In this Medea Talk, Jeannette Ginslov discusses the developmental stages of the AffeXity project, the interdependence of the collaborators, the relational and dynamic formation of technical and human intervention, the encounters of the carnal and the digital, the dialogic and temporal scaffolding of encounters of techne and the hands that attempt to capture affect. Read more here.

Bioart and Textiles Workshop with Anna Dumitriu :: May 26, 2012; 11:00 am - 4:00 pm (UTC+01) :: The Barn Gallery, St. John’s College, The University of Oxford, St. Giles, Oxford, UK (map) :: Reserve your space here.

On this practical and theoretical workshop with Anna Dumitriu, participants will begin to learn how to work safely with bacteria as an artistic medium using commonly available supplies. They will start to develop a bacteriocentric view of the world, understand the textile techniques used in the exhibition and discuss the new advances in clinical microbiology being investigated by the Modernising Medical Microbiology Project. The workshop will also look at other key artists in the field of bioart, issues of public engagement in science, ethics, and the nature of collaborative art/science practice.

This coincides with the exhibition Normal Flora: Bioart Responses to Modernising Medical Microbiology.

[Fig. 6. A single page of the Book of Stamps. It acts as a score that sends instruction to computer application that generates a soundscape based on the type and number of symbols that were stamped onto the page.] The Book of Stamps: Travel Guide for a Sonic Landscaping from Cities to Urban Cultures by Art Clay:

The « Book of Stamps » by the sounds artist Art Clay is a travel guide between sonic landscapes from cities to urban cultures. The sheets of the book provide a “recording surface” and the ink stamps with their various patterns provide the ability to place sounds into the book. Together they act as an interactive tangible interface for a variety of time based musical tasks that form a collaborative composition by its users. Continue reading

Messages for our Future - Collaborative Digital Art: Japanese Tsunami:

It’s been year since a tsunami devastated the northeast coast of Japan. And to honor those who are bravely rebuilding their communities, Jason Nelson recently collaborated with a group of students and residents from Tohoku, Japan to create an interactive artwork. Armed with donated cameras, they took hundreds of photos of both the disaster’s aftermath and, more importantly, their hopeful recovery. They then responded to these visions with poetic message. Nelson then compiled these photographs and texts and using an infinitely recombining/ zooming engine, created an interactive mosaic digital artwork.

Text by Brad Troemel, Artie Vierkant, Ben Vickers, Brad Troemel & Artie Vierkant, Ben Vickers & Artie Vierkant :: Strikethroughs signify disagreement; Underlines signify agreement :: concept by Brad Troemel: Continue reading

Slought Foundation is currently in the planning phase for Mixplace Studio, an urban pedagogical research initiative that will transform our organization in the years ahead. It is being developed together with People’s Emergency Center (PEC), the Cartographic Modeling Lab (CML) at PennDesign, and Estudio Teddy Cruz (ETC). Continue reading

Decode/Recode: Celebrate 100 Years of Alan Turing: We invite you to collaborate in a globally networked interactive event to celebrate the centenary of the birth of Alan Turing, as part of the official opening of the University of Salford building at MediaCity on 23rd March 2012. As part of this significant event we will be connecting for 24 hours with 24 partners worldwide for a live digital media jam. Continue reading

Embroidered Digital Commons Workshops with Ele Carpenter and Emilie Giles :: Saturdays, March 3 - April 28, 2012 (excluding April 7); 10:00 - 12:00 pm :: Furtherfield Gallery, McKenzie Pavilion, Finsbury Park, London. Continue reading

WaterCheers H2O[tʃɪəz] - A Monthly Program of Collaborative Web-Performance :: December 30, 2011; 11:00 pm - 2:00 am :: online :: Call for Participation.

THE TAP online performance & collaborative venue will be accessible by audience and performers with just a click, no download needed, and will be free. ‘Live’ performers from various locations will interact with audiences in real time using webcams, media from The Waterwheel and drawing tools. Audience can participate online through a chat facility or directly with the ‘live’ performers on site. Continue reading

Transmittance #2 - Telepresence Performance :: December 13, 2011; 8:00 pm (CET) :: http://transmittance.si ( Online audience can watch and interact with the performance live using a recent version of popular browser like Firefox or Chrome) & Tobacco 001 Cultural Centre, Ljubljana, Slovenia.

Transmittance explores collaboration which is local, global, networked and broadcasted. It involves an artistic group of performers, visual artists, musicians and computer programmers to research performative possibilities of streaming, broadcasting and telepresence forging new types of performance and audience. With focus on critical and socially-aware artistic languages this work is based on asking questions about body, self and society - opening non-dualistic perspectives. Continue reading