Live Stage: WoodEar [
NYC]
Turbulence@PaceDigitalGallery3: WoodEar by Peter Traub with Jennifer Lauren Smith :: April 16-May 3, 2013 :: Opening Reception: April 16; 5:00 - 7:00 pm :: Pace Digital Gallery, NYC. Continue reading
Turbulence@PaceDigitalGallery3: WoodEar by Peter Traub with Jennifer Lauren Smith :: April 16-May 3, 2013 :: Opening Reception: April 16; 5:00 - 7:00 pm :: Pace Digital Gallery, NYC. Continue reading
Turbulence Commission: WoodEar by Peter Traub [Needs download, and Speakers/Headphones]:
Bringing the body of the tree to the network is a natural fit — a tree is a network too: roots sensing and absorbing nutrients, leaves sensing and photosynthesizing sunlight, and phloem and xylem running throughout to carry nutrients across the structure. WoodEar attempts to merge the dynamic qualities of this biological network with the digital network. A series of sensors attached to the tree stream data on the state of its environment — light, temperature, air pressure, and wind. This live data is merged with photos and recordings of the tree’s immediate surroundings into a generative application/installation. By downloading and running the application, anyone can access the live environmental experiences of the tree — one that may be very distant from them, but that still shares the same air, sun, earth, and sky. Continue reading
Live Interfaces: Performance, Art, Music :: September 7-8, 2012 :: ICSRiM, School of Music, University of Leeds, Leeds, East Yorkshire LS2 9JT, United Kingdom of Great Britain and Northern Ireland :: Registration until August 30, £30 for both days.
Live Interfaces is an international conference on research and practice in live performance technology. The conference seeks to investigate cross-disciplinary understandings of performance technology with a particular focus on issues related to the notion of liveness in interaction. A preliminary programme with a list of papers and performances is available here.
Here is a summary of the conference structure: Continue reading
New Radio and Performing Arts, Inc. is now accepting proposals for its Turbulence.org Commissions Program. The deadline for New York practitioners is May 31, 2012; June 30, 2012 for everyone else. The Application Guidelines are here.
Turbulence.org is the oldest and most consistent net art commissions site in the world. Now celebrating 16 years it has commissioned, exhibited and archived over 200 works. We are also in the process of archiving the collection at the Rose Goldsen Archive of New Media Art, Cornell University, Ithaca, New York. You can read about the project in Virtueel Platform Research: Archiving the Digital by Annet Dekker and Rachel Somers-Miles.
Turbulence.org, Eyebeam Art & Technology Center, and ISSUE Project Room present: L-Carrier — A Networked Installation and Performance by Eli Keszler :: Performance: June 7, 2012; 7:00 - 8:00 pm :: Installation: June 7-23, 2012 :: Eyebeam, 540 West 21st Street, New York + Turbulence.org [Needs Safari, Firefox or Chrome; and Speakers/Headphones].
From June 7-23, composer-percussionist Eli Keszler transforms Eyebeam’s Project Space with L-Carrier, a large-scale, mechanical stringed instrument that will immerse audiences in rich harmonies and sparse, multi-directional rhythms. Fluid, dynamic acoustic sounds will push and pull against the installation’s sonic control. The website displays the piece’s evolving visual data score, and streams real-time audio from the physical environment. Continue reading
Sonorities Festival :: Net Concert :: March 22, 2012; 5:00 pm :: In São Paulo: auditório Lupe Cotrin da ECA/USP :: In Belfast: Sonic Lab at Sarc :: Streaming here.
The University of São Paulo Mobile research group in Brazil invites to an Internet concert in collaboration with the SARC (Sonic Arts Research Centre) in Northern Ireland. Two groups of artists, one in the ECA/USP in São Paulo, the other in the SARC in Belfast will be presenting five new pieces created especially for this network environment. The concert is part of a collaborative research project between the institutions and will be presented in the Sonorities Festival opening day. More information here. Continue reading
Sound Art. Sound as a Medium of Art with works by John Cage, La Monte Young, Rolf Julius, Timo Kahlen, Steve Roden, Carsten Nicolai, Ryoji Ikeda, Iannis Xenakis and more :: March 17, 2012 – January 6, 2013 :: Opening: March 16, 2012; 7:00 pm :: ZKM_Foyer, Lorenzstraße 19, D-76135 Karlsruhe, Germany. Continue reading
Art’s Birthday Online Performance: NAISA will present a live re-mix of NAISA’s January 15th activities plus recordings of other Art’s Birthday broadcasts from around the world. Also, included are Art’s Birthday gifts by artists uploaded to Kunstradio. To send your own birthday gift for Art upload pictures, video or sound here.
New Flesh Network is a musical performance for choir - controlled by The Musical Turk :: by Olle Cornéer and Martin Lübcke ::
New Flesh Network from Olle Corneer on Vimeo.
Every person in the choir wears a pair of ear muffs cancelling out all sounds, making them hear only the instructions that they individually receive in their in-ear headphones. The music is improvised and reflects the network it is a part of. Every person executes a simple task, but the result is complex and organic. Continue reading
Dear Friends,
We’re half-way through our end of year fundraiser. Please make a donation (tax-deductible for US residents) before December 31.
Now embarking on its 32nd year, New Radio and Performing Arts, Inc. — an independent not-for-profit organization founded in New York City — continues to agitate the institutional art world through its trailblazing projects, including New American Radio (1987-1998), Turbulence.org (1996-), Networked _ Performance (2004-), Networked _ Music _ Review (2007-), and Networked: a (networked _ book) about (networked _ art) (2009-).
Since 1981, NRPA has commissioned more than 500 works by more than 400 artists, many of them just beginning their careers. The Turbulence.org archive spans a crucial 15-year period of exploration and innovation in digital, networked environments, ranging from hypertext to information visualization, blogs to social networks, and interactive dance/musical compositions to 3-D architecture.
Here’s what Régine Debatty and Timothy Murray have said about Turbulence.org:
“Turbulence because they’ve been consistently commissioning net.art … and because they have a great blog called Networked_Performance that documents better (much better) than me the calls, essays and events that interest the whole new media art community.” Régine Debatty, we-make-money-not-art, 2006
“Turbulence … has developed into a natural archive of Internet art, housing the largest representation of American art produced as networked art. Indeed, no other on-line exhibition project has played such an influential and lasting role.” Timothy Murray, The Rose Goldsen Archive of New Media Art, 2011
Please help us keep doing what we’re doing by making a donation via PayPal on http://turbulence.org or by sending a check to:
New Radio and Performing Arts, Inc.
124 Bourne Street
Roslindale, MA 02131
United States of America
Thank you.
We wish you all a peaceful and prosperous 2012.
Warmly,
Jo and Helen
[Chris Salter working at his installation in the Exhibitions Gallery of the Art Centre. Photo:LABoral/Sergio Redruello] n-Polytope: Behaviors in Light and Sound after Iannis Xenakis ... Read more