Networked_Performance

The reSource for transmedial culture

The reSource for transmedial culture, a new framework for the transmediale festival, aims to create a distributed platform for networking, curating and research throughout the year 2012 and beyond by envisioning the festival as a peer-production context of sharing knowledge and practices.

Together with the other programme strands – the exhibition Dark Drives: Uneasy Energies in Technological Times, the performance programme The Ghosts in the Mashine, the video programme Satellite Stories and the symposium in/compatible: systems | publics | aesthetics – the reSource constitutes a substantial part of the transmediale 2012 programme. It presents a constellation of workshops, talks and performances distributed into five different sub-themes: reSource Methods, reSource Activism, reSource Networks, reSource Markets and reSource Sex.

reSource Methods investigates intersections between artistic production and research, reflecting on methodologies of curating (post)media art as well as on experimental and speculative methods of in/compatibility through artistic practices.

With Martin Howse (uk/de), Anthony Iles (uk), Mattin (se/es), Jonathan Kemp (uk), Shu Lea Cheang (tw/fr), Cornelia Sollfrank (de), Geoff Cox (uk/dk), Florian Cramer (de/nl), Christian Ulrik Andersen (dk), Georg Russegger (au), Michal Wlodkowski (au), Luise Reitstätter (au), Joasia Krysa (pl/dk), Sidney Ogidon (au), Eva Fischer (au), Morten Breinbjerg (dk), Matthias Tarasiewicz (au), Rosa Menkman (nl), Morten Riis (dk), Marie Thompson (uk), Carolin Wiedemann (de), Robert Jackson (uk), Andrew Prior (uk), Magda Tyzlik-Carver (pl/uk) and many others.

reSource Activism sheds light on the practices of artists, activists and hackers who are rethinking critical interventions in the field of art and technology.

With Florian Wüst (de), Kathy Rae Huffman (us/de), Eckart Lottman (de), Pit Schultz (de), Roberta Buiani (it/ca), Alessandra Renzi (it/ca), Nicola Angrisano (it), and others.

reSource Networks reflects on viral and distributed strategies of networking, questioning the concept of networking itself and proposing alternative to proprietary systems.

With Dmytri Kleiner (ca/de), Baruch Gottlieb (ca/de) and the Telekommunisten Network, Aymeric Mansoux (fr/nl), Johannes P Osterhoff (de), Salvatrice Settis (it), Anna Adamolo (it), Victoria Estok (us), Nicholas Knouf (us), Wolfgang Spahn (de) and others.

reSource Markets reflects on the meaning of capitalism in a time of crisis, proposing both critical and playful alternatives to the capitalistic logic by intervening directly within the economical systems.

With Steve Lambert (us), Daniel Garcia Andujar (es), Jaromil (it/nl), Kate Rich (uk), Shintaro Miyazaki (jp/de) and Elanor Colleoni (it/dk).

reSource Sex reflects on the interference and overlapping between sex business and ‘alternative’ porn, aiming to explore and discuss the open interzona which exists in between the often male-oriented mainstream porn, and the more narrow scene of queer and alt porn communities.

With Sergio Messina (it), Karla Grundick (cz/de), Julianne Pierce (au/uk), Liad Hussein Kantorowicz (il/de), Kate Erhardt (za/de), Jacob Appelbaum (us), Zach Blas (us), Aliya Rakhmetova (kz/hu), Gaia Novati (it/de), Gabriella Coleman (us), Katrien Jacobs (be/hk), Francesco Macarone Palmieri aka WARBEAR (it/de), Shu Lea Cheang (tw/fr) and Martin Hug (ch/es).

WORKSHOPS IN THE RESOURCE PROGRAMME

The reSource for transmedial culture presents a series of workshop during transmediale, dealing with art and technology, hacktivism and politics.

Registration for all workshops is possible via the online form on our website!

Floppy Films Workshop. Moving Images on 1.44 MB
With Florian Cramer and guest tutor Dagie Brundert

This workshop will teach you how to revitalise floppy disks for moving images. Using extreme means of compression, we can squeeze whole movies on the 1.44 Megabyte provided by a single floppy disk, using run-of-the-mill video and image formats (MPEG and animated GIFs). Floppy films can be used for various inventive means.

