PuréeData by Ted Hayes [Optimized for Google Chrome]:

PuréeData is a web-browser interface for a single shared sound environment that allows live, collaborative patching for anyone, anywhere. Visitors interact with a shared PureData audio synthesis patch and listen to the results as an MP3 stream, with no software to install or set up. The project is open-source, and all are encouraged to modify, improve and set up their own PuréeData servers.

PuréeData is a 2011 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was made possible with funding from the Jerome Foundation. Continue reading

Netrooms: The Long Feedback — A Multi-Site Network Performance :: September 5, 2011 :: Call for Participation.

image: from Netrooms 2010

Netrooms: The Long Feedback is a participative network piece which invites the public to contribute to an extended feedback loop and delay line across the internet. The work explores the juxtaposition of multiple spaces as the acoustic, the social and the personal environment becomes permanently networked. The performance consists of live manipulation of multiple real-time streams from different locations which receive a common sound source. Continue reading

Machine Project presents: Aquacoustica :: September 3-4, 2011; 2:00 pm and 5:00 pm :: BELLYFLOP Gallery, Los Angeles, CA :: RSVP is required for attendance, sign up page can be found HERE.

A collaborative project of underwater musical performance and state-of-the-art ‘over-water’ live-electronic signal processing.

Being a passionate and experienced scuba diver for more than 10 years, Ulrich Krieger will dive into a pool in full scuba gear, tank and all, for at least 60 minutes. He will sit on the ground or swim around, producing underwater sounds with metal, stone, plastic, and other ‘waterproof’ objects, including ‘underwater didjeridus’, underwater singing, and plastic instruments, like blue toy saxophones. Continue reading

[Conceptual mock-up of Se­cu­rity Gate 26.11 by Molly Reichert] ISEA Istanbul presents Tyrannies of Participation — Chair Per­son: Seeta Peña Gan­gad­ha­ran; Pre­sen­ters: Jon Lei­decker, Joshua Kit Clay­ton, John Kim, An­thony Tran, Vasily Tru­bet­skoy :: Sep­tem­ber 16, 2011; 9:00 am – 10:30 am :: Sa­banci Cen­ter Room 3, Sa­banci Cen­ter, Lev­ent.

The pur­pose is to ex­plore the con­struc­tion and val­u­a­tion of par­tic­i­pa­tory dis­courses, de­signs, or ex­pe­ri­ences and chal­lenge re­ceived wis­dom of par­tic­i­pa­tion’s power. When does the dis­course of par­tic­i­pa­tion mask power? Who has ac­tual ver­sus per­ceived au­thor­ity? How do bot­tom-up, col­lab­o­ra­tive-based, lev­eled so­cial, cul­tural, and po­lit­i­cal ex­per­i­ments cre­ate new in­equal­i­ties?

Work­ing across the arts, music, and pol­i­tics, this panel con­sid­ers the dy­nam­ics of power in me­di­ated par­tic­i­pa­tion. Continue reading

You’re Not My Father, by Paul Slocum, [Requires Quicktime plugin] is composed of a sequence of recreations of a 10 second scene from the television show Full House, overlaid with sound loops from the scene’s original music. The crews who re-shot the scene were recruited through Internet message boards and Craigslist; each was paid $150. Instructions for shooting the scene and delivering the footage were issued to the crews. To-date, the project includes participants from Austin, Cincinnati, Chicago, Dallas, Denton, London, and San Francisco. Continue reading

Apiary Studios would like to invite artists, researchers, geeks, and such like to take part in “Unleashed”, a weekend of collaborative co-exploration of long known or newly to be discovered aspects of media art. Unleashed will take over in East London and create the opportunity to host or participate in an artistic research project. In the spirit of D.I.Y, free, and local community we want to help to kick start new or refine existing projects, meet other interested parties, and engage in valuable exchange of knowledge, critique, and experiences.

We are looking for people who are interested to propose and host a project at this event. All projects should use some sort of technology, be situated in the field of media art, and focus on an open and inclusive approach. We are especially interested in projects that either conceive new tools for making art or make use of existing open source/open technology solutions Continue reading

Quartet With Pyramid Scheme by Jordan Topiel Paul, Eric Laska, Richard Kamerman, Reed Evan Rosenberg:

Quartet With Pyramid Scheme is a streaming online sound installation whose audio content is collected through a sixteen-week pyramid scheme structure. Every two weeks, a new set of participants (recruited by prior participants) submits sound samples that the quartet will selectively work into the stream. The samples are played continuously in unpredictable variations through a Max/MSP patch. By the end of the process, 512 participants will have been asked to contribute. Continue reading

Share – free audio & video jam :: November 28, 2010 at 8:00 p.m. :: at Issue Project Room @ The (OA) Can Factory, 232 3rd Street, Brooklyn, NY 11215-2714 :: (718) 330-0313 :: Free ::

What is share? SHARE is first and foremost a platform to explore expression, in a variety of artforms. Through its weekly open jam sessions, SHARE.nyc engages its participants and spectators in a continually changing dialog on art and culture. As such, SHARE represents an ongoing exploration of collaborative performance as cultural exchange. It mines the relationship of artistic practice to cultural identity, remapping a multiplicity of cultural discourses. The act of creating artistic content in a multicultural collaborative context is a fascinating and natural extension of the SHARE concept. Continue reading

Springerin 2/2010: Intermedia 2.0 | Hefte für Gegenwartskunst:

It is impossible to imagine art nowadays without the kind of interdisciplinary and multi-media approaches that began to play a key role in the 1960s. Since then, sculpture, sound, film, theatre, performance and many other branches have embarked on a broad spectrum of different kinds of fusion with pictorial forms. Recently, such “inter-mediality” has been given an additional boost thanks to new notions of creativity. It might be argued, albeit somewhat over-stating the point, that media-specific working methods have been replaced by more overarching types of production that short-circuit fairly disparate realms with each other. “Inter-creativity”, a paradigm of working methods located in the zone between individual disciplines, has begun to take the place of traditional models of creativity. “Intermedia 2.0”, produced in cooperation with Vienna’s “departure” initiative, examines the potentials and promises to be found in these broader concepts of media and creativity. Continue reading