Networked_Music_Review
Scroll to prev post Scroll to next post

Category: concert

Live Stage: American Festival of Microtonal Music [us NYC]

micro.jpg American Festival of Microtonal Music (AFMM) under the direction of Johnny Reinhard, presents a concert :: May 15, 2010; 8:00 p.m. :: Church of St. Luke in the Fields, 487 Hudson Street, New York City.

Spotlights: Madeleine Shapiro‘s performance of Ge Gan-Ru’s YI-SENG (Lost Style) for solo amplified cello scordatura (Shanghai, 1968). 10-year old twin Gayageum players Sarah and Stephanie Yoon present the traditional Korean standard known as SANJO on their 12-string instruments in an ancient microtonal tuning (think “whammy-bar” zithers). Also, 25-string Gayageum virtuoso Rami Seo introduces her NEXUS in confluence with bassoon (Johnny Reinhard), cello (Madeleine Shapiro), and Terpstra synthesizer (Joshua Pierce). The Terpstra synthesizer, a honeycomb keyboard design of 55 tones per octave over 5 octaves designed by Siemen Terpstra (Amsterdam), is heard publicly in its debut this evening with support from Harvestworks. Pianist Joshua Pierce plays in a 53-tone equal temperament subset for DREI KLAVIERSTÜCKE, as imagined by composer Arnold Schönberg.


May 5, 2010
Comments (0)

Live Stage: Art.on.Wires [no Oslo]

art.jpgArt.on.Wires: A Laboratory for Live and Interactive Art & Technology :: May 10 – 13, 2010; 10:00 am – 11:00 pm :: Kanonhallen, Oslo, Norway.

Art.on.Wires is an open laboratory for live and interactive art where researchers, engineers and practitioners from various fields collaborate to explore and create a new generation of media technology for artistic performances and mixed-reality spaces.

We invite choreographers, dancers, singers, actors, musicians, composers, DJs, VJs, visual artists, programmers, set designers, light engineers, sound engineers and interested researchers to join our laboratory. The four-day event will feature workshops on artistic programming tools and interactive technologies, dorkbot talks and experimental performances. Art.on.Wires takes place in an old industry hall which will be equipped with interactive technologies to serve as a space for artistic and scientific experimentation. Continue reading


Apr 30, 2010
Comments (0)

Live Stage: Resonanzen Festival [de Leipzig]

schlitz_starke21.jpgResonanzen Festival for Audio Culture :: April 15th – 18th, 2010 :: Schaubuehne Lindenfels and Tapetenwerk Leipzig, Germany :: Performances & Concerts // Exhibition // Symposium ::

At the festival Resonanzen contemporary radioplays, sound installations, concerts and performances
will be presented and discussed. The various contributions are dedicated to different questions concerning the staging of the listener and the listening. Furthermore, a central focus of the festival is to create a platform for an exchange between younger artists and established artists.

How does a sound find its image, how does a body find its song and why isn´t the machine beeping anymore?

For schedule, see: http://resonanzen-leipzig.de/?page_id=44


Apr 14, 2010
Comments (0)

Live Stage: John Bischoff + Kenneth Atchley [cz Prague]

largest_100406224455.jpgJohn Bischoff and Kenneth Atchley in concert :: May 28, 2010; 7:30-10:30 pm :: Galerie Školská 28, Školská 28, Prague, Czech Republic.

JOHN BISCHOFF (b. 1949, San Francisco) has been active in the experimental music scene in the San Francisco Bay Area for over 30 years as a composer, performer, and teacher. He is known for his solo constructions in real-time computer synthesis and the pioneering development of computer network music. His performances around the US include NEW MUSIC AMERICA festivals in 1981 (SF) and 1989 (NYC), Lampo (Chicago), and the Beyond Music Festival (LA). He has performed numerous times in Europe at such venues as the Festival d’Automne in Paris, Akademie der KŸnst in Berlin, Fylkingen in Stockholm, and Tesla in Berlin. He was a founding member of the League of Automatic Music Composers (1978) and he co-authored an article on the League’s music that appears in “Foundations of Computer Music” (MIT Press 1985). Continue reading


Apr 7, 2010
Comments (0)

Live Stage: Turbulence @ Issue Project Room [us NYC]

turb_at_issue.jpgTurbulence.org Presents Two World-Premiers at Issue Project Room: The Occupants by Stephan Moore + Moments of Inertia by R. Luke Dubois, with Todd Reynolds :: April 9, 2010; 8:00 pm :: Issue Project Room, At the Old American Can Factory, 232 3rd Street, 3rd Floor, Brooklyn, NY :: Admission: $10 — Tickets.

