Decode/Recode: Celebrate 100 Years of Alan Turing: We invite you to collaborate in a globally networked interactive event to celebrate the centenary of the birth of Alan Turing, as part of the official opening of the University of Salford building at MediaCity on 23rd March 2012. As part of this significant event we will be connecting for 24 hours with 24 partners worldwide for a live digital media jam. Continue reading

The Ends of Audience: Interdisciplinary Workshop :: May 30-31, 2012 :: Queen Mary University of London :: Call for Proposals - Deadline: January 31; Midnight GMT.

People in audiences act: they talk, clap, heckle, sigh, inhale, exhale, rustle, twitch, tweet, dance, flirt, laugh, whisper, shuffle, cough… in doing so, they interact. There is a structure and dynamic to these responses which is central to the experience of being in a live audience. This workshop aims to bring together researchers and professionals with interests in performance, interaction and technology who are working on understanding, instrumenting or experimenting with these dynamics, and the shifting ends of audience that they reveal. Continue reading

The Live Art Almanac Volume 3: An international publication of writing on and around Live Art :: Call for Recommendations and Submissions — Deadline: January 31, 2012.

The Live Art Almanac Volume 3 will draw together all kinds of writing about and around Live Art, and aims to be both a useful resource and a great read for artists, writers, students and others interested in the field of interdisciplinary, performance-based art.

The Live Art Almanac Volume 3 is a not-for-profit publication, produced and published by the Live Art Development Agency (London, UK) in partnership with Live Art UK, Performance Space 122 (New York, USA), Performance Space (Sydney, Australia), La Pocha Nostra (San Francisco, USA), and Maska (Ljubljana, Slovenia). Continue reading

Dreaming of a Butterfly by António Caramelo: “45 acrylic tubes are arranged within the display box. Each tube has a “mechanical” butterfly placed within and their movements are synchronised with the sound system — where microphones obtain real time sound of the surrounding area, and amplify the sounds to the internal subwoofers speakers to produce the necessary input to cause the aleatory movements of the butterflies. As the sound captured reach higher volume, the movement of the butterflies increase.

Each butterfly is attached inside to the acrylic tube by a filament that runs to the battery housing. There is a certain amount of realness to it, while it is understated up close (people can see the filament when the butterfly is at a standstill — or the sound volume is low), but from farther away the fleeting butterfly appears to be real and trying to find its escape! Continue reading

[Image: spencer lowell and www.ecloudproject.com] From Postscapes: Tracking the Internet of Things: These 10 networked art projects show the many ways that using real-time data like weather, pollution sensors, wave monitoring and all the other outputs that are streaming around us can be used to visualize and engage our environment in new ways.

1) eCLOUD Project: Installed in the San Jose International Airport eCLOUD is a permanent art work by Aaron Koblin, Nik Hafermaas and Dan Goods. It is constructed from polycarbonate tiles that fade in between transparent and opaque states and are controlled by real time weather from NOAA from locations around the world. Continue reading

[(c) WerkPhoto Stefan Schick] Exchange Radical Moments! Live Art Festival :: November 11, 2011; 12:01 am - 11:59 pm :: Berlin, Bitola, Chisinau, Linz, Liverpool, London, Paris, Prague, Riga, Słubfurt, Stockholm + Live Streams online.

Exchange Radical Moments! interrupts everyday life with Live Art — site-specific interventions, community art, public interventions, performances and live acts disrupting the accustomed course of events, life’s routines, disturbs the equilibrium, brings things to a standstill. Gives pause. Continue reading

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Turbulence Commission: PuréeData by Ted Hayes [Optimized for Google Chrome]:

PuréeData is a web-browser interface for a single shared sound environment that allows live, collaborative patching for anyone, anywhere. Visitors interact with a shared PureData audio synthesis patch and listen to the results as an MP3 stream, with no software to install or set up. The project is open-source, and all are encouraged to modify, improve and set up their own PuréeData servers.

PuréeData is a 2011 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was made possible with funding from the Jerome Foundation. Continue reading

Netscapes — by Garrett Lynch — is an automated application which uses live feeds from networked webcams to create combined and imagined landscape compositions, networked landscapes. Continue reading