Networked_Performance / intermedia-performance
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FM-Scenario - The Listener’s Voice

FM-Scenario - The Listener’s Voice :: June 22 – August 4, 2013 :: ZKM | Center for Art and Media, Lorenzstrasse 19, 76135 Karlsruhe, Germany.

The inter-media project FM-Scenario - The Listener’s Voice uses the Internet as a production site for generating content for further media – more specifically: radio stations, exhibitions and publications. The project’s starting point comprises Eran Schaerf’s news radio plays from the years 1997 to 2011, as well as new texts. The Listener’s Voice (2002), a fictitious radio station, moderated by a computer program is exemplary of Eran Schaerf’s news radio plays. Here, Schaerf uses the newscast format in order to indicate the relativity of its objectivity claim: newscasts not only describe apparent facts, but allow such coverage to be one narrative account among many. Continue reading


Jun 24, 12:40
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Live Stage: Robert Wilson [us Oakland, CA]

1 Have You Been Here Before 2 No This Is The First Time — A Performance Lecture With Director and Artist Robert Wilson :: October 29, 2012; 7:00 pm :: Littlefield Concert Hall, Mills College, 5000 MacArthur Blvd, Oakland, CA.

Presented by the Technology and Society Lecture Series & the Intermedia Arts Program of Mills College, the world-renowned director will reference his original works for the stage such as Deafman Glance, A Letter for Queen Victoria, Einstein on the Beach (created with composer Philip Glass), the CIVIL warS, and The Black Rider, as well as his acclaimed work for operatic and theatrical repertoire including his luminous stagings of Madame Butterly, Wagner’s Ring Cycle, The Magic Flute, Ibsen’s Peer Gynt and Heiner Mueller’s Quartett. Continue reading


Oct 15, 11:29
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Live Stage: Transmittance #2 [si online + Ljubljana]

Transmittance #2 - Telepresence Performance :: December 13, 2011; 8:00 pm (CET) :: http://transmittance.si ( Online audience can watch and interact with the performance live using a recent version of popular browser like Firefox or Chrome) & Tobacco 001 Cultural Centre, Ljubljana, Slovenia.

Transmittance explores collaboration which is local, global, networked and broadcasted. It involves an artistic group of performers, visual artists, musicians and computer programmers to research performative possibilities of streaming, broadcasting and telepresence forging new types of performance and audience. With focus on critical and socially-aware artistic languages this work is based on asking questions about body, self and society - opening non-dualistic perspectives. Continue reading


Dec 11, 15:45
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Mapping the Local + Site Specific Interventions in Public Space [hu Budapest]

The Departments of Intermedia and Fine Art Theory and Curatorial Studies of the Hungarian University of Fine Arts initiate the seminars Mapping the Local and Site Specific Interventions in Public Space :: Hungarian University of Fine Arts, Andrássy út 69-71, 1062 Budapest, Hungary.

Mapping the Local presents an overview of the major phenomena, trends and issues of contemporary art based on various subjects in each semester; a special emphasis will be placed on the East European region, in the form of seminars, presentations held by invited lecturers, field trips to museums, institutions and artist studios. The course is primarily directed towards Erasmus students as well as local students of the Intermedia and Fine Art Theory and Curatorial Studies departments. Continue reading


Oct 22, 14:49
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Live Stage: Interart|Intersensorium [tr Istanbul]

[The Post Reality Show by Randall Packer] ISEA Istanbul presents Interart|Intersensorium. On the Interrelation of Media and the Senses — Chair Per­sons: Dr. Anke Fin­ger, Dr. Chris­tiane Heibach; Pre­sen­ters: Chris­tiane Heibach, Ran­dall Packer, Cre­tien van Campen, Semir Zeki, Bir­git Mers­mann :: Sep­tem­ber 20, 2011; Session 1: 9:00 - 10:30 am Session 2: 1:00 -2:30 pm :: Sa­banci Cen­ter Room 3, Sa­banci Cen­ter, Lev­ent.

