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Category: architecture

Live Stage: Shared Frequencies [us NYC]

n180532063149_18.jpg30 Seconds off an Inch: Shared Frequencies with Kabir Carter:: November 22, 2009; 2:00 – 5:00 pm :: The Studio Museum in Harlem, 144 West 125th Street, New York, NY.

As part of the Museum’s current exhibition 30 Seconds off an Inch, come experience the synthetic sounds of Shared Frequencies (2009) performed by artist Kabir Carter. The work moves between sound, performance and installation by converting architecture to sound and vice-versa. Using radio scanners and synthesizers to process an array of street reverberations and noises, Carter creates an electro-acoustic chorus of urbane life and an urban landscape.

Nov 18, 2009
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Call for Papers: Artech 2010 [pt Guimarães]

call.jpgArtech 2010: Envisioning Digital Spaces, the 5th International Conference of Digital Arts :: April, 21 – 23, 2010 – Guimarães, Portugal :: Full papers submission: November 27, 2009.

Artech 2010 is the fifth international conference held on the topic of Digital Arts. It aims at promoting contacts between Iberian and International contributors concerned with the concept, production and dissemination of Digital and Electronic Art. Continue reading

Oct 12, 2009
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Live Stage: Corps Sonore [ch Lausanne]

16609_desc.jpgCorps Sonre / Digital Art Weeks :: September 25 – November 27, 2009 :: EPFL / ARCHIZOOM, SG 1231 (building SG) / Station 15 /, Lausanne, Switzerland.

Participants include: Pascal Amphoux, Michel Bonvin, Art Clay, Enrico Costanza, Sabine von Fischer, Luca Forcucci, Thierry Fumey, Stephen Gill, Londres Florian Hecker, Alexandre Joly , Christina Kubisch, Ellen Fellmann, Bernhard Leitner, Christian Marclay, Yves Mettler, Max Neuhaus, Carsten Nicolai, Fréderic Post, Joel Vacheron, Tamara de Wehr

When experiencing architecture completely, all of our senses should be apprehended. The increased presence of images surrounding us nowadays privileges sight alone – which makes us forget that architecture is also a whole capable of resonance. Continue reading

Sep 11, 2009
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Novi_sad North American Tour

noramtour_2009.jpgNovi_sad’s North American TourNovi_sad (Thanasis Kaproulias, b. 1980) graduated from the Economic University of Piraues. He lives and works in Athens, Greece. Influenced by the pioneers of audio assault, he began generating sounds in 2005. Amplified environmental recordings, drone manipulations, structured ambient soundscapes, microtones vs overtones, all come together in a hyper structure of iconoclastic form.

Novi_sad’s artistic output displays a high level of technical ability, as well as a sensitivity to the nuances of location. The strength of his soundscapes works in the same elaborateness for the whole creation process, starting from a basis of very strong conceptualism, the intense examination of field recordings over the actual composition work, to the point of performing back the result onto location. Every sound that occurs is treated with a sculptural integrity and his sonic power operates on a level in which the audience participates as transcendental listeners. Continue reading

May 14, 2009
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Net_Music_Weekly: Shotgun Architecture at P40

shotgun.jpgFILTER and ONOMATOPEE at P40 in Hamburg present Shotgun Architecture at P40A sound and light installation by Justin Bennett :: until 11th of January 2009 :: Alte Pathologie/P40, Friedrichsberger Strasse 32, D-Hamburg.

Can one make sound visible? What happens to our thought processes and emotional perception when sound and its movement is performed or even manipulated in space? Mapping urban space and its architecture through the sound of a gunshot, the method Justin Bennett is currently using, entails numerous domains of expression.

P40 is a turn of the century building with an ornamental red brick facade, a cupola roof and spaces with high ceilings. Built as pathology department for the Eilbek hospital until its privatization, the space has been used and redefined for different purposes over the last decade. Bennett analyzed this piece of architecture with a gunshot and recorded its echoes. Continue reading

Dec 31, 2008
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“Corpus” by Art of Failure

corpus.jpgCorpus, by Art of Failure (Nicolas Maigret and Nicolas Montgermont), uses the potential which has any object to be set in vibration, and to produce its own tone. Every presentation is based on a specific place and context, and aims to express an usually imperceptible potential of the various present elements (furniture, walls, objects). These various elements are set in vibration by low frequencies via an computer program which analyzes the resonances of the site. Every element then produces its own sound signature. The architectural space is discovered in the form of a complex volume but also through the resonant specificities of its various components.

