a wearable electronic instrument constructed out of polycarbonate (plexi-glass) equipped with loudspeakers, amplifier, battery and different sound-making devices (microphone, sampler, radio receiver, interactive sensors). As Video Peacocks, the costume functions also as a mobile screen onto which theme-specific visualizations (movies, pictures, internet blogs, interactive computer images, webcasts and closed circuit camera views) are projected.

This wearable electroacoustic instrument is shaped into a peacock’s fan-like plumage and is highly directional — projecting the sound into a space like an oversized radar dish. Much in the same way that the courtyard peacock “strutts his stuff” in front of a pea-hen and imposes with his awesome cry, so does the Audio Peacock stalk his architectural domain — using sound as a scalpel that cuts through air and sculpts it, transforming it to into his new realm. Continue reading

Stephen Hurrel’s Beneath and Beyond: Seismic Sounds is an audio visual installation at Glasgow’s Tranway, as part of the annual GI festival for Visual Art. The installation presents a realtime feed of seismic shifts recorded from data of 100 of so seismic monitoring stations around the Earth. We are presented with the sound of the various vibrations going on within the Earth’s core at that very moment. We also see two visual screens showing graphical displays of particularly large tectonic shifts or events at that one time. Continue reading