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Turbulence Spotlight: “MUPS” by Jhave

Turbulence Spotlight: MUPS by Jhave:

MUPS (MashUPs) is an online sonic mashup engine specifically designed to allow spoken-word poetry mp3s to interweave simultaneously as if a group of performers were speaking together. MUPS has been seeded with MUPS 1260 audio poems from the PennSound archives; it can play up to 32 streams simultaneously. In spite of the playful tone of the introduction, MUPS is intended as a digital augmentation in the study of prosody. As computational analysis advances it is feasible to foresee cultural heritage archives such as PennSound operating as sites where digital tools permit innovative explorations into the evolution of poetics. Continue reading


Sep 2, 10:03
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“Submersible” by Yotam Mann & Niv Bavarsky

Turbulence.org Commission: Submersible by Yotam Mann and Niv Bavarsky [Needs Chrome 21+ or Safari 6+ and Speakers/Headphones]:

You are at a helm of a submarine navigating the depths of the ocean. At each strata, you see and hear different organisms. In the sunny epipelagic zone, watch the fast and massive tuna swim by in schools. Or catch a glimpse of the rare sea pig in the darkness of the abyssopelagic. Each of these organisms contributes a spatialized motif to the evolving soundscape.

Submersible is a 2013 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was made possible with funds from the Jerome Foundation. Continue reading


Apr 7, 10:52
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Turbulence Commission: “WoodEar” by Peter Traub

Turbulence Commission: WoodEar by Peter Traub [Needs download, and Speakers/Headphones]:

Bringing the body of the tree to the network is a natural fit — a tree is a network too: roots sensing and absorbing nutrients, leaves sensing and photosynthesizing sunlight, and phloem and xylem running throughout to carry nutrients across the structure. WoodEar attempts to merge the dynamic qualities of this biological network with the digital network. A series of sensors attached to the tree stream data on the state of its environment — light, temperature, air pressure, and wind. This live data is merged with photos and recordings of the tree’s immediate surroundings into a generative application/installation. By downloading and running the application, anyone can access the live environmental experiences of the tree — one that may be very distant from them, but that still shares the same air, sun, earth, and sky. Continue reading


Oct 2, 18:31
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Resonate [de Karlsruhe]

Resonate - An Interactive Light And Sound Installation :: Opening: September 7, 2012; 7:00 pm :: ZKM_Subspace, Lorenzstraße 19, Karlsruhe, Germany.

The sound persists – the exhibition “Sound Art. Sound as a Medium of Art” continues to draw a large crowd. As of 8 September, a further installation will enrich the exhibition: sound strings, stretched and illuminated, draw in visitors to the ZKM_Subspace; the spatial composition “resonate” allows visitors to experience in a unique way this unity of form, light, and sound.

The installation “resonate” consists of several kilometers of sound strings and eight interactive bodies containing a total of 1600 controllable LED lights. Continue reading


Aug 25, 12:06
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Live Stage: Michael Szpakowski [uk London]

Please join us for drinks to celebrate the launch of A Collective Memory of Childhood by Michael Szpakowski :: July 28, 2012; 2:00 - 5:00 pm :: Furtherfield Gallery & Social Space, McKenzie Pavilion, Finsbury Park, London, N4 2NQ.

Artist and composer Michael Szpakowski has worked with local children and their families to create a generative sound sculpture that invokes the collective memory of childhood, drawing on the memories of Haringey residents from all over the world. Continue reading


Jul 20, 15:02
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Live Stage: Remitting Default: Sonic Diagrams [us NYC]

Remitting Default: Sonic Diagrams – Kenya (Robinson) :: July 6, 2012; 6:00 - 8:00 pm :: Recess, 41 Grand Street, New York City.

On July 6, 2012, Kenya (Robinson) will report back from the midway point of her time spent as the inaugural artist in Recess’s online residency program, Analog. Over the past year, the artist developed Remitting Default: A Psycho-economic Performance of Getting Skooled. This project records her experience as a black MFA student at Yale University while struggling to maintain her personal finances and secure fiscal support. Rendering her private education public, (Robinson) posted a daily record of the available balance in her personal checking account. This information is fully accessible at recessanalog.org. Continue reading


Jun 28, 17:08
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Live Stage: Code of Contingency [us NYC]

Code of Contingency :: June 14-28, 2012 :: Opening: June 14, 7:00-10:00 pm (performances by Taeyoon Choi, Giuliano Obici, and Michael Pollard) :: Workshops: June 16-17;, 1:00-6:00 pm :: 319 Scholes, 319 Scholes Street, Brooklyn, NY.

“If you subtract human perception, everything moves.” – Steve Goodman, Sonic Warfare: Sound Affect and the Ecology of Fear

Code of Contingency explores whether sound, as a learning device, has the potential to open up new pedagogical frameworks. Continue reading


Jun 13, 10:26
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Live Stage: Radius 25 [online]

Radius 25: Cultural Morphing by Klaus Filip / Nicolaj Kirisits / et al. :: May 20-21, 2012; 8:00 am CST (to coincide with the 2012 Chicago NATO Summit).

Cultural Morphing is an experiment in creating a multi-perspective image of reality from the simultaneous experience of a geographic line by the individual expression of a perceived personal reality. Twelve invited artists traveled by train from Vienna to Shanghai, and selected stops along the route served as their workspace where they would meticulously work out an project that outlined various aspects of cultural transition experienced on the journey. Stopovers at Ulan-Ude, Ulan Bator, Beijing and Shanghai were used to exhibit the works that were created en route. Continue reading


May 19, 17:43
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Wilderness Art Conference: Wind As Context [fi Hailuoto]

Wilderness Art Conference: Wind As Context :: May 24-26, 2012 :: Marjaniemi Luotsihotelli & Cafe Bar Haiku, Hailuoto, Finland. Program here. Continue reading


May 14, 13:04
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Live Stage: for the time being [uk Brentford]

for the time being: a choreosonic performance by DAP-Lab :: May 26, 2012; 7:30 pm :: Watermans, 40 High Street, Brentford, UK.

for the time being explores the sound of movement in a 30-minute premiere of a new stage work inspired by the Russian Futurist opera Victory over the Sun (1913) and its fantastical visual designs. Nearly a hundred years ago, the Futurists collaborated on an eccentric vision of a society to come, based on revolutionary fervor of the time. The DAP-Lab’s choreosonic performance, both comic and unsettling in places, is an intimate piece that looks at our current precarious existence in a world full of outworn clichés of revolutions. Continue reading


May 11, 14:12
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature hybrid 3-D avatar audio/visual e-literature responsive pyschogeography presence interdisciplinary media interview object physical global/ization ubiquitous theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Global Direct Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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