Networked_Music_Review

Live Stage: non visual objects [us Seattle]

tehuur2.jpgSMAC Soundings - non visual objects: Limit by Tomas Phillips and F_lake by Heribert Friedl … in conjunction with the opening of Don’t You F#{%ING Look At Me! September 12 - October 31, 2008 :: Opening Reception: September 12; 6-10:00 pm :: 911 Seattle Media Arts Center, 402 9th Ave N (at Harrison), Seattle, Washington.

Heribert Friedl is an Austrian sound/ visual /sensory artist based in Vienna. he studied sculpture at the university of applied arts in Vienna. Working with scents and its non visual phenomenons in combination with sounds. He has had exhibitions, sound performances and projects in cities of Hungary, Switzerland, Germany, England, Italy, the US, Cuba, and Austria. Sound collaborations with Bernhard Günter, Dale Lloyd and John Norman (radian). CD releases on Trente Oiseaux, and/OAR; mp3 releases on con-v and Earlabs.

Tomas Phillips (b. 1969) is a composer, novelist, and teacher whose sound work focuses on improvisational performance and minimalist through-composition. He began composing electronic music in the early 1990s. Limit (17:51 minutes), completed in 2008, is comprised of samples from the solo guitar work of Taku Sugimoto. The original intention was to isolate individual notes and construct a new “guitar” piece. What emerged in the compositional process, however, was something very different.


Aug 29, 2008
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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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