Wednesday, February 1, 2012, 11:00–17:00, Upper Foyer
Thursday, February 2, 2012, 11:00–17:00, Upper Foyer
Friday, February 3, 2012, 11:00–17:00, Upper Foyer

in/compatible Material
Artistic intervention with Martin Howse, Anthony Iles, Mattin, Jonathan Kemp, Shu Lea Cheang, Baruch Gottlieb, and others

As an intervention within the flow of transmediale, the in/compatible Material Laboratory inserts itself in the cut between the compatible protocol(s) and an in/compatible/inverse divinatory materiality through the setup of a series of experimental situations.

Wednesday, February 1, 2012, 12:00–18:00, Café Global Stage and around the HKW

Activism Beyond the Interface: The Sandbox Project
Conceived and hosted by Roberta Buiani and Alessandra Renzi
With Nicola Angrisano and others

The Sandbox Project is a series of experimental production labs in different cities bringing together artists, activists and techies to reflect creatively on the in/compatibility and diversity of artivist practices.

Thursday, February 2, closed session: 10:30–14:30 / open session: 14:30–16:30, Café Global Stage

Google – One Week Piece Workshop
with Johannes P Osterhoff

During the workshop Johannes P Osterhoff and the participants will set up their browsers to automatically publish all their Google searches during transmediale on the web. They will interlink their searches so that they get good rankings and become visible for everyone in everybody’s search results. Participants can join the collaborative Google – One Week Piece and follow the example and communication of other public searchers. To participate you need a computer or mobile phone (Firefox or Chrome browsers).

Thursday, February 2, 2012, 11:00–13:00 / 14:00–16:00, K2

Fluid Nexus
with Nicholas Knouf

In this workshop participants will learn about historical and contemporary experiments in analog and digital network construction. Through activities using simple materials such as pen and paper, participants will create novel designs for information networks. Hands-on experience with Fluid Nexus will give participants a base to extend their explorations after the workshop. No programming experience is necessary.

Friday, February 3, 11:00–14:00, K2

R15N & Technologies of Miscommunication
Dmytri Kleiner and Baruch Gottlieb from the Telekommunisten Network will introduce the R15N system, try it out together with the participants, and discuss and explore possible technologies of miscommunication applications.

Friday February 3, 15:00–18:00, K2

Bio-Game
with Shu Lea Cheang and Martin Hug

The workshop focuses on the study and experiments in: human body as BioNet and blood cells as computing units; human (E)motion sensing using GSR sensor; body sensor data as algorithm to define rules of the game; hack and sabotage – devising collective game with multiple players.

Saturday, February 4, 11:00–14:00, K2
Must be 18 years old to attend!

Words of advice for young pornographers
with Sergio Messina

Sergio Messina, aging porn enthusiast and Realcore expert, will take you on a little tour about the joys of good porn, the pains of bad one, the reasons to make it and the ways to become stars – also trying to establish a few golden rules to make enticing smut.

Saturday, February 4, 15:00–18:00, K2
Must be 18 years old to attend!

Paperduino-Uno – a PaperPCB Workshop
with Wolfgang Spahn

In the workshop Wolfgang Spahn will teach how to create and modify PaperPCBs (Printed Circuit Boards). As an outcome of the workshop every participant will have designed and build his or her own Paperduino-Uno.

Sunday, February 5, 12:00–16:00, K2

ARTWORKS IN THE RESOURCE PROGRAMME

R15N
by Dmytri Kleiner, Baruch Gottlieb and the Telekommunisten Network

Telekommunisten present R15N as a working telephone-based interactive installation which is available as a mobilization and engagement platform for the transmediale community.

R15N is an artwork in the form of an experimental mobile phone service which attempts to generate local community engagement and communication. After registering with the service participants will be joined together in the R15N community, able to initiate and share information about what is going on at transmediale and beyond. Every member thus eventually becomes engaged in a real conversation with another, and this engenders cohesion and complicity.

R15N is the Official Miscommunication Platform of transmediale 2012.

Please register yourself at www.r15n.net

Presentation of R15N at the opening of transmediale, Tuesday January 31, 17:00–18:30

Google – One Week Performance Piece
by Johannes P Osterhoff

From January 1 to December 31, 2011, the Interface Artist Johannes P Osterhoff has been publishing all of his search queries with the search engine Google in a One-year Performance piece called Google. Since for each search a website has been generated automatically, Osterhoff’s searches surface surprisingly well-ranked in Google’s search results. During the week of transmediale Osterhoff opens this hacking of Google’s business model to collaboration. Follow the searches of JODI, Olia Lialina, mspr0, Rene Walter and others or useGooglepublicly yourself.

