Noteboek (2008) consists of 4 short experimental films by Evelien Lohbeck.
Young-hae Chang Heavy Industries [
Seoul]
Down in Fukuoka with the Belarusian Blues: Young-hae Chang Heavy Industries :: October 7 - November 7, 2010 :: Gallery Hyundai, 80 Sagan-dong, Jongno-gu, Seoul 110-190, Korea.
The controversial new masterpiece that everybody’s talking about — everybody who’s anybody. It’s the best entertainment in town — and Seoul is a big town.
Down in Fukuoka with the Belarusian Blues is a translation from French into English and a transposition to the present of a sworn deposition made on July 18, 1873, by an 18-year-old French poet, Arthur Rimbaud. In his testimony, he recounts his dramatic confrontation with another French poet, Paul Verlaine, then 29. Continue reading
Binary Code View [
London]
Binary Code View: Rob Smith, Anthony Gross, Rafael Rozendaal :: June 26 - July 30, 2010 :: theAGENCY, 66 Evelyn Street, London.
The artists all work using methods and frameworks available only via or on the internet in order to create original artworks. All artists are making work for and showing in established fine art venues as opposed to having a practice, which is exclusively established under the specific heading of digital art. The exhibition brings together three very different approaches of conceptual art practice in the digital age presented as installation or projection. Binary Code View refers to the language computers use to translate analogue information or alternatively to generate new binary combinations and artificial intelligence(ai).
Rob Smith has recently utilsed mobile internet technologies to realise Field Broadcast a live broadcasting project working in collaboration with Rebecca Birch and Projeckt. Continue reading
Pixel - A Pixel Art Documentary
An 11 minute documentary by Simon Cottee exploring the merits and impact of pixel art, animation and chiptune music. Interviews with Jason Rohrer, Joe Brumm and Alex Yabsley. Music from http://8bitcollective.com/.
The Poetics of Code: Simon and Kac
The Poetics of Code – HD Traffic by John F. Simon, Jr. and Lagoglyphs by Eduardo Kac. March 15 – May 15, 2010 :: Streaming Museum.
Code lies at the core of both works as method and meaning. In HD Traffic, Simon built with software code an architectural Mondrian-inspired work designed to integrate real-time traffic data flow. Kac’s series of Lagoglyphs artworks, reference and expand upon his controversial genetically altered Alba the GFP Bunny 2000. The real-time animations, continuously flowing and reconfiguring themselves, place emphasis on the generative mutability of writing and the encoded nature of life. Continue reading
Live Stage: Fluid New Media Laboratory V.2 [
NYC]
Fluid New Media Laboratory V.2 — Closing Celebration :: November 22, 2009; 4:00 - 9:00 pm :: Queens Museum of Art, NYC Building at Flushing Meadows Corona Park (Trolley back and forth from Willets Point 7 Train Station & Museum).
Fluid is a new media movement that focuses on the potential of emerging audiovisual artists, without consideration of genre or where they come from. Fluid, in its second edition, made an open call to collect audiovisual pieces and ideas to be presented at El Museo del Barrio, Local Project, Queens Museum of Art, and the 3rd Ward Moviehouse. Fluid opens the scene to a new movement of audio visual & performing arts in educational and screening spaces that have cultural programming. Continue reading
Bright Nights [
Brooklyn]
Bright Nights — with Burak Arikan, Motomichi Nakamura, Marius Watz, Lee Wells — is a curated program of digital artwork that celebrates the projected image, draws attention to the iconic architecture of the Manhattan Bridge, and electrifies the arts friendly DUMBO neighborhood. The program will be projected onto the Anchorage (Adams St & Front St. Brooklyn, NY), to coincide with the 100th birthday of the bridge and the 10th annual Walk21 conference in October 2009.
Four internationally renowned Brooklyn-based artists created new works that interpret the unique physical, spatial, and historical components of the bridge. The artists were chosen for their ability to energize a public space, in celebration of the major thoroughfare’s 100th birthday. Continue reading



























































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