Networked_Performance / art-science
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Live Stage: Anomalia [us La Jolla, CA]

Anomalia :: February 16 - May 18, 2012 :: Opening: February 16; 5:30 - 8:30 pm :: University Art Gallery, UCSD, 9500 Gilman Drive, La Jolla, California. Continue reading


Jan 28, 19:28
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Interference Strategies for Art [au Melbourne]

The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture :: June 22-23, 2012 :: Victorian College of the Arts, Federation Hall, Grant Street, Southbank, Melbourne 3006 :: Call for Papers: Interference Strategies for Art - Deadline for Abstracts: March 30, 2012.

The Transdisciplinary Imaging Conference seeks papers that explore the theme of ‘Interference’ within practices of contemporary image making. Continue reading


Jan 28, 18:12
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Intimate Science [us Pittsburgh]

Intimate Science: BCL, Center for PostNatural History, Markus Kayser, Allison Kudla, Machine Project, Philip Ross; Guest curated by Andrea Grover :: January 21 – March 4, 2012 :: Miller Gallery, Carnegie Mellon University, Purnell Center for the Arts, 5000 Forbes Ave., Pittsburgh, PA.

The most recent manifestation of artists working at the intersection of art, science and technology demonstrates a distinctly autodidactic, heuristic approach to understanding the physical and natural world. Continue reading


Jan 21, 15:32
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Second Nature: Origins and Originality in Art, Science, and New Media

Second Nature: Origins and Originality in Art, Science, and New Media, Rolf Hughes, Jenny Sundén (eds.), Axl Books:

With the practices of art, science and technology increasingly converging, the concepts of origins and originality raise some of the most pressing questions in contemporary research, including issues of agency and accountability, hybridity and identity, intellectual property and oeuvre, intention and authority. These, and a constellation of related philosophical, economic, aesthetic, legislative and political concerns, are today subject to rapid reconfiguration due to the current pace of technological and theoretical change. Second Nature accordingly brings into a productive, interdisciplinary dialogue scholars working at the intersections of art, science and technology. Continue reading


Jan 11, 17:56
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Arts, Humanities, and Complex Networks

3rd Leonardo Satellite Symposium: Arts, Humanities, and Complex Networks @ NetSci2012 :: June 19, 2012 :: Northwestern University, Evanston, Illinois :: Call for Proposals - Deadline: March 16, 2012.

We are pleased to announce the third Leonardo satellite symposium at NetSci2012 on Arts, Humanities, and Complex Networks. The aim of the symposium is to foster cross-disciplinary research on complex systems within or with the help of arts and humanities.

The symposium will highlight arts and humanities as an interesting source of data, where the combined experience of arts, humanities research, and natural science makes a huge difference in overcoming the limitations of artificially segregated communities of practice. Continue reading


Jan 11, 17:39
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Live Stage: Robert Lue [us Troy, NY]

Robert Lue: Using Art to Express and Advance the Scientific Process :: December 7, 2011; 6:00 pm :: EMPAC (Curtis R. Priem Experimental Media and Performing Arts Center), Rensselaer Polytechnic Institute, 110 8th Street, Troy, NY :: FREE + Open to the public.

Robert Lue, biologist and director of life sciences education at Harvard, will discuss the vital and transformative role that visualizations play in both science research and education. Lue is the founder of BioVisions, a collaborative initiative led by Harvard scientists to improve the beauty and precision of science visualization. Continue reading


Dec 6, 17:04
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Live Stage: The Wild West of Chronic Pain [us Los Angeles]

The Wild West of Chronic Pain: Collaborations among Artists, Scientists & Health Care Experts by Artist in Residence Dr. Diane Gromala, Transforming Pain Research Group, SFU, Canada Continue reading


Nov 30, 14:32
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Live Stage: Zaretsky, Mutate or Die [nl Amsterdam]

Trust Me I’m an Artist: Towards an Ethics of Art/Science Collaboration presents Adam Zaretsky: Mutate or Die :: December 10, 2011; 3:00 - 6:00 pm :: The Theatrum Anatomicum, De Waag, Nieuwmarkt 4, Amsterdam, Netherlands.

This series of public events, taking place in international settings, investigates the new ethical issues arising from art and science collaboration and consider the roles and responsibilities of the artists, scientists and institutions involved. At each event (before a live audience) an internationally known artist will propose an artwork to a specially formed ethics committee Continue reading


Nov 27, 17:41
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Performative Science

Call for Papers for Issue No. 1/2012 – Performative Science: Reconciliation of Science and Humanities or the End of Philosophy? Deadline: January 15, 2012.

Studia UBB. Philosophia proposes an international debate on performative aspects in scientific practices and methodology. Whilst there exists a discourse on performativity within social sciences and the humanities for quite some time it is rather new to discuss performative aspects within the „hard“ sciences like physics, too, with Andy Pickering’s Mangle of Practice being a seminal work in this context. In the latter work it has been argued that the concept of performativity can fruitfully be applied to action theoretical considerations in the experimental process. Using the notions of “context of discovery” and “context of justification” introduced by Hans Reichenbach, Pickering’s result might be accepted as an aspect within the context of discovery but incompatible with the context of justification. Continue reading


Nov 26, 16:09
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“Dreaming of a Butterfly” by António Caramelo

Dreaming of a Butterfly by António Caramelo: “45 acrylic tubes are arranged within the display box. Each tube has a “mechanical” butterfly placed within and their movements are synchronised with the sound system — where microphones obtain real time sound of the surrounding area, and amplify the sounds to the internal subwoofers speakers to produce the necessary input to cause the aleatory movements of the butterflies. As the sound captured reach higher volume, the movement of the butterflies increase.

Each butterfly is attached inside to the acrylic tube by a filament that runs to the battery housing. There is a certain amount of realness to it, while it is understated up close (people can see the filament when the butterfly is at a standstill — or the sound volume is low), but from farther away the fleeting butterfly appears to be real and trying to find its escape! Continue reading


Oct 29, 14:46
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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop upgrade! urban collaboration live reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place open source systems webcast software ecology text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence object interdisciplinary interview media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY robotic light generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor simulation copyright mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam emergence glitch DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
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