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Anne-Marie Schleiner and Luis Hernandez

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Chispitas

Chispitas is an exhibit of experimental game art pieces by Luis Hernandez and Anne-Marie Schleiner, and collaborators of theirs. Included is an arcade-like interactive sculpture :: Opening: Thursday March 29, 2007, 8:30 p.m. :: Galeria Sector Reforma, Guadalupe Victoria 398, Entre Analco y Nicolas Bravo, Guadelejara, Mexico :: T/ 36 18 88 10.

“Corridos” a car driving music game inspired by the Mexican/US Border. Also showing is “Oversaturation”, an abstract game rooted in Mexico City’s urban problematics, and “Heaven711” a hip hop poetry game in four languages. Chispas also shows a number of “Machinima” remixed game art videos, such as “Riot Gear for Rollartista”, a series of short videos dealing with European police abuse of Islamic immigrants, shown on small screen PSP’s. Some other pieces are OverMachinima and OUT, an urban intervention in America’s Army. “Chispitas”, a name suggested by guest curator Rene Hiyashi, is a variation of slang for Mexican game arcades, which are popular spaces of play and public social interaction in many parts of Mexico. Continue reading


Mar 27, 09:37
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An Event for a Conversation

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‘fancy a skype chat?’

An Event for a Conversation celebrates social networking and is designed to explore the social and technological aspects of communication through experimental events and conceptual research. This experimental and research process will develop towards, and inform the final interactive and relational ‘Event for a Conversation’.

The first event ‘fancy a skype chat?Â’ took place yesterday (March 25); ‘fancy a skype chat?Â’ invited people to an online, social event hosted by the artist Rebecca Gamble. Gamble’s goal was to re-create the pub-like environment of informal chat around a table over a drink, by inviting people to ‘bring their ownÂ’, ‘log onÂ’ and start chatting over Skype. Through this event, the artist hoped to connect people and their different environments through online conversation, in a virtual environment. It was documented through the texts of the ‘Group ChatÂ’ on Skype, from screen grab images of the artistsÂ’ desktop at 10-minute intervals, and in other ways the participants added to it. The conversations themselves were not recorded. Continue reading


Mar 26, 10:24
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1001 nights cast

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TIME CHANGES

1001 nights cast: Daylight Savings ended in Australia and started in Europe on Sunday March 25. Performance # 644 on March 26 is at 6pm from Sydney, that is: 4pm in Perth, Hong Kong and Tokyo; 9am in London; 10am in Madrid, Paris and Berlin; 11am in Beirut, Jerusalem and Istanbul; 4am in New York, Toronto and Bogota; 1am in Los Angeles. And then will get earlier with each passing day. If in doubt, wait for the “Performance # xxxx begins in XX:xx hrs/mins” countdown clock on the Today Now page.

New writers always invited to contribute. Story submission deadline is always 3 hrs before performance time (sunset). Continue reading


Mar 25, 17:23
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New Media Art in a Control Society

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Transcript from a Performance

Adam Trowbridge: New Media Art in a Control Society :: Transcript from Performance :: The Hunter Museum of American Art, Chattanooga, TN, USA :: March 22, 2007 :: video stills here

As noted in the transcript, the majority of the statements read were not original and instead shamelessly stolen (edited and unedited) from various sources: theoretical texts, artists’ statements, manifestos and paranoid rambling. Transcript:

This is…a performance and new media art…or maybe not. [text below is read]

– – Gilles Deleuze said “Maybe speech and communication have been corrupted. They’re thoroughly permeated by money and not by accident but by their very nature. We’ve got to hijack speech. Creating has always been something different from communicating. The key thing may be to create vacuoles of non-communication, circuit breakers, so we can elude control.” End quote. Continue reading


Mar 25, 16:12
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Code31 + OKNOPUBLIC

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Workshops + Events

Audio and video Streaming Workshop, dis-organized by /Code31/ and led by Arjen Keesmaat :: March 31-April 1, 2007.

During the second workshop within the framework of Code31’s xmedk online research, we’ll present a two day crash course in audio and video streaming. What does it take to send a live video stream from your desktop to the whole world. We’ll learn how to configure a streaming server, take a look at different kinds of broadcasters. Deal with the technicalities: Which protocols to use? What is the difference between udp en tcp? What is with all these codecs?

We’ll start low level but in a further stage, dive deeper into the technicalities of streaming: How to configure your network and deal with protocols? How your video imagery gets compressed to those coded bits and bytes? The people at rambla.be are giving us an introduction in getting your streams out in the open, reliably streaming to the bigger public. Continue reading


Mar 25, 13:55
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Listening to the Archive I: Memoires de Sourds

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A Workshop

Listening to the Archive I: Memoires de Sourds :: A workshop around Les Immateriaux :: Date: 30 March 2007 :: Venue: Auditorium, Jan van Eyck Academie, Academieplein 1, 6211 KM Maastricht, Netherlands :: Contact: Antony Hudek at ahudek[at]hotmail.com.

