Networked_Performance

Moving the Map [hn Tegucigalpa]

Moving the Map: CAVC / MUA Plataform 2008 / 2010 :: Center of Contemporary Visual Arts, Barrio la Plazuela, Ave. Cervantes, Casa 1331, Tegucigalpa, Honduras :: Open Calls for the Interchanges Programs - Deadline: July 30, 2008.

Moving the Map is an artistic project that investigates the discourse of political spheres regarding migrations, and from which there will be debate on the analytical focus and on the execution of urban artistic practices from the articulation and recognition of the migrating weave with local scenarios.

Moving the Map takes form from the design of a certain number of artistic projects and expositions, a collaborative symposium and production networks beginning from the articulation of existent cultural discourses in the context of Central American cities. One step further from the supranational settings and rigid identities; In such sense its necessary to take into consideration that the contemporary discourse of migrations has constituted the base of new explorations that highlights the expansion of new artistic narrative and in consequence the rupture with the social effects in all the countries of Central America.

The aim of the project is to work starting from the contemporary artistic setting, the characterization of each artistic practice for readings of its papers in moments of high mobility and social re-composition, discourse, positioning, spaces and symbolism; For such aim, the inter-relation between independent artists, cultural solicitors, specialists and cultural institutes are used as a platform to give way for the localization of the public spheres conforming a vast system of connections from which artistic discourse tends to re-establish the dynamics of inter-relationship in our own context.

In this framework of glances, Moving the Map is profiled as a necessary process for proposing the mediation of contextualized art in the construction of the regional in moments that Central American society is living in time and space of constant socio-cultural change and where our surroundings highlight the limitations of its borders, and the mobilization of the artistic scene has circulated by the sustainability of networks that are not made out of borders, but human inter-relationships.

The major axis of the project consist of:
• The commissioning of artistic projects of specific sites
• Inter-regional Collaborative symposiums
• International Program of performance
• Circulation of local and international projects
• Commissioning of artistic projects of specific sites

The commissioning of the intervention project for urban space will be articulated in an annual project of two artistic projects with 4 invited artists every year. They will take as reference for their interventions the growing area of demographic explosion of the city of Tegucigalpa. For curatorial selection and production, a panel of regional curators and solicitors will be invited.

Inter-Regional Collaborative Symposium/Regional Artistic Practices

Symposiums are a platform for exchange, that have as goal to generate the interaction from the strategic design of three head offices in the Central American region. For the development of this proposition, the participation of international panelists will be integrated so that with a international perspective the incidence papers of the contemporary artistic practices in and from our region will be boarded properly.

International Program of performance

A international program of six artistic propositions for the putting in the scene and investigative practice of the performance as territory for the exploration of relationships between temporal space versus physical space. Participating in this scene will be: Emerging artists with inter-disciplinary propositions that include video performance, installation, situations like that of carnival expressions in evocation to the muting of memory and territory.

Circulation of local and international projects

The putting in practice of a circulation program of artistic projects of local and international origin, has the objective to create a process of approximation and insertion with collective and individual propositions from artists that operate outside strictly institutionalized margins. The invitation of two annual regional projects will be the urban scenario of a zone in process and movement of experiences from emerging creators.

Moving the Map 2008/ 2009 plataform are sponsored by: STICHTING DOEN / MONDRIAN STICHTING / ARTS COLLABORATORY / HIVOS People Unlimited.

The Center of Contemporary Visual Arts CAVC/ MUA:

Established the organization under the curatorial and artistic direction of the curator Bayardo Blandino in 1999, assuming his functions as part of the programmatic extension of the Association Women in the Arts ‘Leticia de Oyuela’, Since then his principal activities have oriented his objectives to direct the access of contemporary expression for the creation of a proper cultural space for the articulation of the diversity and pluralism of the contemporary setting of Honduras and Central America. CAVC/MUA during its trajectory contributes to the articulation of interdisciplinary innovative propositions, for the promotion of local, national and international initiatives by means of stimulating dialogues and cross glancing with the professionalizing and formational processes of contemporary artistic practice.


Jul 8, 18:31
Trackback URL

Leave a comment

Live Stage

Tags


calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop urban upgrade! live collaboration reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place systems open source webcast ecology software text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence interview object interdisciplinary media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY light robotic generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor copyright simulation mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam emergence glitch DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2012

Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
More commissions