Networked_Performance

CHArt TWENTY-SECOND ANNUAL CONFERENCE

chart.gif

Fast Forward - Art History, Curation and Practice After Media

CALL FOR PAPERS – DEADLINE 31 MAY: Fast Forward - Art history, curation and practice after media; CHArt TWENTY-SECOND ANNUAL CONFERENCE, Thursday 9 - Friday 10 November 2006, London venue to be confirmed.

Everything is changing. In particular our media are changing and developing in extraordinary and unprecedented ways and with great rapidity. This is particularly true of so-called ‘new media’, such as the Internet and the World Wide Web, mobile telephony, and digital video. All of these either enable us to do things we did before differently, or more often and more easily, or to do things we could previously barely imagine. This is transforming how we understand and use what we still call ‘media’, even as we enter a ‘post-media’ age. More dramatically, these developments are in the process of transforming not just our world, but our very selves, how we understand who we are. We are in the midst of dramatic shifts in terms of the paradigms by which we understand and act in the world.
This is being acknowledged increasingly by those working in visual culture, whether in cultural production or cultural heritage, in art practice or in the history of art, in museums, in galleries or in other kinds of arts organisations, in libraries and archives, or in broadcast and media production companies, all of which are facing up to the consequences of rapid technological and cultural change.

For the 2006 CHArt Conference we are looking for proposals for papers that deal with the possibilities, challenges and problems of these changes, as they affect visual culture, in areas including (but not limited to):

Art Practice; Art History; Museums; Galleries; Curation; Archives; Libraries; Education; Media and Broadcast Production; Cultural Assets Management and Access; Hardware; Software; Theory; Practice.

Please email submissions (a three hundred word synopsis of the proposed paper with CV of presenter/s and other key figures) by 31 May 2006 to Hazel Gardiner (hazel.gardiner[at]kcl.ac.uk).

Dr Charlie Gere
Chair, CHArt

CHArt
c/o Centre for Computing in the Humanities
Kings College, University of London
Kay House
7 Arundel Street
WC2R 3DX


May 4, 11:53
Trackback URL

Leave a comment

Live Stage

Tags


calls + opps performance livestage exhibition installation mobile networked writings participatory locative media augmented/mixed reality event new media video interactive public virtual net art conference intervention distributed second life sound political technology narrative tactical festival conversation art + science lecture social networks social games surveillance history dance music workshop urban upgrade! live collaboration reblog mapping activist wearable immersive platform public/private architecture data collective body environment film identity wireless city telematic web 2.0 aesthetics culture visualization site-specific tool place systems open source webcast ecology software text intermedia audio research space radio community 3-D avatar responsive hybrid audio/visual nature pyschogeography presence interview object interdisciplinary media e-literature ubiquitous global/ization theater physical theory biotechnology play archive bioart relational news DIY light robotic generative code synthetic hacktivism p2p education cinema place-specific remix interface im/material live cinema agency language labor copyright simulation mashup algorithmic perception animation free/libre software image multimedia artificial motion tracking voice convergence reenactment streaming machinima gift economy cyberreality webcam glitch emergence DJ/VJ censorship tv ARG nonlinear asynchronous transdisciplinary recycle touch fabbing tag semantic web synesthesia biopolitics chance hypermedia tangible unconference forking social choreography gesture 1
1 3-D ARG DIY DJ/VJ activist aesthetics agency algorithmic animation architecture archive art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

Archives

2012

Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
Read more...

RSS feeds

N_P offers several RSS feeds, either for specific tags or for all the posts. Click the top left RSS icon that appears on each page for its respective feed. What is an RSS feed?

Bloggers

F.Y.I.

Feed2Mobile
Networked
New Radio and Performing Arts, Inc.
New American Radio
Turbulence.org
Networked_Music_Review
Upgrade! Boston
Thinking Blogger Award

Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
ABSML Ars Virtua Artist-in-Residence (AVAIR) (2007) Bonding Energy Bronx Rhymes Cell Tagging (2006) Channel TWo: NY Data Diaries Domain of Mount Greylock—Video Portal Eclipse Endgame: A Cold War Love Story by Tal Halpern FUJI spaces and other places by Nurit Bar-Shai Google Variations by Leonardo Solaas Gothamberg (2007) Grafik Dynamo (2005) Handheld Histories as Hyper-Monuments (2007) html_butoh (2007) I am unable to tell you I'm Not Stalking You; I'm Socializing by Liz Filardi Invisible Influenced by Will Pappenheimer and Chipp Jansen iPak - 10,000 songs, 10,000 images, 10,000 abuses by Ajaykumar Journal of Journal Performance Studies Les Belles Infidèles look art Lumens My Beating Blog (2006) MYPOCKET by Burak Arikan No Time Machine by Daniel C. Howe and Aya Karpinska Nothing Happens: a performance in three acts (2006) Oil Standard (2006) Peripheral n°2: KEYBOARD (2006) Playing Duchamp by Scott Kildall Plazaville Recollecting Adams School of Perpetual Training Self-Portrait (2006) ShiftSpace Social Relay Mail Spectral Quartet Superfund365, A Site-A-Day (2007) This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors (2007) Wikireuse Without A Trace Yeas and Nays You Don't Know Me [meme.garden] (2006)
More commissions