Networked_Performance

Live Stage: night 1001 [online]

10011.jpgThere is now less than a month before night 1001. Please tune in as often as you can http://1001.net.au. If you’ve been thinking of writing for the project but just haven’t gotten around to it, there is one more chance. Night 1000 (March 16) will honour the size of that number and all the stories and writers that have led there. So this is an open invitation extended to you and also to anyone who hasn’t written whom you have a suspicion might really like to. There is also nothing to stop you from collaborating with another writer, known or unknown to me. Please feel free to forward this on.

As well as the usual brief: Write up to 1001 words >> Use the prompt of the day either verbatim or as general thematic (the prompt will be posted around 8.30am Sydney time on the day. And if you want to read the source article, just click on the prompt) >> Submit the story no later than three hours before performance time (see below for writing times & some time conversions). There is this additional directive: Incorporate element/s from previous stories found in the archive.

You can make your choice according to names, particular stories, prompts, tags (called threads in the archive) or any criteria of your own devising. If you don’t like the search options in the archive, try Googling: “1001 nights cast” and “XXXXXXX”. All I ask is that you note the author/s and night number/s that you use and include these at the end for me to credit. This credit line does not count towards the 1001 word limit.

I’ll be accepting stories from all those who want to write and will make my decision after the deadline on March 16, ie 3 hrs before performance time. I may even do some montaging of submissions. Remember, this is also the day of the Symposium at the Performance Space, Sydney so if you’re planning on attending that (and I hope you are), you’ll need to submit early. You would have about five hours to write in that case so not impossible. If it doesn’t feel finished, submit it anyway.

If you think you’d like to write for night 1000, just give me some indication by March 1 (so I don’t end up stranded). And if you wake up on that Sunday with the urge to write, just do it and surprise me. I won’t mind. Don’t forget, on the day, you’ll need to find the prompt on the Today Now page of the website. It is NOT “she sleeps now”. That’s the placeholder before the prompt goes up.

Writing times for night 1000 on March 16:

Sydney: from about 8.30am to 4.12pm.
Perth: from about 6.30am to 2.12pm.
Delhi: from about 3am to 10.42am.
Johannesburg & Middle East: from about 11.30pm on March 15 to 7.12am on March 16.
London: from about 9.30pm on March 15 to 5.12am on March 16.
New York & Montréal: from about 5.30pm on March 15 to 1.12am on March 16.
LA: from about 2.30pm to 10.12pm on March 15.

Other conversions here.

For info on the 1001 nights cast Symposium, go here.

cheers
Barbara


Feb 18, 19:20
Trackback URL

Leave a comment

Live Stage

Tags


calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop urban upgrade! live collaboration reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place systems open source webcast ecology software text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence interview object interdisciplinary media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY light robotic generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor copyright simulation mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam emergence glitch DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2012

Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
More commissions