Wilderness Art Conference: Wind As Context :: May 24-26, 2012 :: Marjaniemi Luotsihotelli & Cafe Bar Haiku, Hailuoto, Finland. Program here. Continue reading

Domain Gallery is pleased to present reCAPCHAT, a solo exhibition by french artist Jimpunk curated by Manuel Fernández.

reCAPCHAT use the reCAPTCHA system, an extension of the CAPTCHA test that recognizes text in images to determine when the user is human or not. Jimpunk has modified these systems to generate a nonsense chat, an intervention in Twitter where every time a user fills out the reCAPTCHA, is published in an account open for the project, creating a new and unexpected spontaneous way of experimental communication.

Jimpunk is a well known net-artist who has been using Internet as context for his art practice from late 90’s. He lives and works in Paris.

Bioart and Textiles Workshop with Anna Dumitriu :: May 26, 2012; 11:00 am - 4:00 pm (UTC+01) :: The Barn Gallery, St. John’s College, The University of Oxford, St. Giles, Oxford, UK (map) :: Reserve your space here.

On this practical and theoretical workshop with Anna Dumitriu, participants will begin to learn how to work safely with bacteria as an artistic medium using commonly available supplies. They will start to develop a bacteriocentric view of the world, understand the textile techniques used in the exhibition and discuss the new advances in clinical microbiology being investigated by the Modernising Medical Microbiology Project. The workshop will also look at other key artists in the field of bioart, issues of public engagement in science, ethics, and the nature of collaborative art/science practice.

This coincides with the exhibition Normal Flora: Bioart Responses to Modernising Medical Microbiology.

New Radio and Performing Arts, Inc. is now accepting proposals for its Turbulence.org Commissions Program. The deadline for New York practitioners is May 31, 2012; June 30, 2012 for everyone else. The Application Guidelines are here.

Turbulence.org is the oldest and most consistent net art commissions site in the world. Now celebrating 16 years it has commissioned, exhibited and archived over 200 works. We are also in the process of archiving the collection at the Rose Goldsen Archive of New Media Art, Cornell University, Ithaca, New York. You can read about the project in Virtueel Platform Research: Archiving the Digital by Annet Dekker and Rachel Somers-Miles.

Please support this inspiring and important project! Local Autonomy Networks (Autonets) is a line of mesh networked electronic clothing with the goal of building autonomous local networks that don’t rely on corporate infrastructure to function, inspired by community based, anti-racist, prison abolitionist responses to gendered violence. The project is focused on creating networks of communication to increase community autonomy and reduce violence against women, LGBTQI people, people of color and other groups who continue to survive violence on a daily basis. The Autonets garments, when activated, will alert everyone in range of the the local mesh network who is wearing another autonet garment that someone needs help and will indicate that person’s direction and distance. More here.

Listen to KPFK’s interview with Micha Cárdenas:

[Tom Sachs, "Mars Yard," 2011-2012. Mixed media, dimensions vary. & "Mars Excursion Roving Vehicle (MERV)," 2010-2012. Mixed media, 123 x 52 x 60 inches. Photo: Genevieve Hanson.] Creative Time / Park Avenue Armory present Tom Sachs: Space Program Mars :: May 16 – June 17, 2012 :: Park Avenue Armory, 643 Park Avenue, New York City.

Space Program Mars is a four-week mission to the Red Planet that explores the universe as a path to discovering ourselves. This interactive installation recasts Park Avenue Armory’s 55,000-square-foot drill hall as an immersive space odyssey featuring dynamic and meticulously crafted sculptures, including elaborate spacecraft, Mission Control, a launch platform, a Mars landscape, and much more. Continue reading

for the time being: a choreosonic performance by DAP-Lab :: May 26, 2012; 7:30 pm :: Watermans, 40 High Street, Brentford, UK.

for the time being explores the sound of movement in a 30-minute premiere of a new stage work inspired by the Russian Futurist opera Victory over the Sun (1913) and its fantastical visual designs. Nearly a hundred years ago, the Futurists collaborated on an eccentric vision of a society to come, based on revolutionary fervor of the time. The DAP-Lab’s choreosonic performance, both comic and unsettling in places, is an intimate piece that looks at our current precarious existence in a world full of outworn clichés of revolutions. Continue reading

The Mapping Practices of Catherine D’Ignazio by Christine Temin, Art New England:

“Catherine D’Ignazio is an artist, software developer, and educator. She leads the Experimental Geography Research Cluster at RISD’s Digital+Media program. Her artwork has been exhibited at the ICA Boston, Eyebeam, MASS MoCA, and the Western Front, among other locations. Her artwork is participatory and distributed — a single project may take place online, in the street and in a gallery — and involve multiple audiences participating in different ways for different reasons. Her practice is inherently collaborative.

“In the early days of the Internet, you had a handle,” D’Ignazio recalls. Hers is Kanarinka. “It was given to me by a friend from Montenegro. In Montenegran it means ‘canary.’” Continue reading

Drama, by Timo Kahlen, is generated as the viewer plays and re-plays the film, to create individual and always different endings based on chance outcomes of the film’s miniature drama, a struggle of life and death, always different, again and again.