Networked_Performance / new-media
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Screengrab: New Media Arts Award

Screengrab: New Media Arts Award :: Call For Artists — Deadline: July 2, 2012.

The 2012 Screengrab New Media Arts Award and associated exhibition is looking for challenging creative works by media arts practitioners working in screen based media to submit works on the theme of Control.

The contemporary media milieu would suggest an evolving devolution of the traditional notion of the “society of control”. The boundaries of enclosures and spaces are no longer the rigid and defined perimeters they once were. The browser, the mobile camera/ screen are new enabling simulations the user can exploit to navigate alternative pathways, to experience new modes of expression and to participate in global cultural exchange. Continue reading


May 17, 14:21
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Distributed Microtopias

The 15th annual Finger Lakes Environmental Film Festival (FLEFF) Distributed Microtopias :: Call For Submissions — Deadline: August 15, 2012. Continue reading


May 17, 13:42
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Cynetart 2012 Award

Cynetart 2012 Award :: November 15-21, 2012 :: Festspielhaus Hellerau, Karl-Liebknecht-Strasse 56, Dresden, Saxony 01109, Germany :: Call for Entries — Deadline: March 31.

Cynetart is an international festival for computer based art in Dresden. The 16th Edition of the festival will present an exhibition of the winning projects and selected competition entries, first-class performances and a programme with live sets of international electronic musicians and VJs at the Festspielhaus Hellerau and other selected spots in Dresden.

The competition is open to artists, designers and scientists who dedicate themselves in their artistic and reflective discussion in particular interdisciplinary and multidisciplinary approaches. Continue reading


Mar 15, 16:53
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An Introduction To Mayan New Media

Hz Call For Articles

Hz Call For Articles — Deadline: March 10 :: Please send your submissions to hz-journal [at] telia.com.

Online journal Hz is looking for articles on New Media, Sound Art, Electro-Acoustic Music, Virtual World/ Machinima and Social Media. We accept earlier published and unpublished articles in English.

Hz is published by the non-profit organisation Fylkingen in Stockholm. Established in 1933, Fylkingen has been known for introducing yet-to-be-established art forms throughout its history. Nam June Paik, Stockhausen, Cage, Stelarc, etc. have all been introduced to the Swedish audience through Fylkingen. Its members consist of leading composers, musicians, sound artists, dancers, performance artists and video artists in Sweden.


Feb 17, 17:38
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The HTMlles 10: Risky Business [ca Montreal]

The HTMlles 10: Risky BusinessFeminist festival of media arts + digital culture :: November 10-18, 2012 :: :: Call for Proposals — Deadline: April 2.

The 10th edition of the HTMlles will take up the notion of risk. To risk: to gain or to lose (it is uncertain), to expose oneself to a possibility… Risk is a potential. Whether used positively or negatively, the idea of risk implies that of evaluation, action and distribution, and thus, power. While the term “risk” evolved with the development of capitalism, the concept of “risk society” is about twenty years old and has been used by scholars to describe how modern society organizes around the idea of risk, that is, in response to a future (which society should be able to manage). Continue reading


Feb 17, 16:18
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Programmed Visions: Software and Memory

Programmed Visions: Software and Memory by Wendy Hui Kyong Chun, MIT Press:

New media thrives on cycles of obsolescence and renewal: from celebrations of cyber-everything to Y2K, from the dot-com bust to the next big things - mobile mobs, Web 3.0, cloud computing. In Programmed Visions, Wendy Hui Kyong Chun argues that these cycles result in part from the ways in which new media encapsulates a logic of programmability. New media proliferates “programmed visions,” which seek to shape and predict - even embody - a future based on past data. These programmed visions have also made computers, based on metaphor, metaphors for metaphor itself, for a general logic of substitutability.

Chun approaches the concept of programmability through the surprising materialization of software as a “thing” in its own right, tracing the hardening of programming into software and of memory into storage. Continue reading


Jan 28, 18:35
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[nettime] Still There by Olia Lialina

On nettime olia lialina wrote: Dear nettimers,

I thought I should post the intro to my Still There research here. There must be still people on the list who remember what I remember, or remember it differently.

In September 1996, I came to Rotterdam to participate in the Dutch Electronic Art Festival – not as an artist yet but as a film curator, or, to say it better, as a film curator from Moscow who made a website for a film club. For many people, the mid-90s were all about going online, making websites, travelling to the East and to the West.[1]

It was my very first media art event. Continue reading


Jan 21, 18:28
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Touch and Go: Call for Papers

Touch and Go, Leonardo Electronic Almanac :: Call for Papers - Deadline: February 12, 2012.

Leonardo Electronic Almanac in collaboration with Watermans and Goldsmiths College in occasion of the Watermans’ International Festival of Digital Art, 2012 announces a special issue titled: Touch and Go.

The Watermans’ International Festival of Digital Art, 2012, will coincide with the Olympics and Paralympics in London, and Watermans is pleased to host a Festival of ground-breaking installations exploring interactivity and participation in New Media and Digital Art. Continue reading


Jan 14, 16:20
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[nettime] The Medium is Not the Message

The Medium is Not the Message: On the Future of New Media Studies by Florian Kramer [to Graduates of The Media Department of the Universiteit van Amsterdam, September 2011]:

Dear graduates,

Let me make a wild guess: Perhaps it has become more difficult for you to say what media are - and what media studies are - than a few years ago when you began to study them. A paradox of “media” is that, in our time, they seem to be everywhere at first glance yet nowhere when it comes to critical study. Every person on the street would agree that our everyday life is permeated by electronic media, the Internet, mobile phones, electronic gadgets. Everyone is aware of their economic impact. Even the link between these communication technologies to cultural and social movements is not esoteric anymore, in the year after WikiLeaks and two days after the Pirate Party won nine percent at the state elections in Berlin. Continue reading


Jan 11, 18:41
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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
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