Geometry by Félicie d’Estienne d’Orves :: until September 12, 2012; dawn - midnight :: Watermans, 40 High Street, Brentford, TW8 0DS. Continue reading

CODED CULTURES - Subcuratorship Beyond Media Arts with Michal Wlodkowski, Luise Reitstätter, Joasia Krysa, Sydney Ogidan, and Eva Fischer (Moderated by Georg Russegger) :: February 2, 2012: 4:00 - 6:00 pm :: Haus der Kulturen der Welt, John-Foster-Dulles-Allee 10, 10557 Berlin, Germany.

Based on questions about contemporary media art festivals, in the autumn of 2011 CODED CULTURES presented City as Interface. Hereby curators and artists tried to create new models of representation, transmission and intervention within a concept of sub-curatorship beyond media arts and within public space. Continue reading

Designing Civic Encounter: Documents and Discussions on Urban Transformation in the Arab World curated and edited by Ursula Biemann and Shuruq Harb. Continue reading

Touch and Go, Leonardo Electronic Almanac :: Call for Papers - Deadline: February 12, 2012.

Leonardo Electronic Almanac in collaboration with Watermans and Goldsmiths College in occasion of the Watermans’ International Festival of Digital Art, 2012 announces a special issue titled: Touch and Go.

The Watermans’ International Festival of Digital Art, 2012, will coincide with the Olympics and Paralympics in London, and Watermans is pleased to host a Festival of ground-breaking installations exploring interactivity and participation in New Media and Digital Art. Continue reading

PUBLIC 44: Experimental Media, edited by Peggy Gale:

In “Cultural Engineering 1982–2010″ Tom Sherman challenges the institutionalizing and mythologizing of experimental media through economic support and academic research. Konrad Becker uses slogan, picture and text from his “Strategic Reality Dictionary” to reveal power mechanisms and newspeak from the past half-century. The irreplaceable nature of individual media is a recurring theme, as Michael Snow and Nicky Hamlyn consider works created necessarily in a chosen medium. Christopher Eamon considers media installations new prominence in the museum. Teacher and curator Peter Ride investigates the place of the viewer and systems to evaluate audience response. Continue reading

Northern Spark: presenting innovative art in the public sphere.

Calling All Artists: Northern Lights is happy to announce a number of calls for participation in the 2012 edition of Northern Spark, which will take place June 9-10, 2012. For some background on this year’s Northern Spark see here. The new website will launch later this week at northernspark.org.

Call for 10 projects in any media/discipline: We are looking for projects that are sited/ performed in public space and engage a broad public audience in that space. Projects can be in any medium or discipline. Continue reading

["Myths of Rape" by Leslie Labowitz-Starus, performed for "Three Weeks in May," Suzanne Lacy, 1977. Photo: Suzanne Lacy] Pacific Standard Time Performance and Public Art Festival :: January 19–29, 2012 :: More than 30 New Works, Re-Inventions, Commissions and Happenings to Unfold Across Los Angeles.

The art of Pacific Standard Time heads into the streets, clubs and public spaces of Southern California from January 19 through 29, 2012, during the Pacific Standard Time Performance and Public Art Festival. Continue reading

[Figure 1. Scripted Space] The Scripted Spaces of Urban Ubiquitous Computing: The Experience, Poetics, and Politics of Public Scripted Space by Christian Ulrik Andersen & Søren Pold, Fibreculture Journal #19, 2011: Ubiquity:

The computer is moving out into physical and urban reality. Since Mark Weiser’s call for a ‘computer for the 21st century’ in 1991 a migration from the screen and the desktop towards integrating computers and networks into our surroundings has been a part of contemporary computer science research; for example, in augmented reality, ubiquitous computing (ubicomp), and pervasive computing. A number of technological developments (such as big screens, new smart materials, GPS, RFID tags, and ever faster and cheaper wireless networks) have helped carry the research agendas out into ordinary reality. Continue reading

The Mobile Audience: Media Art And Mobile Technologies, edited by Martin Rieser, with an Introduction by Howard Rheingold:

The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design. Continue reading

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