Networked_Performance

SHELTER 07

1180360517shelter_web.jpg

Freedom of Public Art in the Cover of Urban Space

Catharinakapel presents: SHELTER 07: The Freedom of Public Art in the Cover of Urban Space :: Harderwijk, The Netherlands :: June 2 – August 31 :: Artistic Interventions by Lara Almarcegui, Tiong Ang, Ginette Blom, Gijs Frieling, Jeanne van Heeswijk (in collaboration wih Boris van Berkum), Job Koelewijn, Irene Kopelman and Mieke Van de Voort. Curator: Henk Slager

The objective of the Shelter 07 project is to draw attention to the history of the Dutch city of Harderwijk. To achieve this goal, the genealogical significance of the name Harder-Wijk, “an elevated place offering a safe shelter to refugees in troublesome times”, serves as the point of departure for the exhibition in public space. That genealogical significance causes notions such as safety and freedom to appear inextricably bound to Harderwijk’s history. But how did that connection arise? Is it still linked to a spatial, site-specific concept with phenomenological connotations of physicality? Or does a medial, discursive relationship transform the current concept of “place” into a textual issue, i.e., a notion of place as a platform of knowledge and intellectual exchange?
To investigate these questions further, eight artists have been invited to produce artistic research projects related to a number of significant locations chosen in collaboration with the historical society Herderewich. The artists were asked to develop specific proposals underscoring the above problematics in an artistic form. Interestingly, in their projects, a number of related issues and topics emerged.

In order to understand a locationÂ’s specificity, Lara Almarcegui employs an archeological method eliciting that precedes space, i.e., the granting of room. On the Blokhuisplein, a historical location renowned for its straightness and power, she will create a fallow field presenting a temporary autonomous zone as a dysfunctional, undefined, and unfounded space escaping the grid of geography. At the same time, the autonomous zone is able to shelter the experience of a total freedom of interpretation.

As a location for his intervention, Tiong Ang chose the former lodge of the duty officer of the colonial yard depot, the building where volunteers for the Dutch East Indies were recruited. The lodge is situated next to a monumental gate that, thanks to the house of ill repute once situated just outside, seamlessly connects two former literary worlds of bourgeois escapism: the reality of Keetje Tippel, a famous woman of easy virtue, recorded by Neel Doff; and the contours of colonial reality, sketched by Multatuli in Max Havelaar.

Ginette Blom’s intervention brings us back to a medieval conception of freedom incorporated to some extent in the double function of the 13th-century Vispoort (Fish Gate). As a crucial element in the fortress structure, this building served initially as a defensive post and lighthouse. However, at the gateÂ’s sea-facing side, there was also a quay where fishermen could freely sell part of their catch. By means of a nighttime light projection on this historical location, a filmic memory of this pre-capitalist free trade site is evoked.

Gijs Frieling rewrites the history of the port as a freewheeling place of leisure in the form of an allegoric mural near the pier. Until the early 20th century, Harderwijk’s economic independence relied to a certain extent on the presence of the (fishing) port. With the arrival of the Zuiderzeewerken – turning the greater part of the South Sea into a polder – Harderwijk’s economy seemed to run aground. However, the sudden arrival of a group of dolphins at the dock entrance turned out to be the beginning of a new period of economic vigor.

Jeanne van Heeswijk (in collaboration with Boris van Berkum) developed a series of wallpapers placed on the bricked-up windows of old houses around the church square, retelling last century’s lingering tales: about the symbolic poet Rimbaud, who lost his identity as a poet during his stay in Harderwijk and vanished in the grand myth of the foreign legion; about the first big stream of (Belgian) refugees who found temporary shelter during World War I in camp Harderwijk; and about the circulating rumors of missing passports popping up during the transformation of the AZC (Refugee Center) Jan van Nassaukazerne into luxury condominiums, as proof of the search for shelter in a new, safe identity for its former inhabitants.

At the spot where, till the late 1970s, the strictly Protestant “church school” (Vismarktschool) was situated, the city of Harderwijk has recently constructed a natural water reservoir. Job Koelewijn considered this an ideal place for his intervention. He put the stream of rising water and all its connotations of Flood, chastening, and eternal return into the liberating perspective of some hundreds of Great Books.

In the City Museum, Irene Kopelman investigates the 18th-century position of the University of Harderwijk as refuge for thought through an artistic interpretation of Linnaeus’ botanical classification system. Just because this university did not choose for a dogmatic movement of thought but rather was open to a variety of epistemological perspectives, it was a safe haven for unorthodox intellectuals from all over Europe.

In the context of Shelter 07, Mieke Van de Voort stays temporarily in Harderwijk in the Zeebuurt area, where she develops a new work in a typical 1950s row house, icon of radical mediocrity. Here freedom seems to be entirely reduced to a one-dimensional concept. Yet, inevitably the question arises: could something cooked up in an anonymous row house ultimately prove meaningful for the balance between freedom and safety?

Parallel to the Shelter 07 presentations in urban public space, the Catharinakapel (Klooster 1) will serve as the source of Shelter 07 information during the summer of 2007, supplying information about the participating artists, the artistic research projects, the work processes and the historicity of the chosen locations.


May 29, 14:27
Trackback URL

Leave a comment

Tags


calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2019

Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2018

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Massachusetts Cultural Council
New York State Council on the Arts, a State agency
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
More commissions