The Occupants — by Stephan Moore — is a generative composition with some aspects that can be influenced through single- or multi-user interaction. Moore has used the piece to search for answers to both profound and insipid questions, such as: What does it mean to compose a “site-specific” composition when the site is the internet? Can a generative algorithm be imparted with a sense of long-term form that is also not pre-determined? How successfully can humans be programmed to be good collaborators with software algorithms, towards the latters’ goals? Continue reading


Mar 30, 2010
Comments (0)

Live Stage: Pamela Z @ The Stone [us NYC]

pz-rotary.jpg[photo courtesy of Ars Electronica, Linz] Pamela Z solo concert :: March 30, 2010; 8:00 pm :: The Stone, Avenue C and 2nd Street, New York City .

Pamela Z performs a concert of short solo works for voice and electronics as part of the “Word + Music” series curated by Larry Ochs. The concert will consist of a selection of works involving language, including some excerpts from her work “Parts of Speech”, some new pieces, and a few tape pieces.

Pamela Z is a San Francisco-based composer/performer and audio artist who works primarily with voice, live electronic processing, and sampling technology. She creates solo works combining experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and MIDI controllers that allow her to manipulate sound with physical gestures. Continue reading


Mar 28, 2010
Comments (0)

Live Stage: Award Concert honors Pauline Oliveros

pauline_300×300_medium_image.jpg2010 William Schuman Award Concert honoring Pauline Oliveros :: Saturday, March 27, 2010, 8:00 p.m. – 11:00 p.m. :: Miller Theatre at Columbia University, NYC :: located north of the Main Campus Gate at 116th St. & Broadway on the ground floor of Dodge Hall:: An all-star lineup plays a multifaceted program showcasing Oliveros’ stylistic evolution :: Tickets: $25; Students with ID: $15

Pauline Oliveros is an eternal innovator whose work has deeply influenced the evolution of many strains of contemporary classical music, from electronic to improvisation. I am particularly thrilled to be able to acknowledge her contributions to the field with the Schuman Award and to note that she is its first female recipient. -Carol Becker, dean of the Columbia University School of the Arts
Continue reading


Mar 26, 2010
Comments (0)

Live Stage: MUSICfor.one [byTEN] [Chatroulette]

1×10graphic.pngMUSICfor.one [byTEN] is a live “concert” improvisation created for the Chatroulette social network. Audio in the performance is generated from screen grabs taken of the first 10 people that appeared during a previous visit to the website. These pictures in turn became the graphic notation that loosely scores the work. Through this process Jason Sloan becomes the conductor while the anonymous Chatroulette users become the unaware orchestra.

The individual scores are created using software that reads the RGB pixel information across the X axis of the image and assigns a unique tone to each colored pixel. Two 20 minute movements of MUSICfor.one [byTEN] will be performed live on the Chatroulette network March 20, 2010 at 10:00 pm EST [-5GMT]. Click through and see if you can find the performance. Documentation of MUSICfor.one [byTEN] will be made available.


Mar 17, 2010
Comments (0)

Live Stage: Bent Festival 2010 [NYC, NY]

bent.jpg Bent Festival :: at The Tank, 45th Street Theatre in Hell’s Kitchen, 354 W. 45th Street between 8th and 9th., New York, NY :: April 22-24, 2010 ::

The Bent Festival is an annual art and music festival celebrating DIY electronics, hardware hacking, and circuit bending. Each year they invite artists from across the country and around the globe to perform music with their home-made or circuit bent instruments, teach workshops to adults and children alike, create beautiful art installations and to generally come together, face to face, and showcase the state of the art in DIY electronics and circuit bending culture. Continue reading


Feb 25, 2010
Comments (0)

Live Stage: Electro-Acoustic Concert [pl Warsaw]

upgrade_warsaw.jpgUpgrade! Warsaw: Electro-acoustic Concert — Sindre Bjerga, Nils Rostad, Thaw – Hubert Napiórski, CADAVeR – Piotr Olczak :: February 22, 2010; 8:00 pm :: 2.0 Gallery, The Academy of Music, 58/60 Krakowskie Przedmieście, Warsaw, Poland.

Sindre Bjerga has been wiretapping the secret frequencies of ghostly drones for years now. Though a steady flow of releases on numerous labels around the world he has been channeling the spectral transmissions from the grey void… Expect psychedelic drones that sometimes collide with snippets of found sounds from half-demagnetized tapes and concrete sounds from wrecked kitchen utensils… Recent releases: “Crystal cranium, diamond head” (Blackest Rainbow) and “Black Cobweb mind” (Klang und Krach). Continue reading


Feb 21, 2010
Comments (0)

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2020

Jul
Jun | May | Apr | Mar | Feb | Jan

2019

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2018

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works