Networked_Performance

Computer Art Congress: Call for Papers and Art Works

cac2.jpgCAC.2: Computer Art Congress - Emerging forms of computer art: making the digital sense :: March 26, 27, 28, 2008 - Mexico City, Mexico :: Organised by: The Paragraphe Lab, University of Paris VIII (France), the Monterrey Tech Campus Toluca and Campus Estado de México (Mexico), and Europia Productions organize the 2nd. edition of Computer Art Congress.

Call for Papers and Art Works: The first CAC’2002 observed that the origins of Computer Art (CA) are to be found in the fields of Art and Sciences. This duality has greatly delayed its recognition. Today, we are witnessing the emergence of a multidisciplinary community which has been spurred on by the advanced computer sciences. Members of this community share certain “conceptions” related to Visual Art in general and to Computer Art in particular.

Nowadays, six years later, we witness an enlargement of Computer Art boundaries mainly led by its unusual development. Distance between Art and Science has narrowed to the point that CA looks to be quite an independent and autonomous field starving to reach its maturity. From this perspective, CA cannot evolve separately from the IT development strategy. Today, along with digital content production, which is in some measure produced accordingly to collective intelligence schemes, we also observe emerging forms of CA that strive to develop new ways to interact with digital content, new artefacts that repurpose digital content and new paradigms that aim to make sense of CA.

In this manner, several questions need to be posed and analysed:
* Does CA have its own identity? If yes, what about it?
* Does CA belong to the Art universe? If yes, how to situate it?
* Does CA belong to the digital universe? If yes, how does it fit-in?

AIMS AND SCOPE

CAC’08, has chosen Mexico, to call artists, authors, creators, distributors, instructors, inventors, journalists, managers, producers, scientists and technologists, concerned by those emerging artistic and technological forms, contributing, collaborating and exchanging their art-works, experiences, know-how, knowledge and visions on the “digital” Art. The Computer Art Congress endeavours to be a common forum for exchange between Artists, Researchers, and Technologists involved in this artistic area. The topics of the congress were chosen to establish a multi-disciplinary environment for participants from several backgrounds, to discuss how computer/media/network art can take its own place in the art.

TOPICS

The scope of the conference includes, but is not limited to, the following major topics:

* Aesthetics of Computer Art
* Animation and Computer Art
* Algorithmic Art
* Collaborative Art
* Computer Art and art
* Computer Art and non-linear culture
* Computer Art and video games
* Color in Computer Art
* Digital Games Art
* Global Culture
* History of Computer Art
* Interactive Computer Art
* Linguistic and Computer Art
* Music in Computer Art
* New forms of Computer Art
* Networked Art
* Online Computer Art
* Epistemology of Computer Art

PRESENTATION CATEGORIES

* Plenary (keynote) presentations
* Panels and roundtables
* Workshops and tutorials
* Exhibitions, demonstrations and posters
* Communications and article presentations
* Corporate showcases
* Corporate stands

Authors and artists interested may submit a 3-page proposal. To send a proposal, consider these specifications:
* Text: Arial, 12 pts.
* Accepted file formats: RTF, DOC (Verify that the file name only contains alphanumeric characters).
* For digital artwork: send a description of your work and ask for an account to upload your work via FTP

All proposal must be sent to everardo.reyes[at]itesm.mx. Please include the submission form into your proposal, which can be downloaded on the conference website.

COMMITTEES

Scientific Advisory Board

* Pau Alsina, Open University of Catalunya, Spain
* Roy Ascott, University of Plymouth, UK
* Jean Pierre Balpe, University of Paris VIII, France
* Reza Beheshti, TUDLFT, The Netherlands
* Maurice Benayoun, CiTu, France
* Jay D. Bolter, Georgia Tech, USA
* Pierre Boulanger, University of Alberta, Canada
* Ron Burnett, Emily Carr Institute of Art + Design, Vancouver, Canada
* Moraima Campbell, ITESM Campus Monterrey, Mexico
* Maricruz Castro Ricalde, ITESM Campus Toluca, Mexico
* Giovani De Paoli, University of Montreal, Canada
* Ken Friedman, Norwegian School of Management, Norway, and Design School, Denmark
* Octavio Islas, ITESM Campus Estado de México, Mexico
* Christian Jacquemin, CNRS-LIMSI and University of Paris XI, France
* Thomas Linehan, Institute for Interactive Arts and Engineering, The University of Texas at Dallas, USA
* Roger Malina, CNRS, France and Leonardo, USA
* Lev Manovich, University of California, San Diego, USA
* Stuart Moulthrop, School of Information Arts and Technology, University of Baltimore, USA
* Philippe Quéau, UNESCO
* Everardo Reyes García, ITESM Campus Toluca, Mexico (CAC.2 Local Chair)
* Francis Rousseaux, IRCAM, France
* Imad Saleh, University of Paris VIII, France
* Khaldoun Zreik, University of Paris VIII, France (CAC General Chair)