The first in a series of public workshops analysing the impact of Les immatiriaux, the exhibition co-curated by Jean-Frangois Lyotard and Thierry Chaput at the Centre Georges Pompidou, Paris, in 1985. Workshop participants Luca Frei, Marysia Lewandowska, Emily Pethick, Antonia Wunderlich and Peter Zeillinger will address Les immatiriaux as a sum of archives, from the show’s two catalogues to the sound records transmitted via headphones during the exhibition. In a bid to rethink Les immatiriaux as an unprecedented phenomenological reflection on excavation, memory, and translation, the workshop will call upon, among other references, Lyotard’s late essays (Chambre sourde, La confession d’Augustin), Jacques Derrida’s Mal d’archive and Mimoires d’aveugle, as well as contemporary artistic practices concerned with participatory forms of aesthetic engagement. Continue reading


Mar 25, 13:41
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NOEMA

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Ideas + Survey

Generic Infrastructures [2] by Rob van Kranenburg: Today we are in the worst situation imaginable. Our global and undisputed computing paradigm posits that computing processes are successful only in as much as they disappear from view. Our design focus is ever more following Philips untenable but seductive ‘sense and simplicity’ resulting in the-bug-as-a-feature-design of the Ipod Shuffle. Our educational system is following this systemic hide-complexity strategy that favors the large industrial labs, IT conglomerates and above all their clinging to notions of IP and the patent that are firmy tied to their notions of doing business and making money. And our users, us? We are YOU, the most influential person of the year 2006, according to TIME Magazine. You fill the Wikipedia entries in your spare time, you blog your daily activities, you co-bookmark on de.l.i.c.i.o.u.s, upload your photos to flickr, you buy mating gear in Second Life, and mark your position on Plazer or Google Earth. You fill out the forms. Isn’t it time you start questioning the principles behind the formats? And, to make matters even worse, your na¯ve ideas of sharing are corrupting notions of privacy, transparency and informational architecture symmetry. Continue reading


Mar 25, 13:33
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Convergence: The International Journal of Research into New Media Technologies

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Call for Submissions

This is a general call for submissions to Convergence: The International Journal of Research into New Media Technologies. Convergence is published by Sage Publications, and is one of the longest-standing journals in new media studies.

Regular readers and subscribers will know that, apart from two annual special issues, Convergence publishes two numbers a year which are open to any submissions that fall within our remit. This is an open call for papers for Volume 14, number 2, which will appear in May 2008. For this issue, papers would need to be submitted by 30th May 2007.

Papers in areas including the following are welcome: Video games, Cable and telecomms, Mobile media / content, Internet studies, Digital / new media art, Digital photography, VR, Control and censorship of the media, Copyright / intellectual property, New media policy, New media industries / institutions, New media history, New media in cross-cultural/international contexts, new media products, Digital TV, DVD, Digital music – recording, production, distribution, file formats / file sharing, Cinema, and gender and technology. Continue reading


Mar 24, 17:10
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Evolution de l’Art

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No Physical Residue

Evolution de l’Art :: Bratislava, Slovak Republic :: March 21 – April 22, 2007.

The gallery Evolution de l’Art arises from a collaboration between SPACE (Juraj Carny, Diana Majdakova and Lydia Pribisova) and Cesare Pietroiusti. Evolution de l’Art is a gallery for contemporary art which only sells artworks that are immaterial, with no physical residue, and it does not release certificates of authenticity, nor statements or receipts. EdlA will represent, on a non-exclusive basis, artists whose artwork is, at least in the case of some specific projects, alien from any physical-material component. Beyond this condition, there will not be any other limitation or requisite for represented artists in terms of medium or technique. EdlA offers the possibility of becoming contemporary art collectors to the widest possible audience. Therefore the gallery will offer artworks at a range of very different prices, including some that can be purchased for a few Euros. Purchases can be made at the headquarters of the gallery (Lazaretska 9, Bratislava) or through the website. Continue reading


Mar 23, 18:16
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Comp_07: MIXED REALITIES

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One Week Left to Apply!

Comp_07: MIXED REALITIES :: Juried International Networked Art Competition :: Call for Proposals :: Deadline: March 31, 2007.

MIXED REALITIES: (1) a competition and series of simultaneous exhibitions that engage users in three discrete environments: the Internet (Turbulence), an online 3-D rendered environment (Ars Virtua), and physical space (Art Interactive); (2) works that evaluate the concepts “virtual,” “simulation”, and “real”; (3) a series of experiences in which participants connect with one another and contribute to the creation of the work. Five commissions @ $5,000 (US) each. More >>

APPLICATION GUIDELINES: Proposals MUST BE in the form of a web site. More >>. NOTE: While collaborative projects are preferred they are not a requirement. We have set up a FORUM for applicants to ask and answer questions and seek collaborators. GO TO FORUM >> Continue reading


Mar 23, 18:06
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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
More commissions