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Category: lecture

Live Stage: Violins to Fences [au Melbourne]

violin-250×166.jpgViolins to Fences: A Life of Experimentation in Music by Jon Rose :: July 27, 2012; 6:00 pm :: Village Roadshow Theatrette - State Library of Victoria, 328 Swanston Street, Melbourne.

At one end of the continuum is the violin — iconic, an instrument of perfection, a bastion of western culture; at the other end is the fence –- metaphor for duality, the instrument of our species’ desire for control, ownership, and exploitation. For most of the last forty years, Jon Rose has explored the musical possibilities of the string and the wire in all sizes and situations. In this lecture he connects the radical with the traditional, and the unique experience with the commonplace, in a practice of music that has led him into previously unexplored sonic worlds and sometimes into confrontation. Continue reading


Jul 22, 2012
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Live Stage: Machine Listening And Learning For Musical Systems [es Barcelona]

artificial_neural_network.jpgMachine Listening And Learning For Musical Systems:: with Nick Collins :: Pompeu Fabra University (Room 52.321, 3rd floor) Roc Boronat, 158. Spain :: July 7, 2012 :: 15:30h ::

Musical articial intelligences are playing an important role in new composition and performance systems. Critical to enhanced capabilities for such machine musicians will be listening facilities modeling human audition, and machine learning able to match the minimum 10000 hours or ten years of intensive practice of expert human musicians. Future musical agents will cope across multiple rehearsals and concert tours, or gather multiple commissions, potentially working over long musical lifetimes; they may be virtuoso performers and composers attributed in their own right, or powerful musical companions and assistants to human musicians. Continue reading


Jun 7, 2012
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Jason Freeman - Composition, Imagination and Collaboration


May 23, 2012
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Live Stage: David Dunn [us Miami]

gustav.jpgSounding with David Dunn :: February 18, 2012; 7:00 pm :: Listening Gallery, 800 Lincoln Road, Miami, FL.

David Dunn is a deep yet entertaining thinker in all matters related to sound. For many years, his work with sound has explored the interaction between art, language and environment, and his brand of artistic curiosity has brought about a new field of insect sound studies and scientific research.

The Listening Gallery Soundings at the Artcenter are, not lectures, opening receptions or performances … but a sample of all-of-the-above. These are opportunities to meet the artist in a very special and intimate context. Continue reading


Feb 16, 2012
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Live Stage: EarZoom2011 / ICMC2012 [sl Ljubljana]

earzoom.jpgEarZoom2011 / ICMC2012 :: Friday, September 30 at 7:00pm - October 4 at 11:30pm :: Ljubljana - Slovenia ::

IRZU – Institute for Sonic Arts Research, is announcing the third edition of: EarZoom – Sonic Arts Festival, which will take place between 30th September and 4th October 2011 at different venues in Ljubljana, Slovenia.

The main aim of the festival is to present a set of carefully selected works of multi-profile individuals (artists/scientists) and thus promote the interdisciplinary field of electronic music – the myriad of possibilities it has to offer – to artists and scientists (engineers) within our local community. Continue reading


Sep 19, 2011
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Live Stage: Sonic Acts - Travelling Time [nl Amsterdam]

2299190800_a9aa5056c0.jpgSonic Acts - Travelling Time :: February 23-26, 2012 :: Amsterdam, Netherlands.

Travelling Time is the fourteenth edition of Sonic Acts, and its theme is the human experience of time. Time dictates our schedule; time gives us structure. We think of ourselves as living in the present, with the past behind us, moving towards the future. But in fact, there is nothing so complex and ambiguous as time: the arrival the early twentieth century of the theory of relativity and quantum mechanics has tampered with our straightforward concept of time. The ongoing development and application of technology is challenging, changing and destabilising our sense of time. Continue reading


Sep 2, 2011
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Live Stage: Tyrannies of Participation [tr Istanbul]

kimjohn_image1.png[Conceptual mock-up of Se­cu­rity Gate 26.11 by Molly Reichert] ISEA Istanbul presents Tyrannies of Participation — Chair Per­son: Seeta Peña Gan­gad­ha­ran; Pre­sen­ters: Jon Lei­decker, Joshua Kit Clay­ton, John Kim, An­thony Tran, Vasily Tru­bet­skoy :: Sep­tem­ber 16, 2011; 9:00 am - 10:30 am :: Sa­banci Cen­ter Room 3, Sa­banci Cen­ter, Lev­ent.

The pur­pose is to ex­plore the con­struc­tion and val­u­a­tion of par­tic­i­pa­tory dis­courses, de­signs, or ex­pe­ri­ences and chal­lenge re­ceived wis­dom of par­tic­i­pa­tion’s power. When does the dis­course of par­tic­i­pa­tion mask power? Who has ac­tual ver­sus per­ceived au­thor­ity? How do bot­tom-up, col­lab­o­ra­tive-based, lev­eled so­cial, cul­tural, and po­lit­i­cal ex­per­i­ments cre­ate new in­equal­i­ties?

Work­ing across the arts, music, and pol­i­tics, this panel con­sid­ers the dy­nam­ics of power in me­di­ated par­tic­i­pa­tion. Continue reading


Aug 31, 2011
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Live Stage: Sound­wwwalk Per­for­mance [tr Istanbul]

garnicnig_soundwwwalks_image_1.jpgISEA Istanbul presents Soundwwwalk Performance Panel: in­ves­ti­ga­tions to­wards an Acoustic Ecol­ogy of Net­works and the world wide web as in­ter­face and ma­te­r­ial for live per­for­mance — Chair Per­son: Bern­hard Gar­nic­nig; Pre­sen­ters: Ceci Moss, Jamie Allen, Peter Moos­gaard, Con­stant Dul­laart, Ju­lian Palacz, Joel Holm­berg, Will Schrimshaw :: Sep­tem­ber 17, 2011; 1:00 - 2:30 pm :: Sa­banci Cen­ter Room 7, Sa­banci Cen­ter, Lev­ent.

