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Dynamic Abstraction

josh_davis.jpgDynamic Abstraction, the beauty of randomness by Joshua Davis - Joshua Davis said in a Wired interview: “Pollock showed that there was beauty in randomness“. But if Pollock argued that the process of abstraction, not the end result, is what is dynamic (in his case a static painting), Joshua Davis’ work is never static: the painting is never the same. The compositions are beautifully software generated. ‘Dynamic’ and ‘Abstraction’ are in fact the two words that define the process he uses. Dynamic because of the programming property of outputting an endless array of compositions. Abstraction is defining multiple meanings in the process itself. As Joshua points out: “I was abstracting the act or process of being a designer and doing design, but also my personal visual aesthetic is rooted in abstraction“. Continue reading


Jul 31, 17:10
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Between Chaos and Cosmos

grau2.jpgBetween Chaos and Cosmos: ngel KALENBERG reviews MediaArtHistories, Oliver GRAU (Ed.), Cambridge/Mass., MIT Press 2007.

Ortega y Gasset saw man not as natural, but instead as an anomaly of nature. Human beings, beyond being animals like the rest, have features that clearly differentiate them from, say, hominids. Those elements are human-created, and one of them is technology: our tools. But, these days, technology is met not only with praise. Many theorists hold it to be producing the catastrophe presaged by Heidegger and bemoaned today by Baudrillard and Virilio. Ultimately, it marks a twist of history, like others that elicited James Joyce’s celebrated dictum: “History is a nightmare from which I’m trying to awake?” Continue reading


Jul 31, 12:03
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Documenta as a Fiction Workshop [pl Gdansk]

documenta.jpgDocumenta as a Fiction Workshop :: August 2-4, 2007 :: Wyspa Institute of Art in Gdansk, 1 Doki Street, building #145B, 80-958 Gdansk, Poland :: +48 58 320 44 46.

Fiction touches on invented stories, fantasies and literary conventions. It sits on the side of creativity, arbitrariness and doubt. Its power belongs to the speaking subject… but also to the listening one, flickering in the instantaneous and capricious relation between the two (or more) of them. In this framework, Documenta as a Fiction is foreseen as both an event and a theoretical figure based on an actual story. Resonating the ontological dissonance between the traditional notions of document and fiction, the workshop seeks for the plots and narratives of contemporary art as well as its institutional visions, giving a space for the performative encounters of individuals. Continue reading


Jul 31, 11:26
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John Whitney, Arabesque (1975)

John Whitney (1917 - 1995) was an animator, composer and inventor, widely considered to be one of the fathers of computer animation.


Jul 30, 16:18
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Sharkrunners

sharkrunners1.jpgIn Sharkrunners, by Area/code, players, “take on the role of marine biologists who seek to learn as much as possible about sharks through advanced observation techniques. In the game, players control their ships, but the sharks are controlled by real-world white sharks with GPS units attached to their fins. Real-world telemetry data provides the position and movement of actual great white sharks in the game, so every shark that players encounter corresponds to a real shark in the real world. Ships in the game move in real-time, so players receive email and/or SMS alerts during the day when their boat is within range of an encounter. Players login, choose crew members and an approach technique, and then collect various data from the nearby sharks.” [via]


Jul 30, 15:48
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Spawn of the Surreal

domenico.jpgWe are all at the mercy of dream, and in the waking ours we have to suffer its power.” - La Révolution surréaliste, Issue 1, December 1924

Domenico Quaranta is pleased to announce SPAWN OF THE SURREAL, his Second Life alter-ego’s blog. Spawn of the Surreal: Travel notes of an art critic lost in the dumpster of the imaginary” will feature the considerations of an imaginary art critic who tries to make art in Second Life make sense to him and to the contemporary art audience. The idea came out from the fact that there are a lot of accounts about art in Second Life, but a little criticism; and that there isn’t enough space for this subject on contemporary art magazine. Obviously, every comment and discussion will be welcome! Continue reading


Jul 30, 13:05
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NanoArt: Call for Entries

a_in_pieces02.jpgNanoArt 2007 INTERNATIONAL ONLINE COMPETITION :: Deadline: December 31, 2007 :: Open to all artists and scientists.

