Networked_Performance / robot
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Flight Assembled Architecture

December 2, 2011, to February 19, 2012, the FRAC Centre presents Gramazio & Kohler and Raffaello d’Andrea, Flight Assembled Architecture, the first installation to be built by flying machines.

In 2011, Gramazio & Kohler and Raffaello D’Andrea started to develop a pioneering approach on dynamic material formation and machine behaviour.

Belonging to the generation of young architects aiming at using the full potential of digital design and fabrication, Gramazio & Kohler joined with Raffaello D’Andrea whose work addresses ground-breaking autonomous systems design and algorithms. Continue reading


Nov 30, 17:01
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Antidatamining VIII: Trading Robot Performance

Antidatamining VIII: Trading Robot Performance by RYBN — a panoptic installation in The Global Contemporary. Art Worlds After 1989 @ ZKM :: September 17, 2011 - February 5, 2012.

Engaging finance in its most recent and complex developments, RYBN has undertaken the construction of its own amateur trading bot, designed to invest and speculate on the financial markets. Its decisions are taken with the help of an internal algorithmic intelligence system, and can be influenced by a wide range of external arbitrary parameters. The whole decision system allows the program to foresee the next moves in the markets, while it tries to identify and anticipate the relevant and effective patterns within the financial chaotic oscillations. The performance stops when the robot reaches bankruptcy. Continue reading


Sep 13, 20:28
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RAM | Rethinking Art and Machine [ca Kitchener, ON]

RAM | Rethinking Art and Machine with Jim Campbell, Alan Rath, Daniel Rozin, Peter Vogel, George Legrady, David Rokeby :: September 15, 2011 - January 22, 2012 :: THEMUSEUM, 10 King Street West, Kitchener, ON N2G 1A3, Canada. Continue reading


Aug 31, 20:09
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Spiral Drawing Sunrise [tr Istanbul]

Spiral Drawing Sunrise, a device for the site specific recording of sunrises by Esther Polak and Ivar van Bekkum :: September 14-20, 2011; times here :: part of ISEA2011.

Spiral Drawing Sunrise’s main component is a “phototropic car”, a small robotic rover that runs on solar energy, not unlike the carts used by NASA to explore the environments of distant planets. Except that this cart is designed to make observations of a distant body, the sun, in familiar settings, like a public square. It functions as a kind of sun-powered, mobile hour glass: the cart, tight to a pole with a longinsh rope, moves when its panels have collected a given amount of sunlight. And as it continuously deposits sand, the cart leaves behind a patterned spiral trail. Continue reading


Aug 24, 13:33
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Interception 3: Vandalism Against Surveillance

The Interception series of actions consists of the illegal interception of CCTV cameras monitoring urban areas. Continue reading


Aug 5, 17:01
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Robots and Avatars

Robots and Avatars :: Call for Proposals — Deadline: September 7, 2011.

Robots and Avatars is an intercultural, intergenerational and interdisciplinary exploration of a near future world consisting of collaborations between robots, avatars, virtual worlds, telepresence and real time presence within creative places, work spaces, cultural environments, interactive entertainment and play space.

Robots and Avatars will present two Development Commissions and additionally a minimum of six existing works as an Exhibition in 2012. Lead producer and concept developer of this EU Culture project is body>data>space and the partner for the commissions is National Theatre in London. Continue reading


Jul 28, 17:16
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Live Stage: Käthe Kollwitz Prize to Cardiff & Miller [de Berlin]

Käthe-Kollwitz-Prize 2011: Janet Cardiff & George Bures Miller — Award Ceremony and opening of Pariser Platz :: June 28, 2011; 7:00 pm :: Akademie der Künste, Pariser Platz, Plenarsaal, Berlin.

The Käthe Kollwitz Prize 2011 has been awarded jointly to Janet Cardiff and George Bures Miller. On this occasion the artist duo from Canada will be showing four works in the Akademie der Künste (Academy of Arts). The exhibition at Pariser Platz will focus on the construction and deconstruction of acoustic perception and illusionist spaces. The real occurrences in Cardiff’s and Miller’s stories only reveal themselves when people enter the space and engage their visual and tactile senses. Continue reading


Jun 27, 16:37
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Federico Díaz: outside itself [it Venice]

Federico Díaz: outside itself at the Veniice Biennale :: June 4 - September 30, 2011 :: Opening: June 4; 6:00 pm :: Nappa 90, Arsenale Novissimo, Venice.

Federico Díaz, acclaimed Prague-based artist, is creating a self-replicating, site-specific sculptural installation shaped by viewer-inspired data that gives new meaning to the term “going viral.” Imagine thousands of black spheres morphing according to changes in ambient light generated by the fluid interactivity of viewers. A mathematical program enables two robots to build, and together, arrange about 2,000 5-centimeter-diameter balls every 12 hours. Continue reading


May 14, 12:16
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Live Stage: DATAPOLIS [cz Prague]

DATAPOLIS @ Enter, 5th International Art | Science | Technology Biennale :: April 15-17, 2011 (Limited version of the exhibition will run until Sunday, April 24, 2011) :: Opening: April 14; 6:00 pm :: National Technical Library (NTK), Technická 6,160 80 Praha 6 - Dejvice.

DATAPOLIS is one evening and three days of full-size experiment in art and technology. The exhibition addresses interactions of media technologies, novel visualization practices and urban realities. Exhibiting artists from all over the world discover moods and rhythms of our cities, bodies and planet. They innovatively mash both visible and invisible data that re-present individual and collective lives and actions. Continue reading


Apr 7, 16:08
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“Afflator” by Nick Knouf

Afflator — by Nick Knouf — breathes upon the conditions of today’s robotic creatures that are pulled into the muck of mimesis. To have a robot that is spoken to in natural language, that walks in a bipedal fashion, is the research that is valorised. Afflator deforms these conditions to suggest that the robotic form does not need to resemble anything we have seen before, that the means of engagement with a robot can be something other than traditional language and movement. Draping from the gallery ceiling and extending along the floor in a wave of fabric, Afflator unfolds onto contemporary robotics research to suggest other ethico-political options for engagement with the robotic other.

Extending from Afflator is a tube with an attached mask, worn by the gallery visitor to create a machinic assemblage of human and creature. Continue reading


Apr 5, 11:07
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop urban upgrade! live collaboration reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place systems open source webcast ecology software text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence interview object interdisciplinary media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY light robotic generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor copyright simulation mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam emergence glitch DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
More commissions