Networked_Performance / site-specific
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Albion A.R. Art Walk [us Michigan]

Albion A.R. Art Walk :: April 22 - May 17, 2012 :: Reiger and Victory Parks - Albion, Michigan :: Call for Submissions — Deadline: February 11.

Albion College and the city of Albion, Michigan seek artists and designers to submit work for consideration for a virtual public art exhibit to launch the first annual Albion A.R. Art Walk. This Augmented Reality competition will feature sculptures digitally overlaid in Albion’s Reiger and Victory Parks from April 22 through May 17, 2012.

Up to 20 works of art will chosen from around the world for this inaugural year of the Albion A.R. Art Walk. Continue reading


Jan 21, 17:34
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Not Here Not There

Not Here Not There :: Call for Papers - Deadline: January 31, 2012.

Leonardo Electronic Almanac in collaboration with The Samek Art Gallery and with Kasa Gallery announces a special issue titled: Not Here Not There. This issue arises out of the territory between two cultural streams.

In the 1960’s, artist Robert Morris articulated the strategy of representation summarized by ‘site vs. non-site’ whereby certain artworks were simultaneously abstract and representational and could be site-specific without being sited. In the 1990’s net.art re-de-materialized the art object and found new ways to suspend the artwork online, between (web)site and non-site. Continue reading


Jan 11, 18:10
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Live!iXem [it Favignana Island]

Live!iXem 2011 :: Call for Sound Installation Works [PDF] - Deadline: February 26, 2012.

AntiTesi in collaboration with the Superintendence for Cultural and Environmental Heritage of Trapani, is announcing a Call for Proposals for Sound installations to present at Ex Stabilimento Florio delle Tonnare di Favignana e Formica in Favignana Island. This call is connected to the Eighth edition of the Live!IXem festivals of music, sound and electronic arts.

The aim is to highlight the works of those artists who, involved in an experimental and creative exploration, use sound, integrating it with electronic audio-visual and digital design for Art installations in specific sites. Continue reading


Nov 8, 20:22
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arOCCUPYWALLSTREET

More info here.


Nov 7, 19:17
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Place Making and The Art of Engagement

Place Making and The Art of Engagement by Linda Carroli, ArtsHub, October 10, 2011:

Urban innovation can mean or refer to many things and there’s no shortage of ideas about how to make cities better. As the theory and more deterministic ‘forecasting’ goes, cities must get better if they are to foster and sustain the types of globalised knowledge and creative economies that will underwrite the future. However, there can be both disagreement and diversity in how to understand what better and development actually mean in and for the urban environments.

Two recent Australian publications reveal some of that diversity by presenting a series of case studies in community engagement, site specificity and place. Continue reading


Oct 29, 13:21
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Mapping the Local + Site Specific Interventions in Public Space [hu Budapest]

The Departments of Intermedia and Fine Art Theory and Curatorial Studies of the Hungarian University of Fine Arts initiate the seminars Mapping the Local and Site Specific Interventions in Public Space :: Hungarian University of Fine Arts, Andrássy út 69-71, 1062 Budapest, Hungary.

Mapping the Local presents an overview of the major phenomena, trends and issues of contemporary art based on various subjects in each semester; a special emphasis will be placed on the East European region, in the form of seminars, presentations held by invited lecturers, field trips to museums, institutions and artist studios. The course is primarily directed towards Erasmus students as well as local students of the Intermedia and Fine Art Theory and Curatorial Studies departments. Continue reading


Oct 22, 14:49
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“Mountain Ghosts” by Halsey Burgund

Mountain Ghosts by Halsey Burgund :: until mid-November :: Galleries of Contemporary Art, University of Colorado, Colorado Springs.

Mountain Ghosts is a site-specific sound art installation that infuses the entire University of Colorado / Colorado Springs campus with a location-based layer of audio created collectively by the artist and participants. Building on Burgund’s interest in systems, collected voices, and participation, Mountain Ghosts explores sound as fundamental to our experiences of space, place and history. Participants use a custom smartphone app to make audio recordings that the Mountain Ghosts system then codes by location and immediately assimilates into a collective databank for other visitors to access. Continue reading


Oct 2, 15:04
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Live Stage: Architectures of Memory [us Santa Cruz, CA]

Architectures of Memory by Helen Hyunkyung Park and Natalie McKeever :: October 21, 2011; sunset :: Mitchells Cove, West Cliff Drive and Sunset Ave, Santa Cruz, California. Continue reading


Sep 30, 14:43
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Riverscaping/Alles Am Fluss [us Massachusetts]

Riverscaping/Alles Am Fluss is an international and northeastern US public realm public art/design-build competition on the Connecticut River in Massachusetts :: Deadline: December 10, 2011.

The objective of this competition is to uncover new public realm art, architectural and environmental approaches to riverscapes at two scales: regional and intimate. Each designer/artist/team will produce an overall strategy for connecting and relating the four defined sites (and those between) while paying attention to the unique and individual characteristics of each community through site specific work. At its core, the competition asks three main questions of its designers/artists/teams: Continue reading


Sep 22, 16:40
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The Avant-garde: Specters of the Nineties [nl Maastricht]

The Avant-garde: Specters of the Nineties :: until November 20, 2011 :: Marres-Centre for contemporary culture, Capucijnenstraat 98, 6211 RT Maastricht, The Netherlands.

Within the long-term program covering the avant-garde, Marres presents Specters of the Nineties, an exhibition that looks at the last decade of the 20th century through a selection of art works made in the period between 1989 and 2000.

The most prominent characteristics of the 1990s, commonly known as the beginning of ‘The Information Age’, are without doubt the revolutionary development of digital technology the emergence of a global capitalism. Continue reading


Sep 19, 15:57
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop urban upgrade! live collaboration reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place systems open source webcast ecology software text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence interview object interdisciplinary media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY light robotic generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor copyright simulation mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam emergence glitch DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
More commissions