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A Gift that keeps on Giving

[Image: The Grimm Tale by Marianne Petit]

Dear Friends,

As the end of the year draws near, we hope that you will support our many inspiring and innovative projectsTurbulence.org, Networked_Performance, Networked_Music_Review, Networked: a (networked_book) about (networked_art), Upgrade! Boston, Floating Points, Programmable Media, New American Radioand the artists, scholars, and writers they support.

Please contribute $10, $25, $50 or more.

No amount is too small! No amount is too large!

Contribute via PayPal on Turbulence or send a check to:

New Radio and Performing Arts, Inc.
124 Bourne Street
Roslindale, MA 02131, USA

Thanks for your generous support, and a Happy New Year to you all.

Warm Regards,

Jo-Anne Green and Helen Thorington
Co-Directors


Dec 31, 14:06
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Live Stage: Malice in Sonderland [at Vienna]

Malice in Sonderland — a real time audiovisual performance reflecting the contemporary relevance of Lewis Carroll’s Alice in Wonderland by Korhan Erel and Alexandra Reil :: January 19, 2010; 8:00 pm :: Museum of Applied Arts Vienna (MAK), Säulenhalle / MAK Columned Main Hall, Stubenring 5, A 1010 Vienna.

Malice in Sonderland deals with Lewis Carroll’s famous novel Alice in Wonderland (1865). In their audiovisual performance the sound composer Korhan Erel, Istanbul, and the media artist Alexandra Reill, Vienna, work with the original material of Norman Z. McLeod’s feature film Alice in Wonderland shot in 1933. With experimental digital methods they research the theme and plot of the complex fairy tale and in the framework of the MAK NITE© perform a phantasmagoric live interpretation, an improvisation composed of digital worlds and abstract sound collages. Continue reading


Dec 31, 12:50
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“Aesthetic Journalism” by Alfredo Cramerotti

Aesthetic Journalism: How to Inform Without Informing by Alfredo Cramerotti: Addressing a growing area of focus in contemporary art, Aesthetic Journalism investigates why contemporary art exhibitions often consist of interviews, documentaries, and reportage. Art theorist and critic Alfredo Cramerotti traces the shift in the production of truth from the domain of the news media to that of art and aestheticism – a change that questions the very foundations of journalism and the nature of art. This volume challenges the way we understand art and journalism in contemporary culture and suggests future developments of this new relationship.

Writer, curator, artist and consultant for the creative sector, Alfredo Cramerotti works with a variety of media such as TV, radio, publishing, art exhibitions, festivals and curation. Continue reading


Dec 31, 12:16
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Complex Networks Symposium [us Boston, MA]

NetSci 2010 Arts | Humanities | Complex Networks — A Leonardo Satellite Symposium :: May 10, 2010 :: BarabásiLab, Center for Complex Network Research, Northeastern University in Boston, MA :: Call For Papers — Deadline: January 22, 2010 (registration opens same day).

By means of keynotes, contributed talks and interdisciplinary discussion we will explore and identify important issues surrounding the convergence of arts, humanities and complex networks. On the one hand we will concentrate on network structure and dynamics in areas ranging from art history and archeology to music, film and image science. In the same time we are interested in the development and critique of network visualizations from medieval manuscripts to the latest tools, such as Cytoscape and Processing. Continue reading


Dec 29, 18:46
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“Simulation as a Global Resource” by Pier Luigi Capucci

Simulation as a Global Resource by Pier Luigi Capucci, NOEMA [This paper was originally presented at the International Conference “Consciousness Reframed 10 – experiencing [design] – behaving [media]”, Munich, MHMK, University of Applied Sciences, November 19 – 21, 2009]

The idea of “simulation” is a very intriguing, multifaceted and complex issue. Words like “verisimilitude”, “emulation”, “imitation”, “copy”, “reproduction”, “clone”, “replica”… are commonly used. In our everyday life we imagine situations, events, projects and decline them to the future: we simulate possible worlds and test them in a sort of permanent “what if” which is continuously reworked and modified. This process has been methodologically formalized in the sciences, where we build models, simulations, which try to describe facts, events and phenomena. Models and simulations have a very important cognitive role in knowing and understanding the world we live in. Continue reading


