Networked_Music_Review

Voices of America: Call for Participation

voa.jpgVoices of America is looking for new sound work employing samples of coverage of the US election as reported on Voice of America (VOA) radio, the US government broadcasting service intended for an international audience. Here’s how it works:

RECORD audio of election coverage on a Voice of America station — UPLOAD your recordings to http://thevoa.net and tag them according to language and content — DOWNLOAD from the searchable pool of available recordings — REMIX the broadcasts and UPLOAD them back to the website.

A curated playlist of compositions and remixes will be broadcast from The Sea and Space Gallery in Los Angeles in a special event on November 4 - US election day - as part of the Audacity of Desperation exhibition. Upload from August 25 - November 4 to be included in the live event!

Propaganda: The Voice of America radio service was initiated in World War Two and dramatically expanded during the Cold War to win “hearts and minds” for the new American Empire. All major Cold War players operated such “information services,”which were collectively called “The Voices” in some targeted countries. Recognizing that the broadcasting service was largely a tool of cultural and foreign policy propaganda, Congress forbade the Voice of America from broadcasting directly to American citizens in 1948. Though slightly retooled, VOA persists today: the attacks of September 11, 2001, for example, invigorated Arabic, Farsi, and Urdu broadcasting. Currently, the Voice of America radio and television networks produce more than 1,000 hours of original programming per week in 45 languages, much of it covering American politics and regional foreign policy between blocks of popular music.

Elections: The 2008 election is widely viewed as a potential turning point in US foreign policy that has become ever more militaristic and interventionist in the last decade, and the prospect of the first African American president has galvanized the hopes of people around the world. Yet those who are most affected by American military and corporate action are excluded from American electoral politics. They are, quite literally, voiceless.

Voices of America offers an international audience an opportunity both to monitor the United States’ self-presentation abroad by recording VOA programming and speak back to it by remixing those broadcasts. The project obliquely points out the injustice that participation in US politics is so tightly restricted and questions, in a non-polemical fashion, how much change is possible given the persistence of Cold War, now War on Terror, infrastructure. In the arena of cultural politics, the project suggests a network of global citizens offering revised image of America’s carefully-constructed image back to itself.

Voices of America is a collaboration between Lee Azzarello and Sarah Kanouse and is sponsored by free103point9. The project is part of The UnConvention, a non-partisan, Minneapolis-based collective acting as a counterpoint to the highly scripted and predetermined nature of the contemporary presidential nomination process and convention.


