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Live Stage: Radius 25 [online]

Radius 25: Cultural Morphing by Klaus Filip / Nicolaj Kirisits / et al. :: May 20-21, 2012; 8:00 am CST (to coincide with the 2012 Chicago NATO Summit).

Cultural Morphing is an experiment in creating a multi-perspective image of reality from the simultaneous experience of a geographic line by the individual expression of a perceived personal reality. Twelve invited artists traveled by train from Vienna to Shanghai, and selected stops along the route served as their workspace where they would meticulously work out an project that outlined various aspects of cultural transition experienced on the journey. Stopovers at Ulan-Ude, Ulan Bator, Beijing and Shanghai were used to exhibit the works that were created en route. Continue reading


May 19, 17:43
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Jennifer and Kevin Mccoy: Index [us Troy, NY]

Jennifer and Kevin Mccoy: Index :: until October 13, 2012 :: EMPAC, 110 8th Street, Troy, New York.

Index is an EMPAC-commissioned public art installation by Rensselaer Arts alumni Jennifer and Kevin McCoy, which consists of multiple sculptures filmed via small, live cameras. The resulting video projection, as well as the models, will appear throughout our public spaces during an extended residency with the artists.

Inspired by a J.G. Ballard short story called The Index, in which an alphabetized list of people and places are turned into an implied, overarching narrative, the McCoys’ list spans the 1960s to today, referencing globalization, technology, mass migrations, and war. Continue reading


May 17, 14:05
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Artefact Festival: The Social Contract [be Leuven]

Artefact Festival for Art and Media: The Social Contract :: February 14-23, 2012 :: STUK arts centre, Naamsestraat 96, Leuven, 3000, Belgium. Continue reading


Jan 28, 16:56
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The Oil Show [de Dortmund]

The Oil Show :: November 12, 2011 – February 19, 2012 :: Hartware MedienKunstVerein (HMKV) at Dortmunder U (3rd floor), Leonie-Reygers-Terrasse, 44137 Dortmund, Germany.

We have reached Peak Oil – the maximum capacity of global crude oil extraction and production. After Peak Oil, the total global oil production cannot be increased. In the future, demand will always exceed supply. The global struggle for resources will intensify. Despite this our dependency on oil is growing further. We cannot, or do not seem to want to do without oil. We are seriously dependent.

The works in the exhibition deal with our dependency on oil and the economic, political, and social entanglements and consequences of this growing dependency. Continue reading


Nov 11, 20:37
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Media, Migration and Diaspora [nl Utrecht]

Digital Crossroads: Media, Migration and Diaspora in a Transnational Perspective :: June 28-30, 2012 :: Utrecht University, the Netherlands :: Call for Papers and Panel Proposals — Deadline: January 10, 2012. Continue reading


Oct 1, 20:15
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Social Text: Call for Visual Works

Social Text: Call for Visual Works — Deadline: October 15, 2011.

Debt is arguably the central economic and political issue of our times. Since the recession triggered by the crisis subprime mortgage crisis in 2008, political economists have spent much time bringing to light the arcane financial instruments (e.g. Collateralized Debt Obligations) that have driven the crisis. Yet relatively little attention has been paid to the questions which debt and credit raise for culture and everyday life. To address these key issues of our time, Social Text is publishing a dossier of essays on debt that builds on recent work by Michael Denning and the Yale Working Group on Globalization and Culture. Continue reading


Sep 22, 19:29
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The Politics of Visibility [uk London]

The Politics of Visibility: Mediating the Global, Local and the In-between :: November 4, 2011 :: Parasol Unit, 14 Wharf Road, London, N1 7RW, United Kingdom of Great Britain and Northern Ireland.

A collaboration between Parasol Unit Foundation for Contemporary Art and City University London, The Politics of Visibility: Mediating the Global, Local and the In-between is a one-day conference that brings artists and academics together to examine the relationship between art, media, transnationalism and power. Continue reading


Sep 19, 15:10
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The Internet of Things Workshop II: Builders at Play

Archis/Volume and VURB present the Internet of Things Workshop II: Builders at Play :: September 2-4, 2011 :: Waag Society, Amsterdam.

Calling on architects, coders, urban geographers, sociologists, and urban explorers interested in bettering the city through digital means. Following the May 7th Internet of Things Workshop at the Staalvilla, Archis/Volume, VURB, Caro van Dijk and Alexander Zeh will organize the second iteration with the explicit goal of creating prototypes observably eliminating the division of virtual/real. Join us for a three-day hands-on workshop where we will create viable and functional prototypes for the city.

The results of this workshop will then be presented at PICNIC 2011, which will take place between September 14-16 at the NDSM-werf in Amsterdam with the theme of Urban Futures. Continue reading


Jul 29, 15:19
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“The Commons” by Linda Carroli

The Commons by Linda Carroli:

Taking cues from the examples and critics cited here, the idea of the commons has emerged as a networked space of creative and generative possibility and risk. To recover is to reclaim. In shaping the commons, Jay Walljasper states that we “recognise some forms of wealth belong to all of us, and that these community resources must be actively protected and managed for the good of all. The commons are the things that we inherit and create jointly, and that will (hopefully) last for generations to come. The commons consists of gifts of nature such as air, oceans and wildlife as well as shared social creations such as libraries, public spaces, scientific research and creative works.” However, there’s never just one commons – the commons itself is multiple and complex, in process and becoming. Artists actively keep the commons alive in the face of all kinds of opposition, censorship and antagonism. Continue reading


Jun 18, 14:52
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No Order: Art in a Post-Fordist Society

Archive Books announces No Order: Art in a Post-Fordist Society :: This editorial research and investigation project focuses on the relationships between contemporary art systems and capitalism’s production processes.

By means of an investigation into current creative industries — and their social, economic and semiotic assemblages — the magazine contributions (essays, articles, interviews and dialogues as well as artists’ projects) aim to deconstruct, analyse and intervene within the ambit of the procedures and forms of cognitive capitalism. It will concentrate, in particular, on the phenomena of the ‘biennalisation’, ‘financialisation’ and ’spectacularisation’ of the political, beginning with the control and distribution of forms of artistic education, production and display on a global scale. Continue reading


Jun 11, 12:22
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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature 3-D hybrid avatar audio/visual responsive e-literature pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
More commissions