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Performing Data

Monika Fleischmann, Wolfgang Strauss: Performing Data (2011) [English/Polish]:

Performing Data exhibition (April-June 2011) is a review of Fleischmann and Strauss´ body of work from Virtual Reality (Home of the Brain) up to Mixed Reality (Murmuring Fields or Energie-Passagen), from Fluid (Liquid Views) to Rigid (Rigid Waves) up to Floating Interface (Media Flow).

Monika Fleischmann and Wolfgang Strauss from the Fraunhofer IAIS Research Institute show an intersection of the body and immaterial digital data. From Body Space (Virtual Striptease) to Knowledge Space (Semantic Map): Interactivity as an extension of touch is a central strategy of their work – interactivity with its complex relationship to reality, re-presentation and presence. Continue reading


Jan 22, 15:56
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Coded Cultures 2011: The City as Interface [at Vienna]

Coded Cultures 2011: The City as Interface :: September 21 - October 2, 2011 :: Second district (Leopoldstadt), Vienna, Austria.

Coded Cultures is an multinational initiative of the group 5uper.net to discuss and reflect the intersections of media, art, society and technology in experimental settings of exihibitions, workshops, symposia, presentations and artistic interventions. For the fourth time, Coded Cultures presents a forum to discuss and present (new) media arts, digital communities and positions itself in the current international (media arts) discourse.

Cultural accomplishments of individuals or differently organized forms of human beings in context with an ever-changing (transforming) environment bring manifold products and processes to surface: cultural artifacts, »distributed agencies«, »framed interactivity« , collective ideas. Continue reading


Aug 31, 10:14
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Second Life Connected to Kinect!


Jan 20, 17:37
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Public Interfaces [de Aarhus]

Public Interfaces — Conference and PhD Workshops :: January 12-14, 2011, Aarhus University, Denmark.

The interface as a cultural paradigm: In the case of computers, interfaces mediate between humans and machines, between machines and between humans. Interfaces thus involve an exchange between data and culture. In this sense, the computer interface can be described as a cultural interface combining cultural content (images, text, movies, sound) with machine/media control (buttons, menus, filters, etc.) and networks (World Wide Web). As such, the interface can be seen as a cultural paradigm affecting not only our creative production and presentation of the world but also our perception of the world. Continue reading


Jan 8, 12:32
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Live Stage: Inter-face [us NYC]

Inter-face :: November 13, 2010; 6:00 - 9:00 pm :: Eight Grand, 1013 Grand Street, 2nd Floor, Brooklyn, New York.

Inter-face, curated by Coral Silverman, is a group show exploring the ways in which our lives are being shaped by technology. The exhibition — featuring Emma Andrea, Jonathan Nissenbaum, Coral Silverman, Felisia Tandiono, Vitor Teixeira — presents new work addressing themes of communication, technology, and the virtual world. Inter-face asks the viewer to consider the many definitions of the term, as the point of interconnection between two entities, both between a person and a machine and between two people. Continue reading


Oct 31, 16:30
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[YASMIN] Of Flashmobs, Foursquare and Facades…..

[YASMIN] Kartharine S. Mills wrote:

In the discussion on hybrid spaces, an earlier post from Martin and Dimitiris (20 July) talked about The synchronous experience of a mobile spatial interface and of the non-mediated physical environment, a hybrid spatial experience, material (space determined by material elements) and immaterial space (determined by digitally produced representations) are merging. This is a useful starting point and there is no doubt that the physical spaces we inhabit and move through are now mediated with technologies; they are hybrid spaces. Yet it seems to me that we are finding it difficult to move beyond the rhetoric and to really respond to the challenge of how to engage with these hybrid cities as designers and how to understand the new behaviours that are emerging in these layered spaces. Below I introduce some of my own thoughts and questions on this topic. Continue reading


Oct 16, 10:14
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Skinput: Appropriating the Body as an Input Surface


Aug 25, 20:56
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[YASMIN] The Hybrid City as an Interface

[YASMIN] The Hybrid City as an Interface with Daphne Dragona, Haris Rizopoulos and Iouiliani Theona; moderated by Dimitris Charitos and Martin Rieser.

In the beginning of the 21st century, urban environments, within which social life evolves, are radically being reordered by technological systems and networks. Mobile telephony has restructured the way people socialize within urban space (Plant, 2001). Multi-user virtual environments redefine the meaning of mediated communication by immersing communicating participants into a synthetic spatial context. ICTs and new media may also be used for augmenting physical environments in order to communicate meaning. The contemporary urban environment already incorporates various kinds of representations of reality, communicated to us all via various media and appropriate display systems (most of these representations are visual, i.e. billboards, video projections, wall paintings, closed circuit TV, touch screens, etc). Continue reading


Jul 15, 20:45
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John Underkoffler points to the future of UI

Minority Report science adviser and inventor John Underkoffler demos g-speak — the real-life version of the film’s eye-popping, tai chi-meets-cyberspace computer interface. Is this how tomorrow’s computers will be controlled? Continue reading


Jun 2, 22:49
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DRHA 2010 Conference Deadline Extended

DRHA 2010 Conference - Sensual Technologies: Collaborative Practices of Interdisciplinarity :: September 5-8, 2010 :: Brunel University, West London, UK :: Call for Papers and Performances — Deadline Extended: May 14, 2010.

The conference’s overall theme will be the exploration of the collaborative relationship between the body and sensual/ sensing technologies across various disciplines. In this respect it will offer an interrogation of practices that are indebted to the innovative exchange between the sensual, visceral and new technologies.

At the same time, the aim is to look to new approaches offered by various emerging fields and practices that incorporate new and existing technologies. Specific examples of areas for discussion could include: Continue reading


May 11, 18:10
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature 3-D hybrid avatar audio/visual responsive e-literature pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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