Oct 9, 2008
Trackback URL

Leave a comment

Live Stage

Tags


livestage ~ music ~ sound ~ performance ~ calls + opps ~ installation ~ audio/visual ~ radio ~ festival ~ instrument ~ audio ~ networked ~ interactive ~ experimental ~ electronic ~ participatory ~ workshop ~ video ~ writings ~ event ~ mobile ~ concert ~ exhibition ~ live ~ collaboration ~ electroacoustic ~ reblog ~ nature ~ environment ~ distributed ~ field recording ~ net_music_weekly ~ soundscape ~ improvisation ~ software ~ history ~ locative media ~ space ~ noise ~ public ~ recording ~ voice ~ immersion ~ acoustic ~ lecture ~ sonification ~ body ~ generative ~ tool ~ conference ~ sound sculpture ~ art + science ~ VJ/DJ ~ light ~ net art ~ site-specific ~ diy ~ perception ~ remix ~ film ~ visualization ~ mapping ~ wearable ~ laptop ~ city ~ urban ~ multimedia ~ algorithmic ~ listening ~ game ~ data ~ architecture ~ open source ~ biotechnology ~ virtual ~ spatialization ~ sound walk ~ webcast ~ platform ~ robotic ~ hacktivism ~ score ~ image ~ electromagnetic ~ cinema ~ new media ~ composer ~ found ~ telematic ~ news ~ sensor ~ circuit bending ~ dance ~ interface ~ interviews/other ~ streaming ~ ecology ~ residency ~ synesthesia ~ physical ~ notation ~ political ~ intervention ~ object ~ controller ~ conversation ~ narrative ~ broadcasts ~ second life ~ responsive ~ social network ~ mashup ~ place ~ motion tracking ~ technology ~ ambient ~ hybrid ~ intermedia ~ text ~ symposium ~ augmented ~ spoken word ~ livecoding ~ phonography ~ gesture ~ auralization ~ upgrade! ~ resource ~ opera ~ aesthetics ~ mixed reality ~ acousmatic ~ wireless device ~ orchestra ~ processing ~ nmr_commission ~ theory ~ toy ~ wireless network ~ 8bit ~ theater ~ community ~ web 2.0 ~ surveillance ~ 3D ~ copyright ~ p2p ~ presentation ~ social ~ feedback ~ interview ~ soundtrack ~ research ~ sample ~ chance ~ tactile ~ recycle ~ podcast ~ psychogeography ~ emergence ~ code ~ language ~ interdisciplinary ~ systems ~ privacy ~ presence ~ cassette ~ play ~ newsletter ~ media ~ chiptune ~ free/libre software ~ avatar ~ haptics ~ archives ~ education ~ activist ~ glitch ~ audio tour ~ tactical ~ surround sound ~ hardware ~ identity ~ place-specific ~ tangible ~ asynchronous ~ business ~ tv ~ bioart ~ jazz ~ composition ~ tag ~ e-literature ~ animation ~ ubiquitous ~ microsound ~ synchronous ~ Artificial Intelligence ~ conductor ~ relational ~ collective ~ simulation ~ apps ~ reuse ~ transmission arts ~ convergence ~ im/material ~ pure data ~ machines ~
3D ~ 8bit ~ acousmatic ~ acoustic ~ activist ~ aesthetics ~ Artificial Intelligence ~ algorithmic ~ ambient ~ animation ~ apps ~ architecture ~ archives ~ art + science ~ audio tour ~ augmented ~ auralization ~ audio/visual ~ avatar ~ bioart ~ biotechnology ~ body ~ broadcasts ~ business ~ calls + opps ~ cassette ~ chance ~ chiptune ~ circuit bending ~ city ~ code ~ collaboration ~ collective ~ community ~ composer ~ composition ~ concert ~ conductor ~ conference ~ controller ~ convergence ~ conversation ~ copyright ~ data ~ distributed ~ diy ~ e-literature ~ ecology ~ education ~ electroacoustic ~ electromagnetic ~ electronic ~ emergence ~ environment ~ event ~ exhibition ~ experimental ~ feedback ~ festival ~ field recording ~ p2p ~ film ~ found ~ free/libre software ~ game ~ generative ~ gesture ~ glitch ~ hacktivism ~ haptics ~ hardware ~ hybrid ~ identity ~ image ~ im/material ~ immersion ~ improvisation ~ instrument ~ interactive ~ interdisciplinary ~ interface ~ intermedia ~ intervention ~ interview ~ interviews/other ~ jazz ~ language ~ laptop ~ lecture ~ light ~ listening ~ cinema ~ livecoding ~ livestage ~ locative media ~ machines ~ mapping ~ mashup ~ media ~ microsound ~ mixed reality ~ mobile ~ motion tracking ~ multimedia ~ nature ~ net_music_weekly ~ net art ~ networked ~ audio ~ dance ~ installation ~ live ~ music ~ narrative ~ radio ~ sound ~ text ~ theater ~ video ~ new media ~ news ~ newsletter ~ nmr_commission ~ noise ~ notation ~ object ~ open source ~ opera ~ orchestra ~ perception ~ performance ~ platform ~ tool ~ play ~ phonography ~ physical ~ place ~ place-specific ~ podcast ~ political ~ presence ~ presentation ~ privacy ~ processing ~ psychogeography ~ public ~ pure data ~ reblog ~ recording ~ recycle ~ relational ~ remix ~ research ~ residency ~ resource ~ responsive ~ reuse ~ robotic ~ sample ~ score ~ second life ~ sensor ~ simulation ~ site-specific ~ social ~ social network ~ software ~ sonification ~ sound sculpture ~ sound synthesis ~ sound walk ~ soundscape ~ soundtrack ~ space ~ spatialization ~ spoken word ~ streaming ~ surround sound ~ surveillance ~ symposium ~ synchronous ~ synesthesia ~ systems ~ tactical ~ tag ~ tangible ~ telematic ~ history ~ participatory ~ technology ~ asynchronous ~ wireless network ~ theory ~ tactile ~ toy ~ transmission arts ~ tv ~ ubiquitous ~ upgrade! ~ urban ~ virtual ~ visualization ~ VJ/DJ ~ voice ~ wearable ~ web 2.0 ~ webcast ~ wireless device ~ workshop ~ writings ~

Archives

2012

May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

Weather Scores & Sculptures

Nathalie Miebach is a Boston-based artist who translates weather data into complex sculptures and musical scores. "Recently, I have begun translating weather data collected ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

networked_performance
Turbulence
New York State Music Fund
Feed2Mobile
New American Radio
Upgrade! Boston
Networked: a (networked_book) about (networked_art)
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
Massachusetts Cultural Council

Turbulence Works