Com­puter net­works and cities both are so­cial spaces that have emerged as ma­te­r­ial spaces where lives are lead and work gets done. They are su­per­struc­tures for com­mu­ni­ca­tion, net­works of chan­nels where in­for­ma­tion and goods are trans­ferred. Both spaces have their par­tic­u­lar acoustic prop­er­ties and qual­i­ties, and while ex­ten­sive stud­ies of en­vi­ron­men­tal acoustics and the sound­scape of our en­vi­ron­ment have been emerg­ing in the last 40 years, net­work spaces are still con­sid­ered to be spaces with­out sound, acoustics or any sonic prop­er­ties. Continue reading


Aug 31, 2011
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Live Stage: Patterns + Pleasure [nl Frascati]

splash-page.jpgSTEIM organizes Patterns + Pleasure Festival:: September 26, 27 and 28, 2011, daily from 10:00 am to 0:00 pm. :: at Frascati, Nes 63 Amsterdam :: Day-ticket: € 30,- (symposium + festival), Festival Passe-partout: € 75,- ::

STEIM (Studio for electro-instrumental music) organizes the Patterns + Pleasure Festival a festival for adventurous contemporary electronic music, on 26, 27 and 28 September at Frascati Amsterdam. This three-day festival presents the latest and most adventurous contemporary electronic music from today. There will be lectures, workshops, debates and performances by musicians and sound artists from home and abroad. Starring Alex Nowitz, Tom Johnson, Jessica Rylan, Fuyuki Yamakawa, Steina Vasulka, David Toop, Moldover, Edison and many more. Continue reading


Aug 5, 2011
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"Bright Field" - Talk by R. Luke Dubois


Jul 28, 2011
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3D ~ 8bit ~ acousmatic ~ acoustic ~ activist ~ aesthetics ~ Artificial Intelligence ~ algorithmic ~ ambient ~ analog ~ animation ~ apps ~ architecture ~ archives ~ art + science ~ arts ~ audio tour ~ augmented ~ auralization ~ audio/visual ~ avatar ~ bioart ~ biotechnology ~ body ~ book ~ broadcasts ~ business ~ calls + opps ~ cassette ~ chance ~ chiptune ~ circuit bending ~ city ~ code ~ collaboration ~ collective ~ community ~ composer ~ composition ~ concert ~ conductor ~ conference ~ controller ~ convergence ~ conversation ~ copyright ~ data ~ distributed ~ diy ~ e-literature ~ ecology ~ education ~ electroacoustic ~ electromagnetic ~ electronic ~ emergence ~ environment ~ event ~ exhibition ~ experimental ~ feedback ~ festival ~ field recording ~ p2p ~ film ~ found ~ free/libre software ~ game ~ generative ~ gesture ~ glitch ~ hacktivism ~ haptics ~ hardware ~ hybrid ~ identity ~ image ~ im/material ~ immersion ~ improvisation ~ instrument ~ interactive ~ interdisciplinary ~ interface ~ intermedia ~ intervention ~ interview ~ interviews/other ~ jazz ~ language ~ laptop ~ lecture ~ light ~ listening ~ cinema ~ livecoding ~ livestage ~ locative media ~ machines ~ mapping ~ mashup ~ media ~ microsound ~ mixed reality ~ mobile ~ motion tracking ~ multimedia ~ nature ~ net_music_weekly ~ net art ~ networked ~ audio ~ dance ~ installation ~ live ~ music ~ narrative ~ radio ~ sound ~ text ~ theater ~ video ~ new media ~ news ~ newsletter ~ nmr_commission ~ noise ~ notation ~ object ~ open source ~ opera ~ orchestra ~ perception ~ performance ~ platform ~ tool ~ play ~ phonography ~ physical ~ place ~ place-specific ~ podcast ~ political ~ presence ~ presentation ~ privacy ~ processing ~ psychogeography ~ public ~ pure data ~ reblog ~ recording ~ recycle ~ relational ~ remix ~ research ~ residency ~ resource ~ responsive ~ reuse ~ robotic ~ sample ~ score ~ second life ~ sensor ~ simulation ~ site-specific ~ social ~ social network ~ software ~ sonification ~ sound sculpture ~ sound synthesis ~ sound walk ~ soundscape ~ soundtrack ~ space ~ spatialization ~ spoken word ~ streaming ~ surround sound ~ surveillance ~ symposium ~ synchronous ~ synesthesia ~ synthesizers ~ systems ~ tactical ~ tag ~ talks ~ tangible ~ telematic ~ history ~ participatory ~ technology ~ asynchronous ~ wireless network ~ theory ~ tactile ~ toy ~ transmission arts ~ tv ~ ubiquitous ~ upgrade! ~ urban ~ virtual ~ visualization ~ VJ/DJ ~ voice ~ wearable ~ web 2.0 ~ webcast ~ wireless device ~ workshop ~ writings ~

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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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n-Polytope: Behaviors in Light and Sound after Iannis Xenakis [Gijón]

[Chris Salter working at his installation in the Exhibitions Gallery of the Art Centre. Photo:LABoral/Sergio Redruello] n-Polytope: Behaviors in Light and Sound after Iannis Xenakis ... Read more
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