Live Architectures: Predicting In Augmented Space by Chiara Passa:

Live Architectures is a series of digital and interactive artworks created over time in a wide-range production developed to reshape the indoor and the outdoor architecture and environmental places as well as the ‘digital environment’, transforming it into something alive and vibrant. This series of site-specific artworks is created and usable exclusively on Google Earth. Through the augmented reality technology, the artwork aims to create an extemporary-temporary virtual land-art, constructing a sort of “mise en abyme” or “droste effect”, in which an element shifts the other in depth, merging the Google earth environment with the augmented area in order to create a new space. Continue reading

Turbulence Commission: Awkward_NYC / Awkward_Everywhere by Zannah Marsh:

“Awkward_NYC” is now “Awkward_Everywhere.” It is a collaborative online map for reporting social accidents and small interpersonal traumas that occur unexpectedly in public spaces. Anyone can add a story to the map. The map pinpoints sites in the New York Metropolitan or anywhere in the world where misunderstandings, outbursts, physical altercations, arguments between friends or strangers, and romantic spats or break-ups have occurred. It taps into the confessional, voyeuristic, narrative impulses that typify online behavior and subverts the notion of mapping as reductive, objective, and authoritative. As stories are added to the map, a series of data visualizations depicting the emotional terrain of various cities will be generated. Continue reading

Turbulence Commission: Awkward_NYC by Zannah Marsh :: Participate via the website or twitter, #awkwardnyc:

Awkward_NYC, or “The New York City Map of Awkward Social Interactions in Public Spaces,” is a collaborative online map for reporting social accidents and small interpersonal traumas that occur unexpectedly in public spaces. The map pinpoints sites in the New York Metropolitan area where misunderstandings, outbursts, physical altercations, arguments between friends or strangers, and romantic spats or break-ups have occurred. These mishaps are characteristic of the human urban experience — they’re unsettling, often comic, strangely powerful mini-narratives and dramas that would otherwise go untold, but may linger in memory for months and years, as we move through the same urban landscapes, day in and day out. Continue reading

Interception 5 by Roch Forowicz: Opticon is a visualization based on transformation of a 3D glassy solid. With its oval and organic shape, the transparent form generated many optical illusions and caustic reflections during the transformation process.

As a part of an artistic action entitled Interception 5, Opticon was illegally embedded in the CCTV monitoring system at The Fryderyk Chopin University of Music. The image from one of the CCTV cameras was intercepted, connected with the visualization and then implemented into the system again. The security guards could see the visualization overlaying the view of the monitored space on their screen. Continue reading

Clouds is a computational documentary featuring hackers and media artists in dialogue about code, culture and the future of visualization. Continue reading

[DPoN showing temperatures in the low-60's, clear skies, and winds out of the south (indicated by the vertically-oriented yellow streak to the right)] Dynamic Performance of Nature: Augmenting Environmental Perception Through Social Media And Architectural Informatics by Brian W. Brush, Yong Ju Lee & Noa Younse:

Abstract: Architecture has always functioned as a mediating structure between humans and the environments in which they live; a static assemblage of semi-inert materials orchestrated, amongst other things, to temper environmental forces for human habitation. With advances in material and communications technology, architectural assemblies no longer perform as impassive boundaries separating discrete conditions of occupation between environments. Continue reading

Jer Thorp’s work focuses on adding meaning and narrative to huge amounts of data as a way to help people take control of the information that surrounds them. Continue reading

America’s Got No Talent — by Jonah Brucker-Cohen and Katherine Moriwaki — is a web-based software project that synthesizes and processes the steady stream of Twitter feeds for several American reality television shows such as “American Idol,” “America’s Got Talent,” “America’s Next Top Model,” and “X Factor US” among others in this genre. Continue reading

(Read a review here) Good Listeners is a browser plugin that exposes the secret ways in which our browsing habits are shared with and mined by 3rd party web trackers (like Google Analytics and Facebook “Like”) without our consent or knowledge. Whenever a site exposes the visitor’s data to a third party service a confessional booth window is opened and the priest in the window offers words of invisible wisdom, divine providence and spiritual guidance pertaining to matters of web browsing, social networking, e-commerce and digital identity.

Good Listeners in a critical/ amusing/ awkward visualization and sonification of the vast data dimension passively generated by us and aggressively collected and mined by these mysterious omnipresent all-seeing tracking forces of the web. Continue reading

The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture :: June 22-23, 2012 :: Victorian College of the Arts, Federation Hall, Grant Street, Southbank, Melbourne 3006 :: Call for Papers: Interference Strategies for Art - Deadline for Abstracts: March 30, 2012.

The Transdisciplinary Imaging Conference seeks papers that explore the theme of ‘Interference’ within practices of contemporary image making. Continue reading