Networked_Music_Review / algorithmic
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Category: algorithmic

“Fermentophone” by Joshua Pablo Rosenstock


Fermentophone is a multi-sensory installation in which an algorithmically generated musical composition is performed by living cultures of bacteria and yeast. The installation comprises a series of different vessels containing actively fermenting foodstuffs and beverages, which are wired with electronic sensors. Each colorful, odorous, and edible ferment has its own musical vocabulary which is expressed according to microbial activity.
 The installation was presented at the Hacking Arts festival at the MIT Media Lab.


Sep 24, 2015
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Krewe Coumbite & Muthi Reed

Peace! … I want you to know about new work. Your insight and any references you suggest I explore, are invaluable to my process of planning and actualization. Thank you in advance.

Krewe Coumbite is a sonic instrument of study in Black and Indigenous Diasporas ecology and vernacular rhythms documented from 1940s til current. The work focuses specifically on vernacular of cultural musings expressed in: noise, chants, stories, lullabies, narratives around naming, Cultural sayings/proverbs/recipes, and in working-class rituals such as public transit, migration, service work, and in community gatherings. Continue reading


Sep 24, 2015
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“Data-Driven DJ: Distance From Home” by Brian Foo


Distance From Home: Translating four decades of global refugee movement to song by Brian Foo, is part of Data-Driven DJ, a series of music experiments that combine data, algorithms, and borrowed sounds. The goal is to explore new experiences around consuming data beyond the written and visual forms. This song was generated using refugee data from the United Nations from 1975 to 2012. The quantity, length, and pitch of the song’s instruments are controlled by the volume of refugee movement and distance traveled between their countries of origin and asylum. More here.


Jul 8, 2015
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“Two Trains” by Data-Driven DJ aka Brian Foo

brian_foo.jpgTwo Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway’s 2 Train through three boroughs: Brooklyn, Manhattan, and the Bronx. At any given time, the quantity and dynamics of the song’s instruments correspond to the median household income of that area. For example, as you pass through a wealthier area such as the Financial District, the instruments you hear in the song will increase in quantity, volume, and force. Stylistically, I want the song to exhibit the energy and orderly chaos of the NYC subway system itself. Continue reading


Feb 8, 2015
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Live Stage: Infantcore [us Los Angeles]

ohybx.jpgInfantcore: Experimental Music by Babies. Motion tracking software converts the performers’ movements into sound :: February 18, 2012; 11:00 am – 4:00 pm :: Machine Project, 1200-D North Alvarado Street, Los Angeles, CA.

Taking the term “experimental venue” to one of its possible extremes, Machine Project brings you Infantcore. We have garnered a cadre of infant volunteers, graciously donated by their parents, who will serve as variables in an algorithmic sound composition. Scott Cazan has written some software for the occasion that uses a camera and a computer to track the babies’ movements and convert that information into different sonic phenomena. How will this sound? As we have never done this before, we really have no idea. It could sound terrible, not work, be boring, embarrass everyone and end in tears – like most everything at Machine Project. Continue reading


Feb 17, 2012
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ChordPunch Infoburst

chordpunch.jpgChordPunch is a record label dedicated to algorithmic music: sound generated by or inspired by automated processes. Continue reading


Feb 9, 2012
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Live Stage: Hence Where Labour [us Brooklyn]

douglas_barrett.jpgSound Series #17: Hence Where Labour – G Douglas Barrett :: January 27, 2012; 8:00 pm :: Presents Gallery, 64 Washington Ave., Brooklyn, NY. Continue reading


Jan 26, 2012
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ZVO.ČI.TI. so.und.ing Collection

sounding_collection.jpgCONA Institute for Contemporary Arts Processing presents ZVO.ČI.TI. so.und.ing Collection, a podcast collection of Slovenian sound artists, composers of electroacoustic, experimental, algorithmic, electronic, improvised and composed works. The DVD release of the ZVO.ČI.TI so.und.ing Collection represents the final part of the multi-year project devised to be a continuous production of thematic radio and podcast audio programmes about specific authors and works of theirs that were created in the studio or performed live.

The purpose of the project is to connect and highlight Slovenian authors who make contemporary music in the music performance, sound, intermedia, performing, online and other areas and to present them, using existing communication possibilities, into the wider arena of world contemporary sound creativity. Continue reading


Jan 22, 2012
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On the Emerging Art of Algorithmic Music

[youtube]http://www.youtube.com/watch?v=tCRPUv8V22o&feature=player_embedded[/youtube]

Technology Review is running an article on the emerging art of algorithmic music. Continue reading


Dec 9, 2011
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Neuroplanets

neuro_pic_1.jpgNeuroplanets — Conceived and directed by Novi_sad with original audio compositions from BJ Nilsen | Sweden, Daniel Menche | U.S.A, Francisco López | Spain and Mika Vainio | Finland.

Neuroplanets is an audio project which explores the aesthetics of information on sound. Initially, I worked in commissioned tracks from other artists, by transmitting on them sound analysis results from extremely rare sonic phenomena in other planets. After that, I manipulated these tracks by applying on them numerical/quantitative data and statistical elements from Neurosciences research in serious diseases. My aim was to ‘visualize’ on sound the diseases characteristics and impact on human nature. Continue reading


Sep 9, 2011
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Interviews