This installation is based on a program which analyzes, in a given place, the frequencies that makes the objects and elements it contains entering in vibration. This first phase is realized by the broadcasting in the place of a test sound signal that is simultaneously recorded and analyzed. Continue reading

Oct 14, 2008
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Net_Music_Weekly: Soundscape Forever

n26171166327_2135.jpgThe concept of ‘Soundscape’ appeared in the sixties in the work of the Canadian composer R. Murray Schafer- reaching a larger audience in 1973 through the World Soundscape Project and in the book The Soundscape – Our Sonic Environment and the Tuning of the World, published in 1977.

Even if one disregards his naturalistic approach to the idea of a landscape, there remains in Schafer’s work an obstinacy to make art out of what is perceived as sonic nuisance — an important step which laid the foundation of an attitude that is still alive among scholars and composers today.

More than 30 years on, the programme Soundscape Forever revisits the concept with an original series of sixteen pieces by international artists (Michael Batalla, Yannick Dauby, eRikm, Xavier Fassion, Zoe Irvine & Mark Vernon, Damien Magnette, Patrick McGinley aka Murmer, NG, Etienne Noiseau, Jean-Philippe Renoult, Kassian & Ulrich Troyer, Els Viaene, Chris Watson). Continue reading

Oct 8, 2008
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Jeff Talman – A Play of Flows [it Genoa]

talman.jpgJeff TalmanA Play of Flows – The Mediterranean Sea “tuned” to a Genovese landmark :: October 23–November 4, 2008 :: Galleria Mazzini, Genoa, Italy.

Galleria Mazzini, the elegant 19th Century architectural gem in the heart of Genoa, Italy, serves as the framing space for international artist Jeff Talman’s newly commissioned installation A Play of Flows. The work’s sonic environment, based on site resonance and the nearby Mediterranean Sea, initiates a meditation on the contributing currents that enliven this spectacular urban site. Recorded at a nearby Genoese beach, crashing wave sounds provide the sonic source material for the installation. Talman filtered these sounds to align them with the resonant frequencies or “tuning” of the Galleria. The sea wave sounds, shaped into a series of spatial and site-harmonic progressions, engage the architecture as the “voice” of the sea sings in the Galleria, turning it into a vast resonating instrument. Continue reading

Sep 19, 2008
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Interview: Jeff Talman

Jeff Talman - Photo by Ginger MarleyJeff Talman’s sound installations focus on notions of “self-reflexive resonance”, often using no other sound source than the natural ambient resonance of the installation site. His works also have a strong visual component, owing to his dual backgrounds in music and the visual arts. His latest work, “A Play of Flows” premiers on October 23, 2008 at the Galleria Mazzini in Genoa, Italy. Talman was awarded a Guggenheim Foundation Fellowship in Sound Art in 2006 and was a recipient of the New York Foundation for the Arts Award in Computer Arts in 2003. He currently resides in Manhattan.

Due to the nature of his pieces, Talman does not provide sound samples on his website – the pieces are simply too site-specific to experience in any other way than first-hand. As such, we will only be providing photos and discussion with this interview.

Peter Traub: Before you began creating sound installations in the mid 1990s, you were a more ‘traditional’ computer music composer and musician. Could you discuss how you made the transition into sound installation work? Was there a particular experience of a space or place that pushed you in this new direction? Continue reading

Aug 19, 2008
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In This Place of Safety [uk London]

40e34aeefd47453f9e40c082126d51c2_r.jpgIn This Place of Safety is a new large-scale outdoor audiovisual installation by artist Larisa Blazic, looking into how safe do we feel and why. The installation can be heard each day and seen each night at Novas Contemporary Urban Centre from July 14 – 20, 2008.

In This Place Of Safety (ITPOS) uses a building as a projection screen to explore intersections between temporary video interventions, architecture and art. It combines images of empty playgrounds projected across NOVAS gallery building facade and sound of children’s voices on a playground. Continue reading

Jul 2, 2008
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Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:


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3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings



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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.


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NMR commissioned the following artists to create new sound art works. More...
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"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
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Massachusetts Cultural Council
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Upgrade! Boston

Turbulence Works