Synapse: Collaboration between the arts and sciences has the potential to create new knowledge, ideas and processes beneficial to both fields. Artists and scientists approach creativity, exploration and research in different ways and from different perspectives; when working together they open up new ways of seeing, experiencing and interpreting the world around us. For the past decade, the Australian Network for Art & Technology (ANAT) has provided opportunities for artists and scientists to work together. Through Synapse, and in partnership with the Australia Council for the Arts, ANAT offers residencies, the Synapse Database and now ANAT is pleased to announce its latest initiative: a moderated elist discussion on contemporary art and science collaborations in fields including bioart, artificial intelligence, robotics, climate change and space, amongst others. You can subscribe here. Continue reading

On January 31, ABSOLUT is launching The ABSOLUT Machines, two artificially creative and highly interactive music-making machines, as visually stunning as they are technologically pioneering. Users from around the world will be able to interact with the machines over the Internet. The musical input from online users will be processed by the machines, which will respond with a unique musical composition – co-created by man and machine. The machines will immediately perform the songs, and their performances will be live-streamed to a global audience at absolutmachines.com.

Dan Paluska and Jeff Lieberman have created the ABSOLUT QUARTET, a large-scale electromechanical sculpture consisting of three instruments and thousands of parts, working together to create one piece of music. Continue reading

The VIDA 10.0 AWARDS were announced recently. Francisco López (Spain) won an award for Sonic Alter Ego in the Incentives for Ibero-American Production category that helps finance art projects exploring Artificial Life (and related disciplines) that still have not been produced. Applicants must be from South America, Spain or Portugal.

The hybrid forms of the artistic proposals submitted to VIDA and the transformation of the discipline of A-Life itself have prompted the jury to consider new issues, such as the rising importance of simulation in both social life (for example, in the concept of virtual personality) and organic life (evident in the concept of “neo-organisms”). Continue reading

Sun Suckers are machines. They are classified in the order Real Artificial Life. Sun Suckers have stout flat bodies. Their skin is a large photovoltaic cell that is usually shiny, although in a few species they are dull and opaque.

Sun Suckers have one large compound eye (photoresistor) situated on the top of the body. This large eye can read how bright the sun is during the day and detect when night falls. Beside the eye is a thick whisker. This sensor (thermistor) measures the ambient temperature in close proximity of the Sun Sucker.

Sun Sucker’s sound and communicate with each other. They are notorious singers. Their song is a call produced by sensing the current light conditions and temperature. Each species has its own distinctive call and if you listen closely and get to know the calls you can find out what the weather conditions are. To learn more about Ken Gregory’s Sun Suckers–the only Real Artificial Life species to have developed such an effective and specialized means of producing sound–and where you can find one, click here.