Minima Moralia Redux is a selective remix by Eduardo Navas of Theodor Adorno’s Minima Moralia. Starting on October 16, 2011, an entry a week will be rewritten until the 153 aphorisms of Minima Moralia become part of the blog.

Theodor Adorno’s aphorisms are carefully analyzed and reinterpreted in order to explore the principles of the selective remix, often found in music and video. The selective remix consists of adding to or subtracting material from a pre-existing source. Continue reading

the optimal value for y: DataSpaceTime (Ray Sweeten & Lisa Gwilliam) — QR code portraits, Wallpaper prints, and Interactive video :: November 12 - December 12, 2011 :: Opening Reception: November 12; 6:00 - 9:00 pm :: Microscope Gallery, 4 Charles Place, Brooklyn NY. Continue reading

Remixthebook: Everything, all at once: Review by Mark Hancock, Furtherfield.org:

“For us, art is not an end in itself … but it is an opportunity for the true perception and criticism
of the times we live in.” Hugo Ball.

The challenge in trying to review a book like Mark Amerika’s Remixthebook, is the feeling you can only do justice to the text by doing the same with your review. The apparent simplicity coupled with the multifarious outcomes are intoxicating. You could be mistaken for believing that every possible remix would produce fresh and exciting outcomes. The key of course, is to have good source material in the first place. Continue reading

remixthebook by Mark Amerika, University of Minnesota Press, September 2011:

A model of contemporary remixing and a groundbreaking reflection on digital media

Digital technology has transformed contemporary culture. New social media, hyperlinks, and cut-and-paste techniques have changed the way we write. E-books, which allow us to carry entire libraries with us, are bringing new browsing and reading habits. Digital editing and other on-the-fly postproduction processes have altered how we make music, films, and visual art. A key rhetorical trope employed in all aspects of digital media is the remix, the creation of innovative new works of visual, literary, and performance art through the mashup.

In remixthebook, Mark Amerika explores the mashup as a defining cultural activity in the digital age. Continue reading

Daisy Chain: An Anarchic Performance Event :: May 13, 2011; 6:00 - 10:00 pm :: Antena, 1765 S. Laflin, Chicago, Illinois :: Call for Proposals — Deadline: April 30.

Daisy Chain is an interconnected series of performances that will be featured at Antena Gallery while simultaneously occurring across the Internet. Performances should incorporate one or more other performances in the series via projection, monitor, laptop or audio in the performance space. This will require an active Internet connection during the performance as well as two computers or devices that can access Ustream.com. Continue reading

UrbanRemix is a collaborative and locative sound project developed by Jason Freeman, Carl DiSalvo, Michael Nitsche, and many of our students at Georgia Tech. Our goal in developing UrbanRemix was to design a platform and series of events that would enable participants to develop and express the acoustic identity of their communities, and enable participants to explore and experience the soundscapes of the city in a novel fashion.

The UrbanRemix platform consists of a mobile phone system and web interface for recording, browsing, and mixing audio. It allows users to document and explore the obvious, neglected, private or public, even secret sounds of the urban environment. Continue reading

Video Vortex Reader II: moving images beyond YouTube; Geert Lovink and Rachel Somers Miles (eds), Amsterdam: Institute of Network Cultures, 2011. ISBN: 978-90-78146-12-4, paperback, 378 pages.

Video Vortex Reader II is the Institute of Network Cultures’ second collection of texts that critically explore the rapidly changing landscape of online video and its use. With the success of YouTube (’2 billion views per day’) and the rise of other online video sharing platforms, the moving image has become expansively more popular on the Web, significantly contributing to the culture and ecology of the internet and our everyday lives. In response, the Video Vortex project continues to examine critical issues that are emerging around the production and distribution of online video content. Continue reading

Vacanza! (Holiday!): A Relaxed Augmented Reality Workshop :: April 1-3, 2011 :: @ AHAcktitude, Carrara, Italy. Continue reading

Babel Fiche is a crowd-sourced film that collects and remixes amateur video footage. During 2011 we are gathering and selecting contemporary clips which describe everyday life around the Earth. These movie fragments will be printed on colour microfiche – a photographic medium capable of lasting 500 years and simply requiring light and a lens to expand its contents. This analogue throwback might even outlast our current reliance on fragile digital storage.

Babel Fiche is an imaginary media for future anthropologists. It asks which behaviours, objects, traditions and conflicts we want to communicate to a future world. Today’s human cultures, physique and technology will inevitably develop out of all recognition. So how might a future species translate our current times? Continue reading

VJ Um Amel Remixes A Revolution by Dylan Schenker, posted on March 1, 2011 on the Creators Project (Thanks to Franck Ancel):

What the World Tweeted on #Egypt the day Mubarak Resigned from VJ Um Amel on Vimeo.

Continue reading