Distributed Microtopias
The 15th annual Finger Lakes Environmental Film Festival (FLEFF) Distributed Microtopias :: Call For Submissions — Deadline: August 15, 2012. Continue reading
The 15th annual Finger Lakes Environmental Film Festival (FLEFF) Distributed Microtopias :: Call For Submissions — Deadline: August 15, 2012. Continue reading
Carrie Bodle: Wavelines :: May 18 - July 14, 2012 :: Artist Reception: May 18; 6:00 pm - 9:00 pm :: CoCA Georgetown Gallery, Seattle Design Center, 5701 6th Ave S., Seattle, WA (Facebook event page).
Bodle creates a new video and sound installation for CoCA based on two previous works, Sewing Sonification (2009) and Waveforms (2010). Both projects use data from ecosystem models along the Washington Coast to create a multimodal experience of art through scientific research. In CoCA’s 4,600 sq. ft. space, a six-channel video installation layers five dimensions of oceanographic data on large semi-transparent textile screens, while a five-channel sonification engages viewers/ listeners with references to underlying systems of data. Continue reading
PLATFORM3: B∃SETZT– Discourse on Art, Politics and Aesthetics :: International Video Call — Deadline: June 1, 2012.
PLATFORM3 - Spaces for Contemporary Art is a unique, progressive art location in Munich. Since March 2009 it has been offering space for local as well as international exhibitions and discourse projects. It is a production location as well as experimental field for artists, young curators and culture managers.
In the summer of 2012 PLATFORM3 is organizing a series of events on the topic of occupying strategies in art. Besides lectures by experts and panel discussions, there will also be a screening on the topic of art in urban space. Continue reading
Turbulence Commission: Space Video by Kate Armstrong & Michael Tippett, with sound by Thomas Aston [Needs Speakers/Headphones]:
Space Video addresses ideas of exploration in relation to inner and outer space. Having noticed that there are shared aesthetic qualities of video imagery that accompany disparate cultural and scientific phenomena including guided meditation, hypnosis, undersea and space exploration by NASA, motivational speaking, powerpoint backgrounds, science fiction, psychedelic drug culture, electronic music, popular spirituality, and computer effects, we have built a generative system that mixes an original non-linear narrative with YouTube videos on these subjects as they are uploaded in real time. These videos often attempt to portray what are ultimately non-visual spaces, producing images that are at once placeholders, images of the transcendental, trippy intergalactic stereotypes, and fields for persuasion. Continue reading
Beryl Korot: Selected Video Works 1977 to Present :: until May 5, 2012 :: bitforms gallery nyc, 529 West 20th St., New York City.
bitforms gallery is pleased to announce its first solo exhibition with artist Beryl Korot. Featuring her landmark video installation “Text and Commentary” (1977), the show also includes two of Korot’s more recent investigations into the medium, “Florence” (2008) and “Yellow Water Taxi” (2003).
Recognized since the early 1970s as a pioneer of video art and of multiple channel work in particular, Beryl Korot explores the physical mark of human history and the programmatic structures of data that convey it. The rhythmic impulse in her compositions embraces text, weaving, and video. Continue reading
Berkman Luncheon Series: Dalida Maria Benfield: Unexpected Development: Decolonial Media Aesthetics and Women’s ICT4D Video :: April 17, 2012; 12:30 pm :: Berkman Center, 23 Everett Street, second floor, Cambridge, Massachusetts + webcast :: RSVP required for those attending in person via this form.
ICT4D (Information Communication Technology for Development) powerfully frames women’s grassroots video production in the Global South, much of which is distributed widely through YouTube. Often, these videos reproduce racialized and gendered discourses — legacies of colonialism — in their narratives of economic, social, and technological progress. Continue reading
Dome2012: Video Art In The Digital Dome :: April 13-14, 2012; 5:00 - 8:00 pm :: Digital Dome @ IAIA, 83 Avan Nu Po Road, Santa Fe, New Mexico.
The Institute of American Indian Arts (IAIA) and the Santa Fe Complex invite you to DOME2012, a two-day immersive video experience featuring the world premier of new experimental video art in the Digital Dome @ IAIA. The event is free and open to the public.
DOME2012 is the first artist-in-residence show at the Digital Dome @ IAIA and is curated by Ethan Bach, Digital Dome Manager at IAIA and Orlando Leibovitz, Art Director at the Santa Fe Complex. Continue reading
Video Vortex #8: The Politics, Cultures and Art of Online Video :: May 17-19, 2012 :: The Museum of Contemporary Art Zagreb, Croatia.
Video Vortex has taken place twice in Brussels and Amsterdam and once in Ankara, Split and Yogyakarta. The Video Vortex network was founded in in 2007 and deals with the cultural, political and artistics aspects of online video. Video Vortex 8 is organized by the Kazimir Association in Split and The Museum of Contemporary Art, Zagreb in collaboration with the Institute of Network Cultures in Amsterdam. Continue reading
New Codes: Athens Video Art Festival 2012 :: Miltiadou 18, 10560 – Monastiraki, Athens, Greece :: Call for Entries — Deadline: April 5.
Athens Video Art Festival, always faithful in experimentation and constant self-criticism as contemporary art and life prerequisites, welcomes 2012 with its eighth official edition. AVAF extends an open invitation to artists who are interested in developing their ideas by experimenting on the platform of new technologies, under no thematic restrictions, in 7 categories:
Video Art – Animation – Installations - Digital Image – Web Art – Performance - Music Continue reading