This panel, then, seeks to push this area fur­ther, par­tic­u­larly em­pha­siz­ing the role of media and me­di­al­iza­tion: Brian Mas­sumi’s and Mark Hansen’s work, for ex­am­ple, de­spite its sig­nif­i­cance, con­tin­ues to em­ploy an un­dif­fer­en­ti­ated no­tion of “em­bod­i­ment“ to de­scribe in­ter­sen­so­r­ial per­cep­tion. Continue reading


Sep 9, 12:23
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Live Stage: Deborah Hay [us NYC]

The School of Art at The Cooper Union and Danspace Project present Deborah Hay: A Lecture on the Performance of Beauty :: March 24, 2010; 7:00 pm :: The Great Hall, The Cooper Union, 7 East 7th Street, NYC :: Free admission.

A Lecture on the Performance of Beauty is a performative talk framed around the question “can a formal and stimulating adherence to a prescribed set of hypothetical conditions be seen as choreography even if there is no learned movement?” Hay was a member of a group of experimental artists that was deeply influenced by Merce Cunningham and John Cage. The group, later known as the Judson Dance Theater, became one of the most radical and explosive 20th century art movements. Her ground breaking research and performances continue to influence new generations of artists throughout the world today. Continue reading


Mar 17, 17:38
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What Now? The Imprecise and Disagreeable Aesthetics of Remix

Fibreculture Journal # 15: What Now? The Imprecise and Disagreeable Aesthetics of Remix :: From the Editorial:

It became a minor phenomenon during 2007. By September 2009 it was a virus out of control. Described in Wired as a “popular internet meme” (Wortham, 2008), the obsessive serial mash-up of a key sequence from Oliver Hirschbiegel’s 2004 film of the last days of Adolf Hitler, Der Untergang (The Downfall), is suggestive of the cultural logic of the contemporary formation known as remix. Remix culture is comprised of what could loosely be termed amateurs and professionals engaged in the practice of creatively re-using found material. The distinction is useful in identifying the aesthetic and material differences between dedicated intermedia remix artists (Negativland, Martin Arnold, Craig Baldwin, Soda_Jerk), artists who incorporate elements of remix into a broader audiovisual practice (Philip Brophy, Candice Breitz, Christian Marclay, John Zorn) and the vernacular audio-visual mash-up/remake/dub/scratch aesthetics associated with a broad range of online practices. Continue reading


Dec 12, 18:32
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“Claiming Its Space: Machinima” by Michael Nitsche

Claiming Its Space: Machinima by Michael Nitsche, Dichtung-Digital #37, 2007:

ABSTRACT: Although machinima has grown exponentially, it remains a largely undefined digital artistic practice in-between existing traditions. Machinima makers freely sample/ combine/ and break elements of traditional media. They “play” their references. This essay does not attempt to fix machinima to any single definition but will identify the intermedia relations to better position machinima into the digital media landscape. The argument will target three main influences: film, television, and theatrical performance. To exemplify these points the essay will discuss exemplary and relevant machinima pieces. It puts emphasis on the real-time aspects in production and play back to highlight the key specifics of this relatively new format.


Nov 28, 12:45
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Live Stage: Joseph Butch Rovan [Providence, RI]

rov.jpg Let Us Imagine a Straight Line by Joseph Butch Rovan, featuring dancer Ami Shulman — A multi-movement intermedia project for interactive image, sound, and performance — one in a series of Studies in Movement :: October 17 - November 8, 2009 :: Opening: October 16; 5:00 pm :: Digital Humanites Lab (lower floor), Cogut Center for the Humanities, Pembroke Hall, 172 Meeting Street, Providence, RI.

Studies in Movement is a series of intermedia études based in part on the unique visual legacy of the great French physiologist Étienne-Jules Marey (1830-1904). From his pioneering work with graphical recording devices to his work with stop-action photography, Marey sought to break down locomotion in order to learn how humans and animals moved in the natural world. Continue reading


Sep 26, 10:43
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Live Stage: Hyde Park Visual History Project [us NY]

Hyde Park Visual History Project - Project Premiere :: October 17, 2009; 8:00 - 11:00 pm :: Hyde Park Drive In - Route 9 - Hyde Park, NY.

The Hyde Park Visual History Project, developed by artist Matthew Slaats, is a community centered artistic project that engages the elaborate evolution of the local landscape and its inhabitants through images and sound.

Conceived as a public art installation, the Hyde Park Visual History Project serves as a dynamic meeting point for the community, the arts, and the history of Hyde Park, New York. By gathering visual and auditory material from local residents, the project uses a community centered approach to understanding the complexity of context in America. Continue reading


Sep 25, 16:56
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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio nature radio hybrid 3-D avatar audio/visual e-literature responsive pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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