Networked_Music_Review

Net_Music_Weekly: PUBCODE2 [uk London]

Tags:
audio/visual
open source
livestage
net_music_weekly
performance
improvisation
livecoding

Jo-Anne
Green

toplap.jpgTOPLAP presents PUBCODE2 — Featuring: chr15m (making machines that make machines that make music); MCLD (beatboxing + livecoding, is it possible?); Yee-King + Click Nilson (algorithmic choreography); openSlub (crowdsourced livecoding) :: August 5, 2009; 7:00 - 11:00 pm :: The Roebuck, 50 Great Dover Street, London.

Live coding is a new direction in electronic music and video, and is starting to get somewhere interesting. Live coders expose and rewire the innards of software while it generates improvised music and/or visuals. All code manipulation is projected for your pleasure.

Day of the Triffords from Andrew Sorensen on Vimeo.


Haskell hackery by yaxu of slub


Live coded VJing from fluxus creator Dave Griffiths, also of slub.

Live coding is inclusive and accessible to all. Many live coding environments can be downloaded and used for free, with documentation and examples to get you started and friendly on-line communities to help when you get problems. Popular live coding software includes supercollider, ChucK, impromptu and fluxus. Live patching is live coding with graph-based languages such as the venerable pure-data. It’s also possible to livecode with a gamepad, e.g. with the robot oriented Al-Jazari.

Source: TOPLAP.


Jul 26, 2009
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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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