Presentation as part of the panel Isolation and Empowerment after Web 2.0, Friday, February 3, 11:00–14:00, K1

PERFORMANCES IN THE RESOURCE PROGRAMME

Steam Machine Music
by Morten Riis

Steam Machine Music is a homebuilt mechanical instrument made mostly from vintage Meccano parts. The instrument is driven by a steam engine and the sound material is generated from various strings, dynamos and music boxes. But the most important sound generating part is the sound of the machine itself, the rhythmic patterns and pulsating drones of the steam engine, the squeaking of the gear trains. The instability of the entire mechanism is extremely noticeable, and displays and reflects the physicality of the machine to an extreme degree. Steam Machine Music questions the whole practice and conceptualizing of machine music in a historical perspective that points to the fact that machines always have been malfunctioning. The artist can be watched building up the Steam Machine at the opening night, followed by the performance Steam Machine Music later on. The perfomance will be repeated in a shorter version on Wednesday, February 1, in the framework of the in/compatible research practices event at K1.

Tuesday, January 31, live construction: 17:00–18:30 / performance: 20:30–21:00, K1

Watch Me Work
by Liad Hussein Kantorowicz and Kate Erhardt

Liad works as an erotic performer at an Israeli sex chat site. The usage of cameras, computers and projectors enables the viewers to peer into the live exchange of cyber sex work between sex worker and client, and compare between the sex worker’s actual experience and what is projected to the client. The performance seeks to de-exotify sex work, opting for a realistic perspective, and investigates the discrepancy between the hyped discussion about sex work as compared to the actual sex work experience.

The performance will be held in the context of the panel Commercialising Eros simultaneosly with a discussion with Jacob Appelbaum, Zach Blas, Liad Hussein Kantorowicz and Aliya Rakhmetova, moderated by Gaia Novati.

Saturday, February 4, 13:30 – 15:30, K1
Minimum age for admission 18 years!

RESOURCE LAUNCH AT TRANSMEDIALE 2012

Within the aegis of facilitating collaboration and the sharing of resources and knowledge between the transmediale festival in Berlin and the local and translocal scene engaged with art and digital culture, the reSource acts as a link between the cultural production of art festivals and collaborative networks in the field of art and technology, hacktivism and politics.

After four days of talks, workshops and performances, the reSource programme at transmediale ends with a special game: Zombie Play in the Ludic Salon, reSourcing an Exquisite Media Corpse. The Ludic Interface Research Group (L.I.R.G.) cordially invites all visitors of transmediale 2012 to partake in a contemporary version of the surrealist game Le Cadavre Exquis. In the course of this event, different projects from the reSource for transmedial culture initiative will be brought into a playful dialogue with each other through aleatoric, agonal and just plain ludicrous methods.

With Mark Butler (us/de) (host), Natascha Adamowsky (de), Georg Russegger (au), Daphne Dragona (gr), Mathias Fuchs (de), Gregor Sedlag (de) and other special guests.

This initiative will include the presentation of the OutResourcing project: a collaboration project between transmediale and CEMA – Center for Experimental Media Arts at Sristhi School of Art, Design and Technology, Bangalore.

With Prayas Abhinav (in), Linda Hilfling (dk/de) and an introduction by Kristoffer Gansing (se/de).

After transmediale 2012, reSource for transmedial culture will extend its activity into a series of events that will be held in the course of 2012 and beyond, as a way to gather and present the results as well as to continue the dialogue further, leading to the next transmediale festival in 2013. The methodology of the reSource as a peer production laboratory of knowledge, research and artistic projects, will be presented in the Auditorium of the HKW on the last day of the festival together with current reSource partners.

With Tatiana Bazzichelli (reSource for transmedial culture), Stéphane Bauer (Kunstraum Kreuzberg /Bethanien, Berlin), Oliver Baurhenn (CTM, Berlin), Clemens Apprich and Oliver Lerone Schultz (Post-Media Lab, Leuphana University Lüneburg).

A final note in the spirit of networking: participate in discussions around the reSource for transmedial culture on twitter via the hashtag #tmresource!

transmediale is a project of Kulturprojekte Berlin GmbH in cooperation with Haus der Kulturen der Welt funded by the German Federal Cultural Foundation


Jan 22, 15:25
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