Networked_Music_Review

Netrooms: The Long Feedback

725.jpgNetrooms: The Long Feedback — A Multi-Site Network Performance :: September 5, 2011 :: Call for Participation.

image: from Netrooms 2010

Netrooms: The Long Feedback is a participative network piece which invites the public to contribute to an extended feedback loop and delay line across the internet. The work explores the juxtaposition of multiple spaces as the acoustic, the social and the personal environment becomes permanently networked. The performance consists of live manipulation of multiple real-time streams from different locations which receive a common sound source. Netrooms celebrates the private acoustic environment as defined by the space between one audio input (microphone) and output (loudspeaker). The performance of the piece consists of live mixing a feedback loop with the signals from each stream.

This performance will be presented publicly through live mixing at the Digital Resources in the Humanities and Arts Conference, Nimbhu China on the 5th September, 2011.

To participate contact P.Rebelo [at] qub.ac.uk by the 1st September and we will send you a PD patch. You can participate from anywhere in the world with a broadband connection. All you need to do is load the patch during the performance times and listen… You can make a sound, be silent, play music, talk to others and listen… but remember it’s a long feedback loop!

Time Requirements
Concert: 5 September 18:30 (Shanghai Time, CST), 11:30 (UK)
Rehearsals: 4 September 16:00-18:00 (Shanghai Time), 9:00-11:00 (UK)
5 September 16:30-18:30 (Shanghai Time, CST), 9:30-11:30 (UK)

Technical Requirements
- 1 laptop with Microphone (internal or external) and Loudspeaker (internal or external)
- Pd-extended 0.39.3-extended or higher (www.puredata.org)
- Patch provided when you email us
- Broadband Connection with UDP and TCP ports 8000 open

Previous Performances of Netrooms include
April 2010, Stoney Brook, NY

January 2010 Happening Festival, Calgary

December 2009, Making New Waves Festival, Budapest

October 2009, Arts Electronic Centre, Linz

August 2009, DRHA Belfast

August 2009, ISEA Belfast

3rd March 2009 Aix en Provence, France
École Supérieure d’Art d’Aix-en-Provence

2nd April 2008 Berkeley, California
CNMAT, University of California Berkeley

4th April 2008 Stanford, California
CCRMA, Stanford University

11th December 2008 Belfast, UK
SARC, Queen’s University Belfast

For more info and live streams visit: http://www.sarc.qub.ac.uk/~prebelo/netrooms


Sep 2, 2011
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3D ~ 8bit ~ acousmatic ~ acoustic ~ activist ~ aesthetics ~ Artificial Intelligence ~ algorithmic ~ ambient ~ analog ~ animation ~ apps ~ architecture ~ archives ~ art + science ~ arts ~ audio tour ~ augmented ~ auralization ~ audio/visual ~ avatar ~ bioart ~ biotechnology ~ body ~ book ~ broadcasts ~ business ~ calls + opps ~ cassette ~ chance ~ chiptune ~ circuit bending ~ city ~ code ~ collaboration ~ collective ~ community ~ composer ~ composition ~ concert ~ conductor ~ conference ~ controller ~ convergence ~ conversation ~ copyright ~ data ~ distributed ~ diy ~ e-literature ~ ecology ~ education ~ electroacoustic ~ electromagnetic ~ electronic ~ emergence ~ environment ~ event ~ exhibition ~ experimental ~ feedback ~ festival ~ field recording ~ p2p ~ film ~ found ~ free/libre software ~ game ~ generative ~ gesture ~ glitch ~ hacktivism ~ haptics ~ hardware ~ hybrid ~ identity ~ image ~ im/material ~ immersion ~ improvisation ~ instrument ~ interactive ~ interdisciplinary ~ interface ~ intermedia ~ intervention ~ interview ~ interviews/other ~ jazz ~ language ~ laptop ~ lecture ~ light ~ listening ~ cinema ~ livecoding ~ livestage ~ locative media ~ machines ~ mapping ~ mashup ~ media ~ microsound ~ mixed reality ~ mobile ~ motion tracking ~ multimedia ~ nature ~ net_music_weekly ~ net art ~ networked ~ audio ~ dance ~ installation ~ live ~ music ~ narrative ~ radio ~ sound ~ text ~ theater ~ video ~ new media ~ news ~ newsletter ~ nmr_commission ~ noise ~ notation ~ object ~ open source ~ opera ~ orchestra ~ perception ~ performance ~ platform ~ tool ~ play ~ phonography ~ physical ~ place ~ place-specific ~ podcast ~ political ~ presence ~ presentation ~ privacy ~ processing ~ psychogeography ~ public ~ pure data ~ reblog ~ recording ~ recycle ~ relational ~ remix ~ research ~ residency ~ resource ~ responsive ~ reuse ~ robotic ~ sample ~ score ~ second life ~ sensor ~ simulation ~ site-specific ~ social ~ social network ~ software ~ sonification ~ sound sculpture ~ sound synthesis ~ sound walk ~ soundscape ~ soundtrack ~ space ~ spatialization ~ spoken word ~ streaming ~ surround sound ~ surveillance ~ symposium ~ synchronous ~ synesthesia ~ synthesizers ~ systems ~ tactical ~ tag ~ talks ~ tangible ~ telematic ~ history ~ participatory ~ technology ~ asynchronous ~ wireless network ~ theory ~ tactile ~ toy ~ transmission arts ~ tv ~ ubiquitous ~ upgrade! ~ urban ~ virtual ~ visualization ~ VJ/DJ ~ voice ~ wearable ~ web 2.0 ~ webcast ~ wireless device ~ workshop ~ writings ~

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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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