" Why Rock?" | ||
The Move. A chapter in Richard Meltzer's "The aesthetics of Rock", the prophecy of the future (marxian) farce of rock'n'roll academization. It's about what you are going to do next when you've burned what you were supposed to be doing before. Do you remember art for mobile phones ? Let's read R. (Meltzer): "To Berdyaev, the creative act is the act which will bring about the end of the world", and to me too. Sometime, very recently, I learned that Alan Sondheim had released records on ESP-DISK. This makes a list which goes: Patty Waters, the Fugs, Alan Sondheim, the Godz. Can't be beat. It could have been the end of the world. Somehow people don't die at the end of the world. Somehow after the farce Tragedy, Farce, Juke-Box. Sometime, less recently, I bought a book by Dan Graham. You see I liked Dan Graham so much and bought it although everything Perhaps what I'm getting at is that there is "The streets of Baltimore" andthere are the streets of Baltimore. I read you R. "I got myself a factory job, I ran an old machine That was before the Internet and at the same time it is for ever. Can't be beat. This is the time of relentless Novelty but yet there are no hits. I wonder where are all the fans. If there are no fans, there is no music. There is no dirt, no hair, you can't trust anyone. There is no style or edge. There is The Move. Richard: You know, there IS no history anymore, it's all just a bunch of, you know, uh, what's the word, acceptable data. You see, I want the end of the world, I want the destruction, I want this world brought down. It's not a-coming. "If that's all there is my friends, then let's keep dancing | ||