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Turbulence Commission: “Grow Old” by Jason Freeman

Turbulence Commission: Grow Old by Jason Freeman:

Why can’t music grow old with us?

Grow Old is a streaming EP that reflects upon the malleability of digital audio in a cloud-based musical world. The music, regenerated daily by a simple computer program, changes subtly from one day to the next and more dramatically over the course of weeks, months, and years. So just as we constantly bring new perspectives and experiences to the music we hear, the music itself also changes over time. The web site includes the current version of each of the EP’s four tracks, extensive notes on each track, the computer source code used to generate each track, and subscription links to automatically receive new versions as a podcast. Continue reading


May 14, 15:13
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Turbulence Commission: “iLib Shakespeare (the perturbed sonnet project)”

Turbulence Commission: iLib Shakespeare (the perturbed sonnet project) by Scot Gresham-Lancaster and Tim Perkis:

iLib Shakespeare (the perturbed sonnet project) is a social media mashup that uses the dynamic input of users to continuously rewrite a sonnet of William Shakespeare. The user phonetically rhymes a word or short phrase, which is added to the database of variations available to other users. For instance unhappily forsworn can be rhymed as so snappily untorn. Each time the page is loaded, a different selection of user-defined substitutions is used. A transposed midi version of “Lachrimae” or “Seven Tears,” by John Dowland (1563-1626), can be heard as well, with “perturbations” that increase as the sonnet text is modified. Continue reading


Apr 13, 17:24
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Live Stage: HTML Instrument [se online]

HTML Instrument by Ursula Endlicher @ instrument :: July 6 - August 10, 2013 :: Kulturmöllan, Lövestad, Sweden.

HTML Instrument is an Internet art piece that uses the HTML code of the Triennial’s Website as score, implementing the exhibition’s representation on the Web into the physical context of the mill itself.

Contemplative, playful, and slightly absurd, HTML Instrument invites the audience to pluck a virtual wooden string instrument, which changes shape for different HTML tags that appear in the source code of the exhibit’s Website. Continue reading


Jun 14, 20:17
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Turbulence Commission: “Panemoticon” by Ali Miharbi and John Priestley

Turbulence Commission: Panemoticon by Ali Miharbi and John Priestley [Needs Firefox (16 or later recommended), headphones/speakers, mouse/trackpad]:

We know how you feel. Panemoticon observes your behavior, makes a few inferences about your emotional state, and plays music to match your mood. Your mouse/trackpad use says a lot about your energy level, confidence, and perceived control over your environment. Panemoticon tracks and analyzes these data to create an image of your mood, and then generates music, adjusting properties such as tonality (major/minor), harmonic & rhythmic complexity, tempo, timbre, and proximity. Collective mood is calculated for all Panemoticon users on a given site. Continue reading


Jan 22, 15:37
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eContact! 14.2: Biotechnological Performance Practice

[Marco Donnarumma — Hypo Chrysos] (CEC) Canadian Electroacoustic Community: eContact! 14.2: Biotechnological Performance Practice :: Guest Editor: Marco Donnarumma.

Biological technologies are computational systems driven by physiological and corporeal processes of the body. Endogenous mechanisms that would otherwise be imperceptible become manifest in the form of data. The field of biotechnological music performance is presented here through a set of fascinating articles describing heterogeneous methodologies and idiosyncratic musical ideas. (July 2012) Continue reading


Aug 13, 19:00
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Live Stage: Harrell Fletcher [online]

Harrell Fletcher: Where I’m Calling From :: June 28, 2012; 8:00 pm (BST) :: Online at BMW Tate Live: Performance Room.

Artist Harrell Fletcher invites busking musicians to take their performances from the tube stations and streets of London into the gallery to play live, online to the BMW Tate Live Performance Room’s global audience.

Harrell Fletcher’s work often takes the form of socially engaged collaborative and interdisciplinary projects. For his BMW Tate Live performance, Where I’m Calling From, the musicians will shift from playing to a local London audience to performing on a global online stage. Continue reading


Jun 28, 09:16
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Live Stage: “L-Carrier” by Eli Keszler [us NYC]

Turbulence.org, Eyebeam Art & Technology Center, and ISSUE Project Room present: L-Carrier — A Networked Installation and Performance by Eli Keszler :: Performance: June 7, 2012; 7:00 - 8:00 pm :: Installation: June 7-23, 2012 :: Eyebeam, 540 West 21st Street, New York + Turbulence.org [Needs Safari, Firefox or Chrome; and Speakers/Headphones].

From June 7-23, composer-percussionist Eli Keszler transforms Eyebeam’s Project Space with L-Carrier, a large-scale, mechanical stringed instrument that will immerse audiences in rich harmonies and sparse, multi-directional rhythms. Fluid, dynamic acoustic sounds will push and pull against the installation’s sonic control. The website displays the piece’s evolving visual data score, and streams real-time audio from the physical environment. Continue reading


Jun 4, 13:26
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New Codes: Athens Video Art Festival [gr Athens]

New Codes: Athens Video Art Festival 2012 :: Miltiadou 18, 10560 – Monastiraki, Athens, Greece :: Call for Entries — Deadline: April 5.

Athens Video Art Festival, always faithful in experimentation and constant self-criticism as contemporary art and life prerequisites, welcomes 2012 with its eighth official edition. AVAF extends an open invitation to artists who are interested in developing their ideas by experimenting on the platform of new technologies, under no thematic restrictions, in 7 categories:

Video Art – Animation – Installations - Digital Image – Web Art – Performance - Music Continue reading


Mar 13, 08:43
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404 International Festival of Art & Technology

Live Stage: Hypo Chrysos [es Madrid]

Hypo Chrysos by Marco Donnarumma - a new biomedia performance for enhanced body, interactive multichannel sound and video, Matadac Festival :: December 16. 2011; 8:00 pm :: Auditorium, CaixaForum, Madrid.

Hypo Chrysos is the second piece of a series of bio-interactive works based on the Xth Sense (XS), an open, biophysical and wearable technology I’ve recently developed. The work was composed ad hoc for the Matadac Festival in Madrid, which this year explores the theme of Machines and Flesh. In conjunction with this premiere, I’m teaching a workshop on biophysical generation and control of music and video using the Xth Sense tech.


Dec 14, 12:13
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio nature radio hybrid 3-D avatar audio/visual e-literature responsive pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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