Jennifer and Kevin Mccoy: Index :: until October 13, 2012 :: EMPAC, 110 8th Street, Troy, New York.

Index is an EMPAC-commissioned public art installation by Rensselaer Arts alumni Jennifer and Kevin McCoy, which consists of multiple sculptures filmed via small, live cameras. The resulting video projection, as well as the models, will appear throughout our public spaces during an extended residency with the artists.

Inspired by a J.G. Ballard short story called The Index, in which an alphabetized list of people and places are turned into an implied, overarching narrative, the McCoys’ list spans the 1960s to today, referencing globalization, technology, mass migrations, and war. Continue reading

New Day New Standard — A public art project and nanny hotline: 646 699 3989.

New Day New Standard is a public art project and interactive hotline that informs nannies, housekeepers, eldercaregivers, and their employers about the landmark Domestic Workers’ Bill of Rights, passed in New York State in November 2010.

Built on an open source framework, New Day New Standard is a hybrid application that combines regular touchtone phones, Internet-based telephony, and performance art to create an interactive Spanish/ English know-your-rights audio campaign for domestic workers and their employers in New York State.

But this is no drab and dry reading of the law. When you call the New Day New Standard hotline number, you hear what sounds like a radio talk show, ‘hosted’ by Christine Lewis, a real nanny in New York whose charisma as a social justice organizer landed her a guest spot on The Colbert Report. Continue reading

Going Feral on the Net: the Qualities of Survival in a Wild, Wired World :: May 15, 2012; 12:30 pm (ET) :: Berkman Center for Internet & Society, 23 Everett St, Cambridge, MA + webcast live :: RSVP Required.

How do we balance the empowering possibilities of the networked public sphere with the dark, unsettling, and even dangerous energies of cyberspace? Matthew Battles blends a deep-historical perspective on the internet with storytelling that reaches into its weird, uncanny depths. It’s a hybrid approach, reflecting the web’s way of landing us in a feral state — the predicament of a domestic creature forced to live by its imperfectly-rekindled instincts in a world where it is never entirely at home. Continue reading

Web Biennial 2012 (Wb12): OCCUPY CONTENT: Have we reached the end of the Internet as we knew it? :: Open Call — Deadline: June 15. Continue reading

[Eva and Franco Mattes aka 0100101110101101.ORG Reenactment of Valie Export and Peter Weibel's Tapp und Tastkino, (2007)] From Plaintext Players to Avatar Actors: A Short Survey of Online Gaming Performance by Mathias Jansson:

Performance art emerged in the mid-1960s into the 1970s and was a way to push the boundaries between art and everyday life. Many artists saw performance as an opportunity to bring art directly to the audience without having to detour through the galleries, curators or agents. Performance therefore often occurs outside the institutions on streets, squares or other public places. It was defined as an antithesis to theatre and the ideal was to “create an ephemeral and authentic experience for performer and audience in an event that could not be repeated, captured or purchased.”(1) Famous performance artists from this time are Yoko Ono, Joseph Beuys, Vito Acconci, Chris Burden and Marina Abramović. Continue reading

Tweets in Space by Scott Kildall and Nathaniel Stern:

We will beam Twitter discussions from participants worldwide towards GJ667Cc — an exoplanet 22 light years away that might support earth-like biological life. Continue reading

Situated Technologies: Beneath and Beyond Big Data — A symposium with Philip Beesley, David Benjamin, Laura Forlano, Usman Haque, Natalie Jeremijenko, Omar Khan, Laura Kurgan, Helen Nissenbaum, Trebor Scholz, Mark Shepard, and Kazys Varnelis :: April 28, 2012; 2:00-5:00 pm :: Rose Auditorium, The Cooper Union, 41 Cooper Square, 3 AIA and New York State CEUs. Continue reading

Radius 22: Radio Tune by Public Domain:: April 1, 6, 8, and 13 at 6:00 pm CST.

Public Domain takes after its name sake, the public domain, and views, manipulates, edits, and comments on material found within it. Public Domain uses material from radio, records and the internet. The work often mirrors the collective unconscious through the use of voyeurism and dark humor. The resulting work is a collage of reality, time, and experiences.

Public Domain is Jane Burton and Doris Lake, a duo based in central London, UK. They often listen to the bells of Big Ben. Public Domain uses collage and montage to reflect upon the things they love, and simultaneously place them in ridicule. Continue reading

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Audience as Subject, Part 2: Extra Large :: February 18 – May 27, 2012 :: Yerba Buena Center for the Arts, 701 Mission Street, San Francisco CA.

Audience as Subject is a two-part exhibition that considers the audience broadly as a living organism of participating viewers of live events. It includes artworks that illuminate audiences as collective bodies as well as the individuals who comprise them. It asks: What is the civic potential implied by different publics? Continue reading