Networked_Performance / emergence
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The Emergent City [uk Brentford]

The Emergent City. From Complexity to The City of Bits by Stanza :: June 5 – July 26, 2013 :: Watermans, 40 High Street, Brentford, TW8 0DS, UK.

The Emergent City. From Complexity to The City of Bits captures the changes over time in the environment (city) and represents the changing life and complexity of space as an emergent artwork. The installation goes beyond simple single user interaction to monitor and survey in real time the whole city and entirely represent the complexities of the real time city as a shifting morphing and complex system. Continue reading

Jun 14, 15:58
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MYRIAD: Creation, Communication and Collaboration Between Insects and Humans [au Perth]

MYRIAD: Creation, Communication and Collaboration Between Insects and Humans by Loren Kronemyer :: June 15, 2012; 3:00 - 5:00 pm :: SymbioticA, School of Anatomy Physiology and Human Biology, University of Western Australia, Crawley, Perth.

In this talk, Loren will speak regarding her current project attempting to manipulate the trailing behaviour of ants to form text and imagery, done in collaboration between SymbioticA, the Centre for Integrated Bee Research, and Beelab Sydney. What results are real-time living drawings that explore the relationship between humans, insects, and the emergent forms of intelligence that arise between us. Continue reading

Jun 14, 19:21
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Hz Journal: Emergence in the Social Web

[A network of nodes (29)] Emergence in the Social Web by Liat Berdugo:

Abstract: Complex systems sometimes exhibit what’s known as emergence — the phenomenon wherein the whole is more than the sum of its parts. For instance, ants acting individually are mindless, but collectively they self-organize to form intelligent colonies with intricate behavior patterns. I explore whether something similar can be said of the way that a collective consciousness seems to emerge from the nodes in a social web. I begin by showing why emergence is a compelling way to understand what happens on the social web, and examine meme generation and social movement formation, specifically, as resultant emergent phenomena. The emergence of social phenomena is nothing new — it happens in offline communities like family units, corporations, and cities. Continue reading

May 9, 13:26
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Naked on Pluto: An Artistic Computer Game on Facebook

Naked on Pluto — by Dave Griffiths, Aymeric Mansoux and Marloes de Valk — is the winner of VIDA 13.2, the prestigious international art and artificial life contest. Continue reading

Oct 29, 15:03
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Live Stage: Leaf++ [tr Istanbul]

ISEA Istanbul presents Leaf++ by FakePress Publishing, part of Digitization of Biological Data :: Sep­tem­ber 20, 2011; 2:45 - 4:25 pm :: Sa­banci Cen­ter Room 2, Sa­banci Cen­ter, Lev­ent.

Natural interfaces and cross-medial technologies allow for the creation of new publishing paradigms in which the term book can be disarticulated and rearranged into unexpected forms, fostering new ways of interacting with data and information.

Leaf++ is the product of a research project that goes in this direction in which a prototypal interactive system involving computer vision, gestural interfaces, augmented reality technologies and cross medial systems to create a novel tool to experience botanical information about plants and their leaves. Continue reading

Sep 9, 13:36
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“The Commons” by Linda Carroli

The Commons by Linda Carroli:

Taking cues from the examples and critics cited here, the idea of the commons has emerged as a networked space of creative and generative possibility and risk. To recover is to reclaim. In shaping the commons, Jay Walljasper states that we “recognise some forms of wealth belong to all of us, and that these community resources must be actively protected and managed for the good of all. The commons are the things that we inherit and create jointly, and that will (hopefully) last for generations to come. The commons consists of gifts of nature such as air, oceans and wildlife as well as shared social creations such as libraries, public spaces, scientific research and creative works.” However, there’s never just one commons – the commons itself is multiple and complex, in process and becoming. Artists actively keep the commons alive in the face of all kinds of opposition, censorship and antagonism. Continue reading

Jun 18, 14:52
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A Billion Gadget Minds: Thinking Widgets, Data, Workflow [uk London]

A Billion Gadget Minds: Thinking Widgets, Data, WorkflowA workshop on the politics of cognition between the expanded mind, software studies and cultural theory :: October 21, 2010; 9:30 am - 6:00 pm :: The Swedenborg Hall, 20-21 Bloomsbury Way, London, WC1A 2TH :: There is no charge for attending the workshop but numbers are restricted. See contact below.

A growing body of research, including literature on cognitive anthropology, software studies and cognitive capital suggests that whatever is called ‘thinking’ occurs amidst mechanisms, habits, codelike systems, devices and other formally structured means. Continue reading

Oct 13, 21:25
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[-empyre-] Creativity as a Social Ontology

[Image: Creative Land: Place And Procreation On The Rai Coast Of Papua New Guinea by James Leach] July on empyre soft-skinned space: Creativity as a social ontology :: Moderated by Simon Biggs (UK/Australia) with invited discussants Eugenio Tisselli (Mexico/Spain), Helen Varley Jamieson (New Zealand/UK), James Leach (UK), Kriss Ravetto-Biagioli (USA/UK), Ruth Catlow (UK), Magnus Lawrie (UK), Scott Rettberg (Norway/USA).

Simon Biggs wrote: Dear empyre subscribers,

Creativity is often perceived as a product of individual, or group, creative activity. However, it might also be considered an emergent phenomenon of communities, driving change and facilitating individual and ensemble creativity. Expanded concepts of agency allow us to question who, or what, can be an active participant in creative social interactions, providing diverse models for authorship. Creativity might be regarded as social interaction in reflexive mediation. Continue reading

Jul 4, 16:26
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-empyre- Process as Paradigm

Susanne Jaschko and Lucas Evers wrote: Process as Paradigm: Concept and Context

On April 23rd at Laboral Centro de Arte y Creacion Industrial in Gijon, Spain the exhibition Process as Paradigm – art in development, flux and change opened, curated by Susanne Jaschko and Lucas Evers. With this empyre discussion, the we as curators wish to deepen the critical discourse on the concept of Processual Art as formulated with the show. The full catalogue of the exhibition can be found here.

From the curators’ notes in the catalogue: With this exhibition and accompanying programme we curators formulate a bold thesis. We claim that process – and here we mean non-linear and non-deterministic process – has become one of the major paradigms in contemporary art and culture. Continue reading

May 11, 17:40
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Live Stage: Divination2.0 [us Brooklyn]

Divination2.0 by Emily Schleiner :: April 23, 2010; 8:00 pm :: Media Labs, 58 North 6th, Brooklyn. Continue reading

Apr 21, 12:02
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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history dance surveillance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic visualization culture wireless web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature hybrid 3-D avatar audio/visual e-literature responsive pyschogeography presence interdisciplinary media interview object physical global/ization ubiquitous theory theater biotechnology relational play archive code bioart news generative DIY light place-specific robotic hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings



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Turbulence Works

These are some of the latest works commissioned by's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Global Direct Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [] (2006)
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