NanoArt is a new art form where micro or nanosculptures created by artists or scientists through chemical or/and physical processes are visualized with powerful research tools like Scanning Electron Microscopes. The monochromatic electron microscope scans are processed further using different artistic techniques to create pieces of art that can be showcased for the general public. Nanoart21.org, founded by artists / scientist Cris Orfescu, will provide 3 high resolution monochromatic electron scans as seed images for artists to choose from. Continue reading


Jul 28, 12:23
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Siggraph 1982 + ‘83 Art Show: Help Needed

sigg82.jpgCopper Giloth, chair of the SIGGRAPH ‘82 art show, has been working with a team of students to compile documentation of the exhibition. They are trying to contact these individuals: Michael Assante, Richard Balabuck, Robert Faught, Richard Frankel, Harold Hedelman, James Hockenhull, Tony Johnson, Eihachiro Nakamae and Dean Winkler. Please contact giloth[at]oit.umass.edu

Looking Back 25 Years: Siggraph’82 Art Show: 25 years ago, ACM Siggraph sponsored its first juried public exhibition of experimental two-dimensional, three-dimensional, interactive and time-based works by artists and scientists experimenting with computer graphics technologies. Continue reading


Jul 28, 12:04
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Copyfarleft and Copyjustright

m_2_5_frontcoversml.jpg“Challenges to traditional copyright resulting from peer-to-peer applications, free software, filesharing and appropriation art have caused a wide ranging debate on the future of copyright. Dmytri Kleiner brings existing critiques of material property from the left to bear upon the realm of copyleft artistic production and asks how, within the existing copyright regime, can artists earn a living?

In the area of software development copyleft has proved to be a tremendously effective means of creating an information commons which broadly benefits all those whose production depends on it. However, many artists, musicians, writers, film-makers and other information producers remain sceptical that a copyleft based system where anyone is free to reproduce their work, can earn them a living. Copyleft licenses guarantee intellectual property freedom by requiring that reuse and redistribution of information be governed by ‘the four freedoms,’ the freedom to use, study, modify and redistribute.” Continue reading Copyfarleft and Copyjustright by Dmytri Kleiner, Mute magazine. Also see Rhizome Adds Creative Commons Licenses.


Jul 28, 11:23
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Live Stage: Rubén Ortiz-Torres [de online + Berlin]

wunp-unlogo.jpgRubén Ortiz-Torres - Power Tools :: The United Nations Plaza Radio Network, WUNP – 95.2 FM :: July 28, 2007, 6PM CEST (Berlin) :: Hosted by neuroTransmitter.

Taking cue from the subtitle of Rubén Ortiz-Torres’ blog, Saturday’s conversation is a live rant about art and culture across borders in the post colonial era. Ruben Ortiz-Torres was born in Mexico City in 1964 and has been living / working in Los Angeles since 1990. He was educated within the utopian models of republican Spanish anarchism confronted by the tragedies and cultural clashes of the post colonial third world. After giving up the dream of playing major league baseball, he decided to study art. Continue reading


Jul 28, 11:15
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Live Stage

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calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture conversation art + science social networks social games history dance surveillance music workshop urban collaboration mapping live upgrade! reblog activist wearable immersive public/private architecture platform data body collective aesthetics environment city film identity systems telematic culture wireless visualization web 2.0 site-specific place open source ecology webcast tool software text research intermedia community space audio radio nature 3-D avatar hybrid audio/visual responsive e-literature pyschogeography presence interdisciplinary media interview object physical ubiquitous global/ization theory theater biotechnology relational play archive code bioart generative news DIY light robotic place-specific hacktivism synthetic p2p cinema education remix agency interface im/material live cinema language labor copyright algorithmic simulation mashup perception animation image free/libre software multimedia artificial motion tracking convergence voice reenactment machinima gift economy streaming emergence cyberreality glitch webcam tv DJ/VJ censorship ARG nonlinear transdisciplinary touch recycle asynchronous fabbing tag semantic web hypermedia chance synesthesia biopolitics social choreography tangible app forking unconference gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation app architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Constellation Over Playas Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern From the Valley of the Deer FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi iLib Shakespeare (the perturbed sonnet project) Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar iSkyTV Journal of Journal Performance Studies L-Carrier Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Nothing You Have Done Deserves Such Praise Oil Standard (2006) Panemoticon Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait (2006) ShiftSpace Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market Yeas and Nays You Don't Know Me [ openspace ] wilderness [meme.garden] (2006)
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