Networked_Performance

直接当下：网络文化与现实诗学

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Jo-Anne
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networked.jpg直接当下：网络文化与现实诗学 by Kazys Varnelis; Chinese Translation by Lily & Honglei:

在整个九十年代，数字计算和网络技术在很大程度上只应用于办公室工作，其文化影响仅限于个别专有领域的爱好者。如果说这十年的新媒体艺术形成了一种非常重要的艺术亚文化，它基本上还是孤立和自我参照的，部分原因是由于艺术家们对黑客文化的迷恋，由于长期以来格林伯格主义者 (Greenbergian) 的艺术审察, 还由于艺术机构将其边缘化. 在电脑离开有限的用户群体, 成为有广泛社会功能之前,瓦克﹒寇司克 (Vuk Cosic)，朱迪(Jodi)，阿列克谢﹒舒利金 (Alexei Shulgin)，和希思﹒班廷 (Heath Bunting) 等艺术家重演了二十世纪初的前卫战略，同时将图形与八十年代黑客文化的程序演示平等化[1].

今天，相比之下，数字技术，是日常生活中的明确无误的存在，并逐渐与地来自主流社会的需要和公约不可分割的. 网络文化是一个广泛的社会文化的转变，就像后现代性，并不限于科技发展或“新媒体” [2]. 正因为数字和网络技术的成熟与当代文化是不可分割的, 我们必须在更宽广的背景下理解其, 事实上, 这甚至比电视产生于后现代的现象更令人瞩目. 今天, 可以说, 所有的艺术都是网络艺术的一种延伸.


Nov 22, 18:35
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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Data Diaries Domain of Mount Greylock—Video Portal Eclipse FUJI spaces and other places by Nurit Bar-Shai Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Superfund365, A Site-A-Day (2007) Touching Gravity 2/Tilt Tumbarumba Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays [meme.garden] (2006)
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