[BADco. "Responsibility for Things Seen", 2011, photo: Dinko Rupčić] Symposium: Actionable Image: Agency of Image, Performance of Body, Apparatus of Spectating :: March 16-17, 2012 ::  Zagreb, Croatia :: Call for Participation - Deadline: February 10, 2012.

This symposium and its topic are a continuation of BADco.’s artistic interest to relate performance and image. More concretely, it was motivated by our most recent work Responsibility for Things Seen that was presented in 2011 within the Croatian participation at the Biennale di Venezia. The work required us, in the absence of performers in the six-months exhibition, to pursue the idea of ‘theater by other means’ and to custom develop a database video system that unfolds a particular nexus of body, image and technology. Continue reading

The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture :: June 22-23, 2012 :: Victorian College of the Arts, Federation Hall, Grant Street, Southbank, Melbourne 3006 :: Call for Papers: Interference Strategies for Art - Deadline for Abstracts: March 30, 2012.

The Transdisciplinary Imaging Conference seeks papers that explore the theme of ‘Interference’ within practices of contemporary image making. Continue reading

Imagery in the 21st Century, edited by Oliver Grau, with Thomas Veigl, MIT Press:

We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s information explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual.

Imagery in the 21st Century examines this revolution in various fields, with researchers from the natural sciences and the humanities meeting to achieve a deeper understanding of the meaning and impact of the image in our time. Continue reading

TinEye is the first image search engine on the web to use image identification technology rather than keywords, metadata or watermarks. Via TinEye: when robots start to look for and at pictures by Tjebbe van Tijen.

[Image: Tomás Saraceno, "Flying Garden," 2006.*] DLD Conference - Public Panels :: January 24, 2011, 5:00 – 9:00 pm :: Hypo Kulturforum, Kardinal- Faulhaber Strasse 1, 80333 München.

5:00 – 6:00 pm — Iconic Turn: The Digital Wunderkammer: Browsing his latest publication “The Digital Wunderkammer - 10 Chapters on the Iconic Turn” publisher Hubert Burda, in conversation with Yale computer scientist David Gelernter, addresses our changing perception and the altering weight of images and visual information in the Digital Age. How did the traditional concept of meaning of an image change through the ages and what has changed today in view of such an increase of digital images? What function do images have in their respective contexts? Continue reading

The Real Real Thing: Wendy Steiner in Conversation :: February 3, 2011; 6:30 pm :: Slought Foundation, 4017 Walnut Street, Philadelphia PA.

Our culture is fixated on the pose, the state of existing simultaneously as artifice and the real thing. In this reading and conversation, Penn literary scholar Wendy Steiner discusses her latest book, The Real Real Thing: The Model in the Mirror of Art. Joining Steiner in conversation are Jeffrey E. Green, Jim English, and Jean-Michel Rabaté. A book signing will follow.

Why do so many contemporary visual artists use models — often themselves — when for much of the twentieth-century, explicitly model-based representation was relatively uncommon? What is a model, and what role do models play in the creative process? Continue reading

Fingerprints… — Biomedia Art by Paul Vanouse | curated by Jens Hauser :: January 28 - March 26, 2011 :: Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germany :: See related transmediale events below.

The exhibition Fingerprints… at the Ernst Schering Foundation’s project space will showcase the performative installations and live laboratories by US-American biomedia artist Paul Vanouse. Curated by Jens Hauser, the exhibition presents the world premiere of the Suspect Inversion Center, an operational laboratory in which Vanouse creates identical ‘genetic fingerprints’ of criminals and celebrities from his own DNA. Continue reading

Panels. An inquiry into the spatial, the sonic and the public :: October 29-30, 2010 :: NAiM/Bureau Europa, Avenue Céramique 226, 6221 KX Maastricht.

Unitl 16 January the installation entitled Panels by artist Paul Devens can be experienced, viewed and heard in NAiM/Bureau Europa. The installation occupies the whole upper hall of 800 m2 with a very specific architecture consisting of a semicircular concrete shell roof. The work by Paul Devens offers an intensified architectonic experience in which sound and light play a major role.

Panels will create exceptional conditions for a symposium and a series of performances on space and sound. Continue reading

New Imaging: Transdisciplinary Strategies for Art Beyond the New Media :: November 5-6, 2010 :: Artspace, 43/51 Cowper Wharf Rd, Sydney, Australia.

A profound shift is occurring in our understanding of postmodern media culture. Since the turn of the millennium the emphasis on mediation as technology and as aesthetic idiom, as opportunity for creative initiatives and for critique, has become increasingly normative and doctrinaire. Mediation and the new media arts have in fact become the new medium of critical and pedagogical discourse: like water is for fish, like culture is for cultural studies, mediation is a concept that is taken for granted now because it is itself the medium in which we think and act, in which we swim. We need a concept that is amphibian, and that can leave its medium. Continue reading

Turbulence Spotlight: Corrupt™ - data corruption software by Benjamin Gaulon (aka Recyclism):

Corrupt™ was originally built with Proce55ing. This PHP version has been realised in collaboration with BlueMelon. The corruption process starts by reading the binary of an image file [JPG or GIF]; then some bytes are randomly swapped. The file is then “saved as” a new document. Depending on the number of replacements and the original compression, the image will have a completely different and unpredictable aesthetics. Thus, from a single image the program can generate millions of corrupted versions. And because it is a real corruption system that damages the binaries of a file, some of the results can’t be showed because they are too damaged. Continue reading