Networked_Performance / mashup
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Turbulence Commission: INTERP by Jeff Thompson

Turbulence Commission: INTERP by Jeff Thompson:

INTERP is a series of digital sculptures generated by blending 100 unrelated photographs, placing them into simulated three-dimensional space, and importing them into photogrammetry software, tricking it into thinking that the photographs were of a single object. Thompson is interested in “useless” and culturally-derived data sets, so rather than use an arbitrary archive of photographs (a Google image search for a particular term, for example), it seemed more natural to use a finite set that he had generated himself (approximately 12,000 images when he began the project in 2012). Every photograph was used. Continue reading


Jun 10, 12:39
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Turbulence Commission: “[ openspace ] wilderness” by Andrew Lyman

Turbulence Commission: [ openspace ] wilderness by Andrew Lyman:

[ openspace ] wilderness is a virtual nature preserve for a deserted section of internet. It is inhabited by more than 6,000 blogs that have been silent for 6 or more years. Whereas abandoned neighborhoods of cities — like Detroit — are undergoing rewilding (to restore and protect natural processes), what manner of new life is possible for vacated internet spaces? Visitors to [ openspace ] wilderness are invited to tag and explore its contents, and engage with the park’s active population of predators and foragers. [ openspace ] wilderness is a finite and consumable space: it may be mapped and preserved, or overrun and overgrazed depending on the actions of its visitors. Read a review. Continue reading


Mar 24, 11:16
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Turbulence Spotlight: “MUPS” by Jhave

Turbulence Spotlight: MUPS by Jhave:

MUPS (MashUPs) is an online sonic mashup engine specifically designed to allow spoken-word poetry mp3s to interweave simultaneously as if a group of performers were speaking together. MUPS has been seeded with MUPS 1260 audio poems from the PennSound archives; it can play up to 32 streams simultaneously. In spite of the playful tone of the introduction, MUPS is intended as a digital augmentation in the study of prosody. As computational analysis advances it is feasible to foresee cultural heritage archives such as PennSound operating as sites where digital tools permit innovative explorations into the evolution of poetics. Continue reading


Sep 2, 10:03
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Live Stage: Personal Immersive Environments [us Los Angeles]

P.I.E. (Personal Immersive Environments) :: January 15, 2012; 10:00 am – 4:00 pm :: Machine Project, 1200-D North Alvarado Street, Los Angeles, CA.

Join Amy Jo Diaz and Casey Hughes for an afternoon of personal-diorama-making. These dioramas are intended to produce miniature immersive environments using both two and three-dimensional elements and a point-of-view.

The workshop will begin with a brief discussion of dioramas with examples representing the breadth of the medium. The participants will be asked to imagine a context (fictional or not) which they will construct within a provided frame. Continue reading


Jan 12, 20:34
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Live Stage: Dan Untitled Live [Wellington]

Live Mashup Performance: Übermahlung und Frottage – Dan Untitled Live :: December 14, 2011; 9:00 pm :: Terrace Bar (Level 1, Garden Club), 13 Dixon Street, Wellington, New Zealand.

Live to-air-set on Radio Active :: December 14, 2011; 5:45 pm (NZ time) :: tune in (88.6FM in Wellington) or stream (radioactive.fm, and comments welcome on @radioactive.fm on facebook)

Dan Untitled’s live mashup act is a bit crazy. Music you can bounce to, but pushing the boundaries of what might seem technically possible - live samples, scratches and fretless bass all at the same time. Continue reading


Dec 11, 12:57
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Live Stage: Charging Bull - Wall Street [online]

Charging Bull - Wall Street: an avatar-occupation organized by Jeremy Owen Turner (Canada) and Jacquelene Drinkall (Australia) in Blue Mars Lite (a Mac/PC client which integrates avatars with photos from Google’s map API) :: October 9; 1:00 - 1:30 pm (PST) :: Details here.


Oct 9, 14:33
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Live Stage: A Little Less Conversation [nl Amsterdam]

A Little Less Conversation: A conference about exhibiting contemporary performance :: October 1, 2011; 1:30 - 4:30 pm :: de Appel arts centre, Auditorium, Temporary Stedelijk 2, Amsterdam :: Reservations required through reservations [at] stedelijk.nl.

A Little Less Conversation will question, in an unusual and dynamic fashion, how contemporary performance art is exhibited. Ephemeral and immaterial in its nature, performance becomes tangible the moment it is exhibited, whether experienced live or through documents. Although it is first and foremost an art of the here and now, the widest access we have to a performance, paradoxically enough, is still based on objects and residual elements such as text, photography, audio or video. Continue reading


Sep 19, 16:15
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remixthebook by Mark Amerika

remixthebook by Mark Amerika, University of Minnesota Press, September 2011:

A model of contemporary remixing and a groundbreaking reflection on digital media

Digital technology has transformed contemporary culture. New social media, hyperlinks, and cut-and-paste techniques have changed the way we write. E-books, which allow us to carry entire libraries with us, are bringing new browsing and reading habits. Digital editing and other on-the-fly postproduction processes have altered how we make music, films, and visual art. A key rhetorical trope employed in all aspects of digital media is the remix, the creation of innovative new works of visual, literary, and performance art through the mashup.

In remixthebook, Mark Amerika explores the mashup as a defining cultural activity in the digital age. Continue reading


Jun 21, 14:49
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Holiday! A Relaxed Augmented Reality Workshop [it Carrara]

On the History of Appropriative Collage

VARIATIONS #6. The Library, a podcast series by Jon Leidecker on the history of appropriative collage RWM MACBA:

In the sixth episode of this series of podcasts, we encounter the establishment of sound libraries, collections explicitly curated for further use: sound objects presented as authorless, unfinished ingredients. Though some libraries contain newly commissioned generic sounds, specifically designed for maximum flexibility, the most widely used sounds are often sourced from commercial recordings, freed from their original context to propagate across dozens to hundreds of songs. From presets for digital samplers to data CD ROMs to hip-hop battle records, sounds increasingly detach from their sources, used less as references to any original moment, and more as objects in a continuous public domain.

Continue reading


Mar 9, 12:04
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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature 3-D hybrid avatar audio/visual responsive e-literature pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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