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Reblogged Signature Event Context

janez_jansa.jpgOn January 28th, 2008, Janez Janša, Janez Janša, and Janez Janša performed Signature Event Context at the Holocaust Memorial in Berlin, a walking action in the corridors of the Memorial. Each one of them, equipped with a GPS device, covered a different path within the Memorial’s structure this way, together assembling a common signature visible only in the internet. During the performance artists continuously repeated “Jaz sem Janez Janša, Jaz sem Janez Janša, Jaz sem Janez Janša…” (”My name is Janez Janša”). Continue reading


Jan 29, 18:30
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Reblogged Tagged in Motion

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Jan 29, 14:46
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Live Stage: Tag Orbitals- Social Networks [nz Wellington]

upgrade_wellington.jpgUpgrade! Wellington: Tag Orbitals- Social Networks: The Close Distance by Bernard Kerr :: November 14, 2007; 7:00 pm; School of Design, Victoria University of Wellington, NZ.

Bernard Kerr is a Senior Interaction Designer at Yahoo! and is currently the lead designer of the social bookmarking service, Delicious. Prior to working at Yahoo!, he was a Strategic Designer at IBM Research where his research focused on designing advanced concept software applications and visualizations for collaboration. One of the significant projects he worked on while at IBM was “Remail”, which centered on reinventing the email experience. This work has been published in various places, including the Infovis and CHI conferences. Continue reading


Nov 13, 14:31
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Placeholder: Voiceholders and Voicemarks

cgq_back_cover_collage.jpgBrenda Laurel writes: “[...] Rachel has described our interest in how people leave marks on places. We wanted to give people the ability to “mark” the virtual environments, and we arrived at voice as a convenient modality for doing so. Voice offered several advantages over writing or drawing. Through prosody, voice permits greater expressiveness and personalization than writing; it is also more immediate. Most people are less self-conscious about speaking than about drawing. While drawing would require that we build special virtual drawing tools, capturing voice was relatively easy to implement.

Where and how could voices be stored and re-played? We designed the Voiceholders as virtual record / playback devices. A Voiceholder would capture and store an utterance, called a Voicemark. A “full” Voiceholder (that is, one containing a Voicemark) would play its contents when touched. Continue reading


Jul 12, 09:00
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The Spychip Under Your Skin

Tagged_Essay_with_gfx-1.jpgRFID and the Tagged exhibition by Space Media Arts

The Spychip Under Your Skin by Armin Medosch: Commissioned by [ space.media.arts ] to accompany the Tagged exhibition, Armin Medosch writes about RFID, first introducing the technology and its context. Briefly introducing Bruce Sterling’s ideas about ’shaping things’ Medosch adds to this some of my his reflections about the contentious notion of techno-social ‘progress’. Based on this contextual analysis the text formulates some of the challenges and possibilities for artists who work with technology in general and the routes chosen by the selected artists in the Tagged exhibition. [PDF] Continue reading


Sep 29, 11:22
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art virtual conference intervention distributed second life sound political technology narrative festival tactical conversation lecture art + science social networks social games history dance surveillance music workshop urban collaboration live upgrade! mapping reblog activist wearable immersive platform public/private architecture data body collective environment film identity city aesthetics wireless telematic web 2.0 culture visualization systems site-specific webcast place tool open source ecology software text research intermedia audio space community radio avatar 3-D nature hybrid audio/visual responsive presence pyschogeography interview interdisciplinary object media e-literature ubiquitous global/ization physical theater theory biotechnology play bioart relational archive news DIY robotic code light generative synthetic hacktivism place-specific p2p education cinema remix interface agency live cinema im/material labor language copyright simulation algorithmic mashup perception animation image free/libre software multimedia artificial motion tracking voice convergence reenactment machinima streaming gift economy cyberreality webcam emergence glitch DJ/VJ censorship tv ARG nonlinear transdisciplinary asynchronous recycle touch fabbing tag semantic web chance synesthesia hypermedia biopolitics social choreography tangible forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
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