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Right or Risk? 1st Public BioBrick [uk London]

Right or Risk? The 1st Public BioBrick: Exploring Public Access to the Tools of Synthetic Biology :: September 24, 2012; 7:00 - 9:00 PM (BST) :: Grant Museum of Zoology, London, United Kingdom.

Synthetic Biology is turning genetic engineering into a simple exercise, with thousands of DNA components - BioBricks - available to program bacteria. What if ordinary citizens want access to these tools? Now, for the first time, UCL have teamed up with a group of ‘biohackers’ (citizen scientists in molecular biology) to create the world’s first ‘Public BioBrick’. Join us for an evening exhibition and Q&A hosted by UCL iGEM with C-LAB. Continue reading


Sep 23, 10:48
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Proof-of-Process [ca Vancouver]

Proof-of-Process :: June 5-10, 2012; 12:00 - 6:00 pm :: Gallery Gachet, 88 E. Cordova, Vancouver, Canada. Continue reading


May 29, 12:54
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Interception 3: Vandalism Against Surveillance

The Interception series of actions consists of the illegal interception of CCTV cameras monitoring urban areas. Continue reading


Aug 5, 17:01
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Grassroots Mapping

A group of activists, educators, technologists, and community organizers now known as Public Laboratory came together to organize the Gulf Oil Mapping project. Since May 2010, we have been working with New Orleans-based Louisiana Bucket Brigade to get Gulf Coast residents out on boats and along beaches to produce high-resolution aerial imagery of the spill’s effects. All the imagery from this project is being released into the public domain.

Grassroots Mapping is part of the Public Laboratory for Open Technology and Science, founded by a group of activists, educators, technologists, and community organizers interested in new ways to promote action, intervention, and awareness through a participatory research model. Continue reading


Jul 8, 16:07
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Live Stage: Dead Drops Master Class [nl Rotterdam]

Dead Drops Master Class with Aram Bartholl :: June 29, 2011; 10:00 am - 4:00 pm :: V2_, Eendrachtsstraat 10, Rotterdam.

The term “Dead drops” refers to places where spies leave information behind to be picked up by others; a method often used among spies during the Cold War. In Aram Bartholl’s version of the dead drop, USB memory sticks are installed in public locations for anyone to upload or download information. By doing so, an anonymous, offline, peer-to-peer network for the exchange of digital information is created. More information about the project and current Dead Drop locations is available here. Continue reading


Jun 18, 14:31
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Live Stage: Monetary Utopias [fr Paris + online]

Monetary Utopias with Jaromil & Marco Sachy, Enric Duran, Christian Nold, Mansour Ciss Kanakassy, Baruch Gottlieb :: CONFERENCE: MCDate – le café numérique | Upgrade! Paris with Mal au Pixel Festival; June 17, 2011; 7:00 pm :: Maison des Métallos, 94 Rue Jean-Pierre Timbaud, 75011 Paris + and on Digitalarti live stream.

For its sixth edition, Mal au Pixel Festival — dedicated to the Open Source and DIY Cultures — looks at the issue of alternative money and currencies through a series of public lectures. This conferences panel is associated to an exhibition at Plateforme Gallery, with Paolo Cirio, Baruch Gottlieb & Mansour Ciss Kanakassy, DYNDY, Christian Nold. Continue reading


Jun 8, 13:00
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Making is Connecting: The Social Meaning of Creativity

Making is Connecting: The Social Meaning of Creativity, from DIY and Knitting to YouTube and Web 2.0 by David Gauntlett (read Henry Jenkins’ interviews with him: Part 1, Part 2): In Making is Connecting, David Gauntlett argues that, through making things, people engage with the world and create connections with each other. Both online and offline, we see that people want to make their mark on the world, and to make connections.

During the previous century, the production of culture became dominated by professional elite producers. But today, a vast array of people are making and sharing their own ideas, videos and other creative material online, as well as engaging in real–world crafts, art projects and hands–on experiences.

Gauntlett argues that we are seeing a shift from a ‘sit–back–and–be–told culture′ to a ‘making–and–doing culture′. Continue reading


May 19, 14:03
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Orbitando Satélites / Orbiting Satellites [es Gijón]

Plataforma Cero of LABoral presents Orbitando Satélites / Orbiting Satellitesa critical and artistic investigation of satellites :: May 10-14, 2011 :: LABoral Centro de Arte y Creación Industrial, Los Prados, 121, 33394 Gijón (Asturias) Spain.

Orbitando Satélites proposes an exercise in the visualisation and investigation of these “rarae aves” that operate in habitually imperceptible frequencies and distances. We listen to them with DIY antenas and radios, showing how to locate them and observe them with free hardware and software.

In the tradition of the independent groups involved in the creation of free/libre infrastructures the meeting unites amateurs and experts, from various countries and cultures, to develop a declaration which poetically sketches this occult ring that surrounds us. Continue reading


May 8, 12:21
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Art.on.Wires Media Festival [no Oslo]

Art.on.Wires Media Festival 2011 :: May 25-29, 2011 :: Betong/Chateu Neuf, Oslo.

Art.on.Wires is is as an open laboratory, hacker space, and meeting point for artists, designers, creative media professionals, multimedia researchers, engineers, and Do-it-Yourself enthusiasts. As an annual event Art.on.Wires creates an interdisciplinary forum to explore the future of electronic arts and modern lifestyle. We invite professional artists, designers, architects, musicians, researchers, students and open-minded visitors to join a vivid and diverse group of experimenters to share, create, learn, play and be inspired by arts, science and technology.

Under the title make : create : invent : recycle : explore we promote education, collaboration, sharing and making of interactive and electronic arts, and the direct dissemination of latest developments from Multimedia IT research to the public. Continue reading


May 6, 17:10
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“Detektors” by Martin Howse and Shintaro Miyazaki

Detektors: the rhythms of electromagnetic emissions, their psychogeophysics and micrological auscultation.

Almost any electronic gadget can be transformed into an audible and sometimes rhythmical sound object. Detektors is firstly (A) a cartography of user-generated geolocational sound recordings, logs and walks, which reveal hidden electromagnetic geographies of our urban areas and secondly (B) a database and catalog of sonic studies of electromagnetic emissions produced by our everyday electronic devices.

Detektors is an open, collaborative project which uses sonic strategies and DIY-devices to make audible the hidden infoscapes of our time. Continue reading


Mar 10, 17:02
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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture platform data body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature 3-D avatar hybrid audio/visual responsive e-literature pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart generative news DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic simulation mashup perception animation image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Networked
New Radio and Performing Arts, Inc.
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Turbulence.org
Networked_Music_Review
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
More commissions