Organizing Committee

* Adriana Facha Madrigal, ITESM Campus Estado de México, Mexico
* Fernando Gutiérrez, ITESM Campus Estado de México, Mexico
* Héctor Padilla, ITESM Campus Guadalajara, Mexico
* Everardo Reyes García, ITESM Campus Toluca, Mexico (CAC Local Chair)

LOCATION

The congress’ main location will take place at the Monterrey Tech Campus Toluca and Campus Estado de México facilities in Mexico City and Toluca City, respectively. Exhibition spaces will be held at important museums both in Mexico City and Toluca City.

IMPORTANT DATES

* First Call for papers: September 10, 2007
* Second Call for papers: October 15, 2007
* Last Call for papers: November 10, 2007
* Submissions: December 31, 2007
* Author’s notification: January 19, 2007
* Proceedings file: January 31, 2008
* Early Registration: January 19, 2008
* Advanced Registration: March 14, 2008 (after this date, registration is on site)
* Congress dates: March 26 - 28, 2008

PROCEEDINGS AND EXHIBITION

* Accepted papers will be distributed in a printed copy, published by Europia, Paris (not included with registration rates).
* A digital copy of papers will be distributed in the complimentary congress DVD.
* Accepted papers may be selected for their publication in a special issue of the International Journal of Design Sciences and Technology (http://europia.org/IJDST/index.html).
* Artistic works and demonstrations will be assembled and distributed in a complimentary DVD and on a dedicated FTP server.

CONTACT

CAC’08 International Chairman:
Khaldoun ZREIK, Laboratoire paragraphe, University of Paris VIII Vincennes Saint-Denis, France.
Département Hypermédia
2 rue de la liberté
93526 SAINT-DENIS CEDEX
Tel: (33) (0)1 49 40 67 58 ou (33) + (0)1 49 40 64 25
Fax: (33) (0)1 49 40 67 83
Mail: zreik[at]univ-paris8.fr

CAC’08 Local Chairman:
Everardo Reyes García, ITESM Campus Toluca, Mexico
Animation and Digital Art Dept.
Eduardo Monroy 2000. San Antonio Buenvaista.
50110. Toluca, Mexico.
Tel. (52) 72 22 79 99 90 ext. 2215
Fax. (52) 72 22 74 11 78
Mail: everardo.reyes[at]itesm.mx

CAC’08 Local Coordinators:
Adriana Facha & Fernando Gutiérrez, ITESM Campus Estado de México.
Communication and Digital Art Dept.
Carretera Lago de Guadalupe Km. 3.5
52926. Atizapán de Zaragoza, Estado de México.
Tel. (55) 5864 5555 ext. 5636
Mail: afacha[at]itesm.mx


Sep 30, 15:00
Trackback URL

One Response

  1. Spanish Blogosphere » Blog Archive » Computer Art Congress: Call for Papers and Art Works:

    [...] You can read the rest of this blog post by going to the original source, here [...]


Leave a comment

Live Stage

Tags


calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture data platform body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio nature radio hybrid 3-D avatar audio/visual e-literature responsive pyschogeography presence interdisciplinary media interview object physical global/ization ubiquitous theory theater biotechnology relational play archive code bioart news generative DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic mashup simulation animation perception image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2014

Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Massachusetts Cultural Council
New York State Council on the Arts, a State agency
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Empire State Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Grow Old Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) Shadow Play: Tales of Urbanization of China ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
More commissions