Networked_Performance

Reblogged Qwitter, the Darwinian side of social networks

Twitter is the web service that perfectly epitomizes the information sharing addiction of our age. The micro-blogging platform allows users to create a constant flow of short text-based messages (tweets) that can be spread with different systems, such as SMS, RSS or Instant Messaging. Updates usually concern everyday activities and trivial thoughts, and are shared among circles of friends. It has been argued that getting constant updates from the social network helps the user to develop a sort of social sixth sense that facilitates face-to-face relations, but many commentators see Twitter as the most pointless and addictive internet fad. Qwitter is an additional web service in the Twitter ecosystem that might be seen either as a tongue-in-cheek satire or as a smart exploitation of micro-blogging’s intrinsic weaknesses. Qwitter, not affiliated with Twitter, interfaces with the main system and provides a missing feature: the notification of the users that unsubscribe to your updates. The “quitters” will be exposed with a message like: “John Gruber (gruber) stopped following you on Twitter after you posted this tweet: What’s the difference between Arial and Helvetica?“. The implications of this simple notification are far from trivial. It’s often implied that the sharing of every social gesture strengthens the network, Facebook’s news feed that tracks all the interactions among friends turned out to be its most successful implementation. But Qwitter intervenes in an ambiguous territory pushing information sharing toward the paradox and potentially disrupting the mood that informs platforms like Twitter. Is Qwitter an effort to educate people to more responsible and meaningful acts of communication? Intentionally or not, it provides a sharp commentary of the attention economy in the age of web 2.0: if everybody can communicate, everybody is in perpetual competition. Qwitter simply reveals the Darwinian downside of this economy. — Paolo Pedercini, Neural.


Jan 2, 19:13
Trackback URL

One Response

  1. Adam Tramantano:

    Paolo,

    As a recent and–relatively speaking–moderate twitter user, I agree that there are many trivial tweets going around the twittersphere.

    I use twitter for two main reasons:

    1. To practice brevity…
    My main purpose in blogging is to gain an audience for my writing. The 140 character limit offers me a wonderful challenge. I try to write aphorisms and haiku. I see it as a wonderful creative challenge.

    2. To attract more readers to my blog…
    The promotional opportunities that twitter offers are tremendous, if for no other reason than for the sheer rate at which anyone can accumulate hordes of followers. This is why I use http://twitterfeed.com/ to feed my blog posts through twitter. It’s just another place where people search for things of interest.

    Notice that neither of my reasons involve wanting to follow others. I do follow a few (relatively speaking) people. I check twitter every day to see if anyone has tweeted anything interesting. I look for like-minded twitterers: people who use it as a challenge to their writing.

    It is easy to add people to the list of those you follow with services like http://www.twollo.com/ but the searches on this sight and on twitter itself are lacking. I’m not a tech-knowledgeable person, but I know that the results I get on twitter and on twitter-related services are not nearly as useful as those on google. I think the former use just keyword, with no preference for popularity of previous results.

    On the Darwinian side of things, twitter’s success has sparked all of these parasitic entities–that’s pretty interesting.

    I do agree that the temptation to use twitter for meaningless trivial tweets is a very big problem for too many twitterers. I am not above this temptation although, I think I am only guilty of it once.

    I try to use twitter sparingly (again, relatively speaking), so that those who follow me keep doing so and really read what I write. But not everyone on twitter has the same constraint. There’s a lot of nonsense out there in the twittersphere and it’s hard to find people worth following.

    Qwitter reminds us of the need to have purpose in our writing. But as funny as qwitter may be, I don’t think it’s really informative. There are many reasons why people follow and stop following on twitter and, again, much of this has to do with those compiling services that make it so you can add another 500 people to follow in just a matter of minutes.

    Finally, I return to my mantra about all new media: there are no rules and it is the need for breaking the mold in the first place that makes the new media even exist.


Leave a comment

Live Stage

Tags


calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop urban upgrade! live collaboration reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place systems open source webcast ecology software text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence interview object interdisciplinary media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY light robotic generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor copyright simulation mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam glitch emergence DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2012

Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
More commissions