Dec 29, 18:33
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HYPE: a creative coding framework > ActionScript 3

HYPE — Branden Hall & Joshua Davis — is a creative coding framework built on top of ActionScript 3. A major goal of HYPE is to allow newcomers to Flash and ActionScript to creatively play and express themselves while they are learning how to program. To get started, the user needs only the most basic knowledge of programming – variables, conditionals, loops, and functions, for example. As the user learns more about programming they can extend HYPE and thus grow their skills, while at the same time inspiring the next generation.

Now, that’s not to say HYPE is just for people who are new to programming. Instead, HYPE is for anyone, regardless of skill, who wants to play with code. Fundamentally, the point of HYPE is to make Flash fun again. We made HYPE to help bring back the playfulness that once defined our community. Continue reading


Dec 23, 18:04
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Neural Issue #34: Fake’ology

Neural Issue #34: Fake’ology, winter 2009 (ISSN: 2037-108X): Subscribe now supporting us directly, or buy the magazine from the closest of the more than 200 stores (Neural is from now on distributed by Central Books in Europe and Asia, by Ubiquity in USA and by Selectair in Australia and New Zealand). A back issues pack is also available.

interviews: .Yes Men .Janez Jansa .Lieutenant Murnau .Les Liens Invisibles :: articles: .False Files .Too Good to Be True .The Onion News Network :: reports: .Abandon Normal Devices .Energija :: news: Tardigotchi, Pa++ern, Amatagana, Sk8monkey, Tim Tate’s Reliquaries, Heavy Metal Moshpit, Pitch Control, scoreLight, STiMULiNE, SoleNoid beta, Pirate Kiosk, Netless, Can’t You See I’m busy, 21st Century Home, Embroidered Text Messages. Continue reading


Dec 23, 17:23
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Blast Theory Intern and Residency Programmes

Blast Theory Intern and Residency Programmes :: Call for Applications — Deadline: January 31, 2010.

20 Wellington Road Residency Programme 2010 – 2011. Expressions of interest are invited from individuals working in the following fields: Pervasive & location based gaming & interactive media; Mobile & portable devices in cultural & artistic practice; Games design and theory; Interdisciplinary and live art .

Residency applications are welcome from UK and international practitioners and should be for a minimum period of 3 weeks to maximum of 3 months. The Residency Programme is a new model of residency initiated and run by artists. Continue reading


Dec 23, 17:02
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Full-Time Faculty in Net Art | Interactive Media

The School of the Museum of Fine Arts (SMFA), Boston, Massachusetts is conducting a search for a regular full-time faculty position in net art. Position will begin September 2010.

The SMFA seeks a practicing artist/designer with a portfolio of net art, including web based art, networked art, software art and new media that expands to other disciplines such as photo, sound, video, installation, animation, performance or book arts. The ideal candidate will demonstrate an ability to work across media with students and faculty.

We are seeking an educator who has a strong grounding in theoretical, historical and practical aspects of the effect of technology in the arts and will be able to address the discourse of new media and web-based art. Continue reading


Dec 23, 16:38
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PlayLab: Laboratory of Experimentation with Video Games [es Madrid]

PlayLab: Laboratory of Experimentation with Video Games :: January 21-24 + February 4-7, 2010 :: Medialab-Prado, Plaza de las Letras, Calle Alameda, 15, 28014 Madrid :: Call for Collaborators for Selected Projects — Deadline for Registrations: January 20, 2010.

Collaborators can join any of the developing teams that will carry out the selected proposals, depending on their particular interests and skills, thus contributing with their knowledge and skills and at the same time learning from the other group members and from the leading tutors: Mar Canet, Antonin Fourneau, and Abelardo Gil-Fournier. Directed by Flavio Escribano. Continue reading


Dec 23, 16:29
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature 3-D hybrid avatar audio/visual